Showing posts with label language. Show all posts
Showing posts with label language. Show all posts

Monday, April 6, 2015

Darkness, to a void




to a void

alone in a house. in the night.
shadows on a wall. on the move.
silence. listening to silence

to avoid the silence turn on the music the song
the song over and over and over

to avoid the shadows turn on the tv the
light the candles the night

to avoid the loneliness
to avoid a void
play

play with motions with the flickers of the flame
with the sound of syllables scattered in sentences

yet you are alone.
alone in this house in this night.

you will be alone, tomorrow night.
you will be alone, the night after tomorrow night.
and the next. and the next.

the house. it has so many doors, so many windows
opening to the outside, letting the light in
the wind, the echoes.

the window in front of you, it is flickering while you type this.
it's the wind touching it.
wind on window.

is that where the word is coming from?

wind. it is the same in German.
der Wind. the wind.
Wind and wind.

not many words that stay the very same.
roses do. eine Rose. a rose.
it even is a rose in France. la rose.

a rose is a rose is a rose.

maybe that is what she meant, after all. Gertrude Stein.

Stein. stone.
lang. long.
Kuss. kiss.
Wort. word.
Ozean. ocean.

change a letter
change the language.

sometimes you try to imagine
what would happen
if you were alone in a house
for a whole month.

just you the house and pencils and paper.
maybe you have to try it

one day

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about + links: 
Inspired by the current photo friday theme "Darkness" ...

...which made me remember this night story I once wrote, The story was first published in Empty Mirror magazines: to a void - and nice to see that Empty Mirror is still running.


Wednesday, April 1, 2015

forms of being & 7100 languages


"Miracles of Human Language: An Introduction to Linguistics" - this new online course about language started this week at Coursera. I watched the first videos. So good, with an atmosphere that is both personal and global. It is astonishing to explore the complexity of language, and all the different languages that are out there, each with an own set of words.

One of the course videos is about "Why isn't there only one language?". Another is: "What defines a language". Here's the course page: https://www.coursera.org/course/humanlanguage

And a second link: Ethnologue is an online database of the languages of the world: "Ethnologue contains information on 7,102 known living languages. Begin by clicking World Languages in the page header...."

While browsing Ethnologue, I remembered the language installation I once put together. The photo above is a screenshot of it, here's the moving version: "forms of being",

And here's the original publication in qarrtsiluni's "Translation" issue: forms of being

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On another note, I think I will go and revisit links from the past more often. So much out there, or rather: so much back there.



Monday, June 2, 2014

b is for blue, or 6900 names of... (a to z)

here is the next step of the alphabet journey, today is all about colors. or rather: all about 1 color



blue language musings
"blue" turns to "blau" in German, and to "bleu" in French. for Italians, it is "azzurro" and for Portuguese it is "azul". "xanh" is the Vietnamese blue - and niebieski is the Polish blue. (more blues, here: translations of blue)

and that is just one simple word. it is astonishing to think about the complexity of language, and all the different languages that are out there, each with an own set of words, some even with an own alphabet. here's a list of the top 100 languages of the world, by estimated number of speakers.

And how many languages are spoken in the world? 
"More than you might have thought", states this article of the linguistic society:
"As of 2009, at least a portion of the bible had been translated into 2,508 different languages, still a long way short of full coverage. The most extensive catalog of the world’s languages, generally taken to be as authoritative as any, is that of Ethnologue (published by SIL International), whose detailed classified list as of 2009 included 6,909 distinct languages."
which would make it 6900 names for blue.

more a-to-z posts: 

Sunday, March 23, 2014

The ä ö ü of it (or: Come here Umlaut)

a facebook conversation + a translation by Ron Kostar, Rose Hunter, Jeffrey Brautigam, Dorothee Lang

It all started with a note on facebook in German, typed by Ron Kostar, which picked up on some extra alphabet letters in German: the "Umlaute". Derived from a, o and u, the Umlaute add 3 more vocals to the german alphabet: ä, ö and ü, which also are included in german keyboards, but not in other keyboards. So the question was: how to create an "Umlaut"? And: what does Umlaut mean exactly? All this lead to finding an "Umlaut"-poem and translating it.

Enjoy the ä ö ü of it!

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The ä ö ü of it 

Ron: Wir mussen in dem Ozean gehen aber mit nicht ein Umlaut! (ich vergesse alles!)

Ron: Der Umlaut must in dem Haus mit die Kinder hinter der Tur und die troublesome Articles und Preopositions bleiben. Lol!!

Rose: Und gleich mit dem Subjunctive usw

Ron: Eine greosse Problem und ein Problem und einander!

Jeffrey: I do not know how to make facebook do an umlaut, but I can produce one in both Word and Wordperfect

Ron: mit ein Wort (wart) more preceisely eine Brief herunter?

Dorothee @ BluePrintReview: Here come the Umlaute: Mögen die Häuser ihre Türen öffnen, und die Umlaute die Worte aufhübschen. Viele Grüße

Ron: Come here Umlaut, I would like the door of your house open and the Umlaut of the word (aufhubschen?). Many greetings ???

Ron: Very moldy to the point of decaying my German become has.

Rose: See I would have thought the plural would have been Umläuter.... But that just sounds like some around people I guess. OPTION + u and then the letter on a Mac. Here umlaut, good umlaut benimm sich gut....

Dorothee: more Umlaute: green: "grün", nice="schön" or "hübsch". and derived from that: to make nicer: aufhübschen. And this one: Many Greetings - Viele Grüße

Rose: Grüss Gott!

Ron: Dorothee, has anyone ever written a poem in German about an or The Umlaut? From our perspective it is very interesting, even intriguing. I know of nothing like it in English.

Dorothee: An Umlaut-Poem - i don't know about any. the thing is, in German, it's just the way the language is, so the Umlaute are just normal letters, like the "ß"-s, too. will look, see if i find something. cool that you know German. Grüße!

Ron: Nicht so gut, sehr schlecht, ja, sehr sehr schlecht.
I always did like many of the words, though, especially for some obscure reason the word "auswendig."

And here the conversation ended, but lead to an Umlaut-poem search:

(later)
Dorothee: I found an Umlaut-Gedicht! Here's the start of it:

Laut mit Umlaut
Brigitta Firmenich

Haha, du verunstaltetes Um, sagt der Laut angriffslustig zum Umlaut.

Du kleines anämisches Würstchen,
brüllt der Umlaut aufheulend zurück....


the complete poem is up here: Laut mit Umlaut


(much later)

Ron: I tried a translation. I know it's very, how you say, un-literal, and I took great liberties and, my German not being very good, at times translated more from sound and image than from any sense of literal meaning.

Dorothee, what does "Um" mean lterally? If Laut means loud, which I knew, what, literally does Umlaut mean? (Not with that would be mit, no?)

Dorothee: „um“ is a german prefix to add to verbs and nouns, like this:

- to build / a building
- bauen / ein Bau

- to renovate / the process of renovation:
- umbauen / ein Umbau

apart from that, “um” exists in many variations
- at 3 o’clock: um 3 Uhr
- to walk around the tree: um den Baum herumgehen

Umlaut literally has no real meaning, it just points at the fact that the „Umlaut“ (like ä ö ü) is derived from the relating Laut (sound) “a o u”

ah, languages!

Ron: Dorothee, heres' another shot at it, another version. i made up a word, behatted (hatted is actually the word), and i adopted some of your changes but also tried to do something with the sound of the poem, since you said a lot of this poem depends on sound and playing with words and sounds.

i like the two liver spots on the forehead, even though they are hardly literal, and the light and lithesome manner of Missy Laut ... but i wonder if i could do more with Laut and Umlaut? Sound and UnSound? Loud and UnLoud? Or Sound and UmSound (like a drum)? i'm also playing up, though less so, the slender young nature of Laut and the thick and maternally nature of Umlaut - is that accurate? i the original poem? the sounds of the verbs in the early part of the poem sound aggressive, which is why i used "shot" and "howled"). and .. i played off the contrast of thin slender Laut and thick Umlaut in the the penultimate stanza, though that is the stanza i'm least happy with:

----

Laut and Umlaut

Ahh!! You try to spoil everything,
shot slim slightly clad Laut to Umlaut.

Why you anemic little sausage!
behatted Mother Umlaut howled back.

Oh you have gotten so fat! hissed Laut,
and what's with those two liver spots on your forehead?

Dignified well-known people like me dress well,
Mother Umlaut shot back proudly.

Perhaps, but I carry myself in a light and lithesome manner,
slender Laut eased back.

Yes, Missy Laut, but perhaps you need to check your mirror more often.
said Umlaut. Then you'll see that you are just part of me


original poem "Laut mit Umlaut" written in German by Brigitta Fermenich translated very liberally into English by Ron Kostar

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i'm thinking that if the point is that Laut is contained within Umlaut maybe i can say something about that in the last stanza, something more explicit but shrewd like: "when you look in the mirror you see that we genetically overlap"

also, i think Laut may be naive, nicht wahr, in thinking that she has nothing in common with Umlaut, so maybe i need to bring that out with a "she naively replied" or something similar.

Dorothee: so interesting, the theme of translation and Umlaut. i think your revised version works well – and i like the idea of your ending line: "when you look in the mirror you see that we genetically overlap"

maybe, to spin that towards language, it could even be: "when you look in the mirror you see that we phonetically overlap"

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PS:
This conversation was originally published in the blueprint blog, in December 2011. A bit later, it became part of the language/place series, issue #16, the "translation issue". Talking about Umlaute with a friend, i was reminded of it, revisited it, and now added it here.

Tuesday, September 10, 2013

Reading on the road in France: How Proust Can Change your Life, One Autumn in Europe, Lost in Translation

This blog post is inspired by the general joy of reading, a trip to France, the 7 continents reading challenge, and a blog series. More, at the bottom of this post.

 

What to read on a road trip through France?
That was the question I tried to answer in August, and looked for books to take to along. Which is always a kind of impossible task – how to figure out now what I like to read in another place and mood? – But when I browsed my bookshelf and my "to read" pile, I rediscovered Alan Botton’s “How Proust Can Change Your Life”, which I started once. Yet somehow, I only read the first chapter back then. So that would be a good book to take, I figured, and also downloaded the first of Proust’s books “In Search of Lost Time”, to read into. And then also browsed my e-reader for books I once started, without getting far. So glad I did - altoghether, this lead to 3 reads that accompanied me through the whole trip.

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Alan Botton’s “How Proust Can Change Your Life"
A wonderful and rather unusual book - a combination of literary biography, life reflection and self-help manual. I read other books of Botton before: "A week at the airport", and the "Art of Travel", and am glad I gave his Proust book this second try - it's a wonderful, witty, intelligent and deeply philosophical and reflective read. Botton masters the task of connecting our modern world and Proust's thoughts and considerations of life and time - which indeed, are timeless. Here's an offiicial book review that sums it up pretty well: 

"Who would have thought that Marcel Proust, one of the most important writers of our century, could provide us with such a rich source of insight into how best to live life? Proust understood that the essence and value of life was the sum of its everyday parts. As relevant today as they were at the turn of the century, Proust's life and work are transformed here into a no-nonsense guide... It took de Botton to find the inspirational in Proust's essays, letters and fiction and, perhaps even more surprising, to draw out a vivid and clarifying portrait of the master from between the lines of his work."

To give an idea of the range of topics, here the contents page, starting with the huge theme of loving life right away, and ending with a reflection on writing itself:




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"One Autumn in Europe" by Steven Hubbell

From literary big names to a personal, self-published story: traveler Steven Hubbell, who visited Europe with a tiny budget and a lot of faith in fate, hitchhiking, and chance, wrote a memoir that takes the reader along a trip that leads from London to Paris, into the mountains of the Alp, onwards to Rome and Venice, and to Munich, Heidelberg and the Netherlands: 
“In the fall of 1979, at the age of nineteen, I flew to London with a backpack and a heart full of questions. Every autumn that voyage has returned to mind like clockwork, revitalizing my perceptions. This book is a coming of age story filled with universal elements of personal discovery; it is a private pilgrimage laid bare.."(goodreads page)
I can't remember how I came across the book, but I'm glad I did - the first chapter is a bit slow, starting with a lengthy description of a first hitchhike trip at home, but it's worth staying with this journey. Here's the page of contents, which offers a feel for the different moods and themes and places explored and experienced in this one autumn:



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“Lost in Translation: A Life in a New Language" by  Eva Hoffmann


While "One Autumn in Europe" leads Steven Hubbell from America to Europe for a season, this memoir leads into the other direction - Eve Hoffmann migrated with her parents from Poland to Vancouver at the age of 13, and is faced with the task of finding her identity there, in a new language, and in different society. 

Again, this is a book that takes a bit to get into - and again, I am so glad I gave it a second try, and stayed with it. One of the key themes is language, the difficulty of finding the right words in another place, the realization that for some words and things, there is no exact translation: and with it, the realization how language and places shape our thoughts, shape what we say, who we are. 



I looked for an interview with Eva Hoffmann, and found one with a passage that is about place and displacement - here's the question and answer.

Being a Displaced Person

Q: "In your book you talk a lot about finding the inner guide to locate yourself. You're in class and you're looking at the map with your fellow classmates, and you suddenly realize that you're pointing at Poland, which is outside of you or becoming outside of you in the way that the students are looking at it. And you say somewhere, "The reference points inside my head are beginning to do a flickering dance. I suppose this is the most palpable meaning of displacement. I have been dislocated from my own center of the world and the world has been shifted away from my center. There is no longer a straight axis anchoring my imagination. It begins to oscillate and I rotate around it unsteadily."

Eva Hoffmann: "Yes, the sense of geographical topsy-turviness was the most concrete expression of displacement. Of course when I was growing up in Poland, I thought that Poland was the very center of the world, as we all do when we grow up in a place. And that the world existed in relation to it. All of a sudden, I was in Vancouver, and Canada, North America, was the center of the world and Poland was on the periphery and very far away. And that of course, corresponded, [was] a kind of objective correlative, the most concrete symbol of the many cultural displacements that went along with it, the many sorts of cultural values that changed as I went from Poland to Canada. Our cultural values, both on the largest and on the smallest scale in the sense of, say, political outlook or world view or the social set-up; too, notions of human intimacy or beauty or the distances at which we stand from each other, etc., etc. -- every cultural value sort of did a flip or sort of moved."

and here's the  interview link, and the goodreads link 

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The other 2 France books: Balzac and Brazil
And to round this blog post up, here's the link to the other blog post i wrote about the books i read in France: Reading in France: Balzac (via China) + the best Brazilian Novelists (via London)
Fun detail: in the Brazil book, one of the stories refers to .. Proust. It's a large big world. 




 *****

Book Links, Previous Reads & Finding Books


Previous reading blog entries are collected here: bookshelf: currently  reading... there also is a visual bookshelf, just click it to get there.

Other book bloggers: For more current reads from other blog bloggers, visit this link list at book journey

Reading around the world - i really enjoy this literal discovery-tour of the world, and it now made me go and pull some useful links together in a blog post: Finding books by country: helpful links + resources

And more about me and my writing: here 

Monday, April 1, 2013

currently reading: "História, História" & "Little Brother" (or: from islands to futureworld)

This blog post is inspired by the reading challenge: 7 Continents, 7 Billion People, 7 Books - Reading Challenge 2013 and by the "It's Monday! What are you reading?" series, more about both, at the bottom of this post.



"História, História: Two Years in the Cape Verde Islands" by Eleanor Stanford 

This is one of the books that I saw first in Goodreads, after Jason Pattus, editor of CCLP posted about the upcoming launch of this new book, set on the Cape Verde islands. "Cape Verde - that's an interesting and unusual location. i remember reading about the islands once in a travel brochure. The book will only be available in print first, or?" - i wrote.

Pay-what-you-like-e-book
I received 2 replies: "Once released, you can usually download here for free: cclapcenter/historia - Frances &  "That's right -- the book will be available in its usual free ebook form starting March 11th, when it officially gets released." - Jason (here's the Goodreads page + conversation)

Now i read "Historia". It's a fascinating and honest read - honest to the point of painful. At the same time, it's a poetic book, with tales of Cape Verde woven into the narrative, together with the characteristics of the islands: the wind, the seasons, the rhythm of life there. I definitely would recommend it, especially if you are interested in life in other cultures, and also in language.

Canary Islands & Cape Verde Islands
It also made me think of my own trips to the Canary Islands - the "sister islands" of Cape Verde. Both island groups are situated in front of the West African coast. The Canaries still belong to Spain, though, while Cape Verde belonged to Portugal and now is independent. And the Canaries are more touristic, due to the climate and the shorter distance to Europe (they are one of the main island / beach destinations in winter). Reading about the Cape Verde islands, for me it gave an idea how the Canaries might have looked before the rise of tourism. While reading "Historia", i revisited my own travel notes from the Canary Island- for more click Lanzarote, and here's a quote from one of them a travel story called "La Isla", which includes a question i thought about while reading "Historia":
"Walking back, she followed her own trails for a while, and couldn’t help but wonder how it would have been to grow up here, on this island, surrounded by water." (from: "La Isla") 

church in Teguise - here's a bit more island history  

But back to Cape Verde - here's the introduction to it:  "Eleanor Stanford and her husband join the Peace Corps and find themselves on the West African islands of Cape Verde. In this beautifully alien place, as she teaches her students and struggles to come to terms with the island's fascinating yet frustrating culture .... Part travelogue, part cultural documentary, Historia, Historia combines journalistic excellence with the gripping style of personal memoirs to bring you this lyrical, moving portrait of an enchanting, little-glimpsed geography. "

History / Story / História / Geschichte 
Here's one of my favourite passages of the book - starting with a tale and leading to island history. And also, including some reflections on language structure and synonyms. It's same in German, by the way: History and Story both translate to the same word: "Geschichte".
"This is how the stories begin: "História, história,” a mother calls, drawing the children into the lasso of lamplight. Once upon a time, there was a wily creature named Nho Lobu – Mr.Wolf. ....  Nho Lobu is the classic trickser of fairy tales – except that he gets tricked in the end. He’s the lovable rogue, the laughable picaresque, the prototypical Cape Verdean koitadu-poor thing.
It is the same word in Creole – as in Portuguese and other romance languages – for story and history.  ... Since independence, there is more emphasis on the history of Cape Verde itself, but still, there are few books written on the subject. When Portugal donates texts, they mention Cape Verde in passing if at all. It’s a small stone in the shoe of the great empire. History is something that happens elsewhere."

Audio Book: The Perfect Order of Things
I also started to listen to a (German) audio book, "The Perfect Order of Things", which sounded interesting from the brief description. But for the first time, I had problems with the reading voice - not sure why, but it felt like the "wrong" voice to read the story. So I gave up on the audio book.

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Upcoming next: Futureworld & New Zealand
The next 2 books that are waiting here are for reading challenges:






"Little Brother" by Cory Doctorow

"Little Brother" by Cory Doctorow is a modern scifi story, it's one of the reads that is included in the Literary Course "Science Fiction and Fantasy: The Human Mind, our Modern World", which started with Grimm's Tales and Frankenstein, and now is arriving at contemporary fiction. (here the Tales post, and here's more literary courses online now).
I started reading into it, it takes a bit to get into it, especially after the island read, but it's brimming with insider views to the web, surveyance, hackers, coding... The title is a reference to Orwell and his "1984" - "Big Brother is Watching you".
PS. if you are interested in this book, it's actually available as free download from the author, who has an own webpage for it: Little Brother

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Some Other Country

"Some other country" is a story collection with stories from New Zealand. I'm reading it for the "Around the World in 12 Books" challenges, which moves to the South Pacific Islands for April
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Global Reading Challenge
This blog post is inspired by a Global Reading Challenge, more about it here: 7 Continents, 7 Billion People, 7 Books - Reading Challenge 2013 

The link is also listed in the "It's Monday! What are you reading?" series that is hosted by Sheila at Book Journey, participating blogs are listed in this Linky Book List

Previous reading blog entries are collected here: bookshelf: currently  reading... there also is a visual bookshelf, just click it to get there:


And my own new book... is Worl(d)s Apart. True.

Monday, September 24, 2012

Ayiti, Africa, and stories that aren't a story (global reading challenge)



Around the world in 2 ways of voices
Currently i am reading books (and essays) for the global reading challenge i am joining this year. The challenge rules are simple: to read books from each continent. An aspect that i only noticed later: the guidelines don't address is the nationality of the authors. You can easily read around the world and still stick with authors that entirely belong to your own hemisphere. Which will make it a very different read (and world impression) compared to reading around the world in the voice of the authors of the different continents. That's a thought i kept returning to while reading "Ayiti" by Roxane Gay, and "African Sunrise" by Nnedi Okorafor.

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"Every news story ever written will begin.."
Ayiti - Roxane Gay
I know Roxane from her essays, i think we even conversed in comments somewhere, but it wasn't until January 2010 that i realized her family is from Haiti. It was a day after ther disastrous earthquake when i followed the link to her blog note All Falls Down. Reading it moved me, especially with the outlook that now feels translucent and painfully turning to reality: "Late this evening, my mom and I were talking about how the before and after pictures of the slums looked mostly the same. That is the real tragedy of Haiti. When a natural disaster strikes the developed world, you know somehow, some way, that that place will rebuild. I am skeptical that Haiti will be able to recover from this disaster." 

Until that point, Haiti was a place i only knew from the news until then. Later that year i read Roxane's story "Things I Know About Fairy Tales" (written before the quake). It tells about a common thread in Haiti: "Kidnapping is all anyone with any kind of money talks about in Haiti, everyone in a fragile frenzied state wondering when it will be their time. It was a relief, in a sense, to know that my time was up – to know that this day was the day I would be taken."

The story is also included in Roxane Gay's collection "Ayiti" - most of the stories in the collection are short, told from different angles, from male and female lifes, and together they form a mosaic that give a glimpse in Haitian society and life from the inside. And it was a longer passage in one of the stories that made me aware of the printed voices again, the inside and outside views, stereotypes and media simplifications. The story is about Nicaragua, which followed Haiti in being the poorest nation in the Western Hemisphere:

 

When I reached the end of Ayiti, i wished for the follow-up stories, and (fairy-tale like), for a happy end. At the same time, i could sense how difficult it probably is to write about a homeland that is suffering.

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"A story is not a story until it is told."
African Sunrise by Nnedi Okorafor

Another thing I am more aware of these days is how i find books, or rather: which suggestions i follow. i notice a shift to personal suggestions, be it a reading note from a fellow blogger, or a twitter link from an editor or author i know. For "African Sunrise"; it was a tweet by Jason Sanford, editor of StorySouth and organized of the Million Writers Award.

"African Sunrise" is a novella, published online at Subterranean Press. It caught me with the introduction, and its focus on storytelling - it's a sci-fi story, but at the same time, it's a story about voice and storytelling, and about the human tendency to experiment, even when it comes to the human genome.

These are the starting lines:

Specimen
There is no book about me. Well, not yet. No matter. I shall create it myself; it’s better that way. To tell my tale, I will use the old African tools of story: Spoken words. They’re more trustworthy and they’ll last longer. And during shadowy times, spoken words carry farther than words typed or written.

Some pages later, this line: "A story is not a story until it is told. I've always believed that a story is best told in many ways."

And this line: "It looks like your skin is nothing but a veil over something greater,” he said, after an appraising look."

Curious from the reading, i looked Nnedi Okorafor bio, and arrived at this brief version: The American-born daughter of Igbo Nigerian parents, she has regularly visited Nigeria since she was very young. Her novels and stories reflect both her West African heritage and her American life (more). Which probably also reflects in lines like this:




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Singular Models & to be singled out

While I was reading African Sunrise, an essay that focused on the theme of story and voice went online at Rumpus, written by Matthew Salesses, an Asian-American author, who talks about the difficulties of growing up as non-white American in a world where white is the norm, here's a quote from his essay Different Racisms II: On Jeremy Lin and Singular Models: "I love books. I loved them as a kid. I could get lost in a book completely, closing off the outside world. .. But I was never able to have that moment, which I realized other kids had, where the character seemed to be me. I was always aware that I was reading about other people. Sometimes people I wished I was. White and with secret powers."

And it's only now while putting this together i notice the ending words: "secret powers" - which is exaclty what the main character in African Sunrise possesses, underneath her non-white skin. Another noticing: the theme of mutation / evolution also was a focus theme in some of the Hugo Award Winning Reads, here's my blog note from 2 weeks ago on the theme: Global reading challenge: reading the Hugo Award Winners 2012

In his essay, Salesses also links to an essay of an Asian-American author who was bullied in her youth and who confronted her former school-"friend" later about this time: Interview with my Bully by Marie Myung-Ok Lee

History and story 
Which also connects back to a line in the history book i am reading: that history usually is the story at it is noted down by the ones who won the dispute at question. Maybe that is why the english word history includes "story". The German word for history, by the way, is "Geschichte" - which also is the word used for "story" in general.

More about my current reads, next week. Below, some further links:

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It's Monday! What are you reading? + Previous reading blog entries
this blog post is inspired by the blog series "It's Monday! What are you reading?" which is hosted by Sheila at Book Journey. it's a blog initiative to share ones own reading and to see what others are currently reading. participating blogs are listed in this Linky Book List


Previous reading blog entries 
are collected here: bookshelf + monday reads
there also is a visual bookshelf, just click it to get there:

Monday, June 25, 2012

forms of being

this post belongs to the upcoming language/place blog carnival #16: "Translation (in all its forms), hosted by Steve Wing, which is now online: Translation Issue - Übersetzungsausgabe


talking Italian
some years ago, i started to learn Italian. as it turned out, the most confusing thing about Italian was its closeness to French, which i learned in school, and which kept mingling with Italian in my mind.
in the end, i gave up on the Italian lessons, but the whole theme of languages and conjugates kept moving on in conversations, and at some point, in a play with words and places, and photos from different regions, with all those different shapes of houses, and those different conjugations of the basic verb: "i am / you are / she is...". which turns to "ich bin / du bist / sie ist.." in German, and "io sono / tu sei / lei è.." in Italian, i created a moving word installation: forms of being

from Italy to China
the installation later found its way into the qarrtsiluni Translation issue, which also lead to two conversations on language. the first with the Smitha, a friend of mine who at that point spent some time in China to learn Chinese. she wrote:

"I have never come across a language that frustrates and enthralls in equal measure. The sheer mountain of learning required just to converse is mind boggling. I can study Chinese for 3 years, and still not be able to read a Chinese newspaper or talk life philosophies with the Chinese. Sometimes, when I think of that I get discouraged. But I remind myself that is part of the reason I chose it. I could have learned Telugu or Tamil in a year. Those are languages closer to Sanskrit. Even European languages are easier with the root being Sanskrit. Remind me will you why I chose to torture myself?"

(the mail belongs to an ongoing conversation across continents, which eventually lead to our book that now soon will be released: "Worlds Apart")

China isn't China
the another conversation that developed was with Nick Admussen:
"There's some oddness about the pinyin stuff -- esp. "China yo shi yi dian ban zou"...I'm guessing you know that China isn't "China" in Chinese, but "Zhongguo", but you might not know that the "yo" is a typo for "you" which is the possessive verb ("yo" isn't a pinyin syllable). I also think that the only way to read and understand it is in context, both because of the pinyin and the kind of odd phrasing -- maybe you've misprinted "zou" for "zao" (early, morning). I would probably say "中国时间现在早上十一点半" "Zhongguo shijian xianzai zaoshang shiyi dian ban."

The verb 'declensions' are all right, except for the question mark after nimen in one iteration (which might also be intentional). If the Chinese characters above came through, you could email me and I'll give you the ones for "wo shi", etc.

Anyway, this is a very cool project!"
- Nick Admussen (more)



truth is, i hadn't known that. i just tried to find the original files, but it seems, they got lost, with only the extracted flash files remaining. so i keep the note here, as addition. which also adds another layer to the project: the complexity of language, and the difficulty of working with translations when you don't have a clue about the language itself. and the fact that blogger has problems in displaying the signs just shows another level of this complexity. here's a mail screenshot copy + paste:


and one more addition, following the note that China isn't "China" in Chinese, but "Zhongguo". it's the same for Germany. which isn't "Germany" in German, or "Allemagne", as the French say, but: "Deutschland". with "Deutsch" meaning "German", and "Land" meaning "country". which in fact was the key to founding "Deutschland", which was a mosaic of regions with one uniting element: the language.

Tuesday, May 15, 2012

The Things that Remain

This bilingual post belongs to the  May Aotearoa Affair blog carnival - a web initiative of Kiwi and German writers and artists. It's inspired by the theme "All things Bi" and explores the similarity of English and German words in a visual and poetic approach.

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I - The Things That Remain



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Many English and German words have the same roots, but are written and pronounced slightly different: for example, the English house turns to “Haus” in German, and is pronounced almost identical. Or, to pick a group of words that is mentioned in the poems. colors. In English, there is red, green, blue, white – in German, it’s rot, grün, blau and weiß. Of course, some colours are very different. But there also are some words that remain the same in both languages – and it was this group that inspired the creation of the visuals “The Things that Remain” – “Die Dinge, die bleiben”.

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II - Die Dinge, die bleiben



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Notes

the visuals were first published in Wordforword #19

& i tried to find the lingual term for those words, but didn't find it. the closes is:
  • Cognates: words that have a common etymological origin.
  • also, there are: False Friends: pairs of words or phrases in two languages or dialects that look or sound similar, but differ in meaning.
  • and there is: Homonym: a word that sounds or is spelled the same as another word but has a different meaning.

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Tuesday, May 8, 2012

Tuesday Poem: en/core



..............
en/core


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for the Tuesday Poem series: in contrast to the zen mode, i remembered this poem from an earlier stay in Mallorca, it is based on a couple of Spanish Vogue headlines and ad-lines.

a first version of it was published in 'Zygote in My Coffee' - the original poem is still up here: El color de la Mirada

Wednesday, February 22, 2012

an Aotearoa Affair interview, or: talking in 2 languages



I learned some new words last week: "hoa" and "pai" and "kaitiaki". All of these are Maori. I first read them in a story, without translation, and understood their rough meaning.

The story is now online in the Aotearoa Affair Blog Fest, together with an interview with translator Anita Goetthans that developed from reading it. Here's the link:

Once upon a time in Aotearoa – Translating Maori Myths into the Now and into German

One of the lines from the interview struck me: "but most of the younger generation freely mix the Maori words with English." How would that work, I wondered. And only later realized that it actually is the same in Germany these days, with mixing English into sentences. The German term for these words is: "Anglizismen".

There's a long list of them up in the German wiki::
List of Anglizismen

Many of them are so common that if you would ask people to list Anglizismen, they probably wouldn't think of them: Adapter, Bar, Computer, Deo, Eishockey, Fairness, Gag, Hamburger...

Languages. Such a vast and interesting landscape.
Sprachen. So eine weite und interessante Landschaft.

Saturday, November 12, 2011

Food Slurs: an e-flection on multicultural mockings

this post belongs to edition #12 of the language/place blog carnival, which is hosted by Linda Hofke at Lind-guistics and has the feature theme: "Food"



Food Slurs

An e-flection on multicultural mockings that starts with depictions of racism, and moves on to ethnical food, blacks and whites of thought and skin colour, to shades of political correctness and situational incorrectness.

Eric (Ohio)
Did you see this link on McSweeney’s? - "Conversations I've Had During A Normal Day In Los Angeles, Modified To Include The Shocking Depiction Of Racism Found In Paul Haggis's 2004 Film Crash, by Brendon Lloyd."

“CO-WORKER: I can't freakin' stand those Indians”
“ME: I'm part Cherokee.”
“CO-WORKER: Then why don't you go smoke a peace pipe and get the hell out of my country?”...

Dorothee (Southern Germany)
That’s rough. Do people really talk like this?

Okay. Ignore the question. It just sounds so weird to me because of the racial references that are uncommon here. I mean, there aren’t that many Cherokees living in Germany. But you might hear Turkish men being addressed with the line: “Was willst du, Knoblauchfresser?”—“What do you want, garlic-eater?”

Eric
Wait wait wait wait WAIT.... You actually hear people call Turks "garlic-eater?" And is that offensive to the Turkish man in this scene?

Dorothee
Yes, you sometimes hear people call Turks "garlic-eaters". Just as you sometimes hear people call Italians "Spaghetti-Fresser"—"spaghetti-devourer".
But I would suggest to not try this while visiting Germany. Or, if you try, then RUN — as yes, you bet that this is understood as offensive.

Eric
Spaghetti-devourer. I would be amazed when I hear it. Because I would be like, "you can't be serious, but you are." But then, sometimes Americans call Mexicans “beaners”. Not as much here, because there aren't many Mexicans around. But in places where more Mexicans live, there are those who talk like that.

Seen like that, it is a little amusing that racial/ethnic slurs are sometimes based on the food people eat - garlic-eater, beaner, kraut, limey (british). Actually, the more I think of it, the funnier it is, because it is so stupid that this is all the better we can do — to make fun of the food.

I don't know why they call the irish "micks." I think something more descriptive, such as "bog trotter" is funnier. Potato-eater would be the best food one.

Now this is making me hungry. (For colcannon.)

Dorothee
Krauts for Germans. I heard that before, but it’s still odd, as it’s really not very popular any more to eat kraut. Only in autumn, when there are some small towns who have a “Krautfest” with lots of food stalls.

More food-related slurs this made me think of: rice-eater (Chinese).
Smoerebroed-muncher (Swedens).
Vodka-drinker (Russians).

And it's true, it's really the cheapest way to mock someone from another culture, to make fun of their eating habits. But then, eating habits are a basic of daily culture. So this hits right in the daily habits of people.

Eric
About rice: I used to work with a guy who—this is lame—when we had to wait to hear back from a client, he would sometimes say, "we'll just let them stew in their juice for a while." Meaning wait and let them make a decision. But we had a Vietnamese client named Bau, and everyone liked him, so I don't think my boss meant anything bad when he said, "We'll just let old Bau stew in his rice for a while."

I'm going to make up my own random food-related slurs. "Ice cream eater!" "Get away from me, you milk-drinker." Or non-food related. "Belt-buckler."

Dorothee
Milk-drinker actually a teasing name here: “Milchbubi”—“little milkiboy.”
It’s tossed from the big muscle guys to those who are slim and don’t have muscles.

“Was willst du, Milchbubi?”—“Got a problem, milkiboy?”

And some 2 or 3 years ago, there was a hype of teasing names that went along your ideas, to be tossed randomly at random people, without any further founding of fact and logic: „Bleistiftspitzer“—„pencil-sharpener“. Or things like "Fussföner".

Eric
I can't believe someone beat me to milk-drinker. Wouldn't be all that offensive, I guess.
But Fussföner. What does it mean? It sounds fun. "Listen here, Fussföner, I ordered a SOY latte!!"

Dorothee
That would make you a soy-latte-drinker: "Hey, soy-latte-drinker, you think you are somewhat cooler than a Fussföner? Well let me tell you the tough truth: you aren't."

Fussföner: someone who dries his feet with the hair dryer, to make sure they get all dry. Same category as the Duschgel-Anwärmer: someone who warms up the showergel before applying it on the skin.

I think it all started with an overload of political correctness that erupted into situational incorrectness on all levels. You didn't have that in Ohio?

Eric
Well, we certainly have political correctness that goes too far. But not so far as to have non-namecalling names. My kids do sometimes. "You eraser head." Things like that—it means nothing but sounds like something.

Oddly, it used to be that a man who draws engineering drawings and blueprints was a draftsman. Now it is drafter. That is fine. A policeman is a police officer—a patrolman is a trooper. Waiters and waitresses are servers. Stewardess is flight attendant. Those are all fine.

But to go so far as to make up the names. And then there are others like "mentally challenged," and differently-abled. And then some people call short people "vertically challenged." On the Ohio drivers license, on the back, there are special categories, and one is "shortness of stature," for short people. Some people are "beauty-challenged."

For the record, I wouldn't order a soy latte, for fear of being accused of being man-challenged. A girly man. And while I don't usually use the hair dryer for my hair, let alone my feet, I am not ashamed to say: I have been known to warm the shower gel. There's no shame in that. Is there?

Dorothee
I have been known to warm the shower gel, too. No shame, as long as no one gets to know about it.

“Vertically challenged.” This one I heard somewhere. It really left me clueless about its meaning at first. And another word I came across today, in the book I am reading right now—it's the yearly diary of Christa Wolf, a German writer who lived in East Germany until the reunion of Germany. It's a fascinating book, starting 1960 and ending 2000. Every year, Wolf described her current life by describing one day, the 27th September. But back to the word: in the diary entry of 1966, she mentions the race riots that happened in San Francisco at that time, and refers to them as: Negeraufstand. "Negroe-uprise". She didn't mean this offensive or negative, it was just the word used for the black people back then: Neger.

Even in the seventies, there was this creamy candy with chocolate cover called "Negerkuss” here in Germany—"negroe-kiss". Later they renamed it "Schokokuss"—"chocolate-kiss" to avoid any racial association. How are those called in the US?

Eric
I don't know what we call those kind of candies. Marshmallow cremes, or chocolate cremes. Maybe cordials, but that usually has fruit, like a cherry in the center. And chocolate kisses are like hershey kisses—you have those? They look like a drop, with a little curl on top.

There are a kind of nuts—filbert might be the official name, but some times they are called brazil nuts. They are bigger than the other nuts in a dish of mixed nuts. When my mom was little, they called them "nigger toes." But that was many years ago, now she would never say that.

Which makes me think of the time when I used to deliver furniture with this kid who was semi retarded, I mean mentally challenged. Slow. And we drove through a part of the city where there were a lot of black people standing around, working at a car wash—pretty stereotypical. And he said, "what do we call those people?" And I said “what people do you mean?” He said, "you know, the darkies." And of course I about died, and told him, "african american? or black? but not darkies." And all of a sudden he remembered, and beamed, and ROLLED DOWN THE WINDOW and waved, yelling, (cheerfully), "Hey, negrettes!"

We didn't wait around to find out if that was acceptable terminology.

That's interesting, the concept of Negeraufstand—race riots seem like such a far away thing, for people our age. But even in the early '90s there were the LA riots that were racial, over the Rodney King verdict. Do you remember that?

Right around then, I was painting a house where a crack dealer lived—Mad Maxx—and he was sitting on the steps telling me that he could beat me up and no one would care, since it would look ok that the black guy beat up a white guy instead of the other way around for a change. A couple days later, he told my brother Ian and me that "Jimi Hendrix was the baddest motherfucker to ever cut a record," and then went upstairs and threw a chair out the window at me. Actually it came through the window, glass flying everywhere. Then he came downstairs and took Ian's hammer and ran down the street, hitting street signs with it. Ian chased him and was all, "give me my hammer!" and Maxx gave it back. The next day he got kicked out of the apartment because they didn't want crack dealers throwing chairs at the white boys, I guess. Black rage, they called it back then.

Dorothee
That story about the negrettes is great—and the other one about the crack dealer is scary. I think what was so good about LA Crash that the film addressed the racial theme through different views, and there was none all-bad or all-good character. No black and white of thought, just different shades.

Which makes me remember something a Canadian said to me once, when we talked about travelling, and about options in life. He was still hurt from a relationship that didn’t work out, not because they didn’t love each other, but because they were from completely different backgrounds—she was European and worked in a huge company, he loved to be in the wilderness—and so they didn’t find a place and a way to make it work. That’s why he went to Asia, to get away from it, and also because he had this dream of doing canoe trips in the mangrove forest of Thailand. We talked about life, work, careers, travelling - at that time I was at a kind of crossroad, wondering which direction to take jobwise. And he looked at me, and said: "You are young, you are intelligent, you are white. How could you not be successful?"

This line, it remained with me. I think I never have heard anyone putting it as bluntly as that.

Eric
What an interesting equation: young, intelligent, white = success. I think looks and height play a part as well. If you have all those, then it is hard to fail. But the intelligence is important, to know how to capitalize on the other factors.

At the same time it’s true about race attitudes being grey. In Crash, you first see the Matt Dillon character as being a total jerk, but then come to see him in a different way, and you think, how can someone have both of those natures within themselves, but we all do in some ways. We're all a little grey.

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Notes & References

This essay is the slightly edited copy & paste of an e-mail conversation between Eric Wrisley, who lives in Ohio and is a contributing writer at Blueswax magazine, and me. "Food Slurs" went first online as part of the "Mulitcultural Minglings" issue of the magazine Sage of Consiousness.

The McSweeney piece is still online: Conversations I've Had During A Normal Day In Los Angeles..

Previous contributributions to the language/place carnival are gathered at: life as a journey of language and place

Friday, October 28, 2011

language place #11: Streets, Signs, Directions



One year ago, the first edition of the language/place carnival went live:
"> Language > Place: a joined blog cyber journey featuring international perspectives on language and place."

Since then, almost monthly, a new edition followed - each a journey in itself, hosted by different bloggers in places that reach from Hong Kong to Slovenia and New Zealand to the States.

Now, for the anniversary edition, the blog carnival returns to its place of origin in Germany - the "life as a journey" blog. The theme of this edition is: "Streets, Signs, Direction" - and following its own theme, this edition offers 3 ways to explore and visit the contributions:

> a found poem, based on single lines from each contribution
>> an itinerary: all contributions with notes and links
>>> a geographic map which also includes the former editions

enjoy the journey!
Dorothee




> Streets, Signs, Directions - a found poem

a sign of the times. a time of signs.
I am hunting the wild poetic in all its true, I walk
in a circle of simultaneous past and present,
here, there

and then on to Berlin for half a day,
too tired and in a hurry to bother stating that it felt weird to be back
wandering the vibrant neighborhoods
pulsing in different directions at the same time

fearful of being stuck there,
I close my eyes, hear the miles below the tyres
corrugated iron canopy steps telegraph wires
dog rebar water tank satellite dish

even time slows (like in a dream)
the world as I know it will end,
the day after tomorrow, and then it will restart

but not now and not here
old breath vision time and sensation
that is the only way I know where to go:
the necessary

not so long ago I was awestruck by the automation, the orderliness,
and the speed I saw all around:
there was always something happening

I focused on taking a lot of pictures
these photos served as a reference point
I am still processing

here we are standing, appropriately:
innuendos bubble champagne lipsticked rims,
sighs hopes promises unfurled
talk about crossing boundaries and borders

I hadn't expected to be so impressed by
the promise of what lays ahead -
this departure

we have a map drawn by the friend of a friend.
it evokes so many feelings
we thunder down the street
and the sensation is like flying

as we drive higher, deeper into the rolls of mountains
we have only the clouds for company.
who am I, I wonder, in this landscape?


>> Streets, Signs, Directions - an itinerary


A sign of the times. A time of signs.
For Swati Nair from India, a large part of her cherished memories lie in streets, signs and roads. "It brings this big swell of joy in my heart just thinking of the various places I have seen, the people I have met and the things I have experienced." - Signs from London

i am hunting the wild poetic in all its true, i walk
Inspired by the topic, Penn Kemp picked two poems from "Dream Sequins", a manuscript in process. Two other poems came from her travels, the first from Morocco, the second from a collection of artificial butterflies. Follow her Walking / Paraclete / From Dream / Travelling

in a circle of simultaneous past and present 
here, there
On the third day of her trip to Paris, Dorothee Lang arrived at a reflection pond in the middle of the city: "I walked through the glass lobby of the museum named by it's former use: l'Orangerie, then stopped in front of a sign with a suggested mode for visiting" - Paris dans le Calme



And then on to Berlin for half a day
Nine from Northern Ireland is skilled in the art of finding cheap ways to get from A to B via C, D and E. In March she arrived in Sweden, coming from Kurdistan, and heading to Berlin. Meet her Everywhere and all over

wandering the vibrant neighborhoods
A stroll through the memories of a journey to Portugal inspired Steve Wing to create a collage of sideway mosaics: Streets, Signs, Directions

pulsing in different directions at the same time
Siddartha Beth Pierce is a Mother, Poet, Artist, Educator and Art Historian from Washington, DC. Her contribution reaches out to Africa, Petersburg and to Ireland in artwork and poetry, online at buddhetat's Space



fearful of being stuck there
"With hindsight we certainly would have done," Sandra Davies explains and recollects a trip that was planned as a summer stay, yet demanded some pioneering spirit: Road to Spurn

i close my eyes, hear the miles below the tyres
Sheree Mack recently was at a workshop. "We just played with words, but other poets words and then made then our own. This is a mash up I’ve made which I think fits the theme this month ’street, signs and directions. The quote used here is something my mum once told me regarding childbirth" - The Sinking Road Remix

corrugated iron canopy steps telegraph wires
dog rebar water tank satellite dish

While in the Mexican town of Tecpán, Rose Hunter sat and wrote the first draft of this poem and took this picture at the same time, from a balcony At the Hotel Virrey, Tecpán




Even time slows (like in a dream)
Sometimes direction can be found in unusual things in our environment, notes Brigita Orel. "When I get lost and the road signs are too far away to read them properly, I strive to reconnect through words" - My road signs.

the world as i know it will end,
the day after tomorrow, and then it will restart

For Julia Davies, signs are reminders of the rules of how to live, tried and tested methods for avoiding accidents, mishaps, in getting things right. "But there are so many of them, it seems like every one of them, every combination of them tells a different story, sends you in a different direction." - the highway code




but not now and not here and not present
old breath vision time and sensation
Far away in a haze of mental distraction, local signage brings Karyn Eisler back home, and reminds her that elsewhere doesn't mean better: home sense memory.

that is the only way I know where to go:
"I am very bad at directions but use other senses in good measure to find my way to places and back," says Abha Iyengar. "Though this can be embarrassing , it has never stood in the way of my adventurous streak."  - With Due Respect to Those Who Eventually Find Their Way

the necessary
Peg Duthie appreciated a stranger's wordless annotation in Jerusalem: The Necessary. For more abroad signs, visit the next blog entry, too: Roaming Near the Read Sea.




Not so long ago
It rained the whole week Jean Morris spent Up North in August, "rather undermining my cherished personal ideal of rural Yorkshire, so the signs felt particularly poignant on that damp afternoon. In retrospect and in the photo, it looks a lot more Arcadian that it felt at the time" - Not so long ago

I was awestruck by the automation, the orderliness,
and the speed I saw all around:
Forced to commute to work for a few days by bus, Parmanu finds that a regular bus ride in small-town Germany can lead to surprising encounters and discoveries: The bus ride to work

there was always something happening
Wetteravia. Known to few. Rarely mentioned on the new, slick maps of the 21st century. Pockets of memory exist in the northern valleys of Wetteravia. There is a Hof there still - Let Roucheswalwe tell you of a time it was run by Hennis Lina: Gewürzkuchen und Schattenmorellen



I focused on taking a lot of pictures
Nine is currently staying in Barcelona, and sends a photo essay from sunday protests in Barcelona: taking to the streets! Somos los de abajo

These photos served as a reference point
"Signs, signs, every where a sign..." When Linda Hofke recently went through her summer vacation photos, this sign song kept running through her head, and she realized how many pictures of signs she had taken: The Value of Signs

I am still processing
Daniela Elza purposefully stumbled onto the Occupy Vancouver rally at the Vancouver Art gallery. "There were places one could make a sign if they did not have one" - pre.occupied: intersection, street, direction



Here we are standing, appropriately
Donigan Merritt lived in many countries - currently he resides in Argentina, and walks the streets of Buenos Aires almost everyday -  Another day in Buenos-Aires

innuendos bubble champagne, lipsticked rims,
sighs, hopes promises unfurled

Linda Wastila may live in Baltimore, but her soul lives in Boston: "There's an energy on the street, an excited chitter-chatter, it enervates and leaves me feeling oddly alone." - The City Street

Talk about crossing boundaries and borders
Michelle Elvy was out sailing last week, and following the nautic theme, together with her partner Bernard Heise contributed an adventure of the Bay of Islands: The (Road)way of the Orca



i hadn't expected to be so impressed by
Dave Bonta looked for a video poem: "I think this poem by Pablo Neruda, "Fable of the Siren and the Drunks," might fit your theme ("how to navigate in a foreign place and surrounding - what to do when we don't understand / or aren't understood..."): Lorelei

the promise of what lays ahead
Michael Solender reflects on the directions and streets of life in a flash story: Life is in the Right Always

this departure
Nicolette Wong sends a photo from her 100-day project; Le Bleu du Ciel blog: "...because all departures are forced.": Departure



We have a map drawn by the friend of a friend.
"One of the things i like so much about living where i do is that directions are vague and at once specific," notes Sherry O'Keefe from Montana. "We were given directions on how to get to a place to catch catfish. the place is called gritty stone, but instead of saying "drive out to gritty stone", a map of sorts was offered" - the not-a-problem hand wave

It evokes so many feelings
"I'm a sign enthusiast. Is there a word for this type of person? Here are 10 signs (from dozens) I've photographed this year. Signs are like a higher being talking to us, directing us, entertaining us. No one should ever overlook them," states Christopher Allen, and sends a Year in Signs

We thunder down the street and the sensation is like flying
Jonas Knutsson is preparing for the cold winter and long nights in Iceland, and sends a couple of connected/disjointed riffs from Rejkjavik - Street Scenes



As we drove higher, deeper into the rolls of mountains
we had only the clouds for company.
Uma Gowrishankar is a writer and artist from Chennai, India. In her blog, she recently explored how a place and the story attached to it rests on a terrain where history merges into myth and legend. - There was once this man called Parashara

Who am I, I wondered, in this landscape?
Not the same person, surely

Signage tells us a lot about culture, especially when we're being warned about what not to do. "I thought we were pretty laissez-faire here in Quebec, but a recent trip to Iceland revealed a new level of 'proceed-at-your-own risk," Beth Adams notes in Fire and Brimstone


>>> Language > Place - a world map

This map leads to the locations of the language/place carnival #11, marked with blue pins. Also included: the previous carnival homes, marked with yellow houses. Click the places on the map to enter. There also is a larger popup version of the map. (and if you are interested in creating an own map, there now is a quick guide on how to create a map)


Streets, Signs, Directions - larger version / größere Karte


The blog carnival and Edition #12: Food!

You can read more about this blog carnival on the >Language >Place info page, which includes guidelines, a note about the carnival, the list of previous editions and related links.

Previous host Parmanu added a reflection on the carnvial as it developed in his blog: "With age, the carnival begins to show its value as a concept. So much of individual writing on the Internet is buried under a tangled web that search engines can barely reach; a carnival like “Language-Place” offers a theme-based portal to navigate such writing." - the whole entry is online at: Parmanu/Language-Place blog carnival.

Some notes on how the three-pronged presentation appraoch are online in Karyn Eisler's blog Living ?s, starting with General Thoughts, and moving to The Map, The Poem, The Itinerary...: here's the link: Living ?s / Language/Place

Edition #12 will be hosted by poet & writer Linda Hofke. Though a Pennsylvania native, Linda has lived in Germany for over a decade. She blogs at Lind-guistics and Linda's Life on the Other Side. The feature theme for this edition is “Food" - but as always, a wide range of contributions is welcome. The edition is planned for late November 2011. Submissions are open November 1-20, more details in the guidelines, and a personal invite here: Food for Thought.

Thank you for visiting!