Ever Last
Lyricist: Bee’
Composer and Arranger: Agematsu Noriyasu (Elements Garden)
Singer: Hironobu Kageyama
Hah…
Hakai tabaneshi kami to
Hah…
Sei o tsukurishi kami no
Inishie no setsuwa kara
Madou sadame o min aha…
Kibou no michi o sagasu tame ni
Aruki dashita tabibito imada shirenu
Mirai chizu ni reikishi o egaite yuku
Sora o koe daichi o kette
Atsuku kagayaku kodou shinjite
Saigo no ken wa kanashi to yume daku BRAVE SWORD
Tsuyosa wa ai no kagero mukau yuuki
Futari hitotsu inochi no hikari kimi to habataku EVER LAST… EVER LAST…
Nikushimi to arasoi no homura ga moetate domo
Bokura wa yuku mabushii hodo kirameku asu o motome
Nan no tame dare ka no tame ni bokura wa koko ni saiteiru no ka?
Kokoro no namida mio o hiki tokete yuku TRUE TIES
Tsuyosa wa hitori ja nai to tsumugu kizuna
Futari hitotsu inochi no hikari kimi to koeteku EVER SOUL… EVER SOUL…
Sora o tobu ano tori no youni jiyuu ni kagayaku kodou kanjite
Tagiri no ken wa setsunasa to omoi haseru BRAVE SWORD
Tsuyosa ga hokori ni kawaru chikau yuuki
Futari hitotsu inochi no hikari kimi to habataku EVER LAST… EVER LAST…
For any comments, suggestions and/or violent reactions, feel free to nitpick my translation.
Major thanks to my friend, zeldAIS, for helping me out with the translation, as well as
Luke: Seriously, where did Tear and the others went off to?
Guy: Didn’t they go shopping?
Jade: Ah, there they are.
*Natalia goes in*
Natalia: Sorry for waiting. We got a bit delayed with the preparations…
Luke: Preparations?
Anise: Attention, everyone!
Luke: Hmm? What is it, Anise?
Anise: Ja-jaaaan~!
*Anise pulls Tear*
Tear: W-wait, Anise! I just realized…
Anise: It’s okay, it’s okay. Don’t be embarrassed!
*Tear is shown wearing a maid outfit*
Luke: Tear? Why are you like that?
Tear: U-umm… I…
Anise: How is it? Cute, right?!
Luke: Ah… umm… uhh…
Guy: Yup, it looks good. I think it suits your wonderfully.
Anise: Seems like Guy’s true nature is getting out~
Guy: Hey now, that is what I truly think…
Anise: Fine, fine. For Guy’s impression… what’s essential is Luke’s, right. Right, Tear?
Tear: I-I… it’s not like that…
Natalia: What do you think, Luke? Don’t you think she looks good?
Luke: Ah, yeah, well… it’s good…
Tear: R-really…?
Jade: That outfit is a maid’s uniform, right? Why made you decide to wear it?
Anise: Tear saw the maid’s outfit and because she looked like she was turning red with jealousy, Natalia requested for it to be borrowed.
Tear: I-I… it’s really nothing like that…
Anise: That’s why, at long last, she can finally pretend to be a maid! For the sake of getting in character, Luke should also change his clothes.
Luke? Haa? Why me?!
Anise: It’s fine, it’s fine! Seems like it’ll be cool!
Luke: “Seems like”… what do you mean by that?
Guy: Ah, come to think of it… there’s this “clothing”.
Luke: Guy?
Anise: Okay then, please do me a favor, Guy.
Guy: Understood!
Luke: Hey, why are you deciding everything for me?
Jade: Luke, giving up is essential.
Guy: Sorry Luke, but a girl’s request shouldn’t be denied.
Luke: H-hey! W-what the—HEEEEEEY!
[Please wait for a moment.]
Guy: Here, change into this.
Jade: Ah, as expected, the material used is of fine quality.
Luke: Let go!
Guy: Don’t move!
Luke: OWWWWWWWW!
Guy: Alright, it’s done!
Jade: Very fitting.
Luke: I really hate these clothes. It’s so formal.
Anise: Wah, when I look at Luke, he looks exactly like the son of a noble!
Jade: Certainly, he doesn’t look like a delinquent. [lit. Certainly, [his] appearance doesn’t look bad. The ‘warui’ here means that Luke doesn’t look so bad-ass in his viscount outfit.]
Anise: Well then, be like a maid, Tear, and say the line.
Tear: Eh? I’ll say it?
Anise: Why, of course!
Tear: W-w-welcome home, Master.
Luke: Huh?!
Anise: Ooh! Luke should also do that!
Luke: Geez… *coughs* Y-yeah, I just got home.
Tear: Preparations for the meal have been completed
Luke: Ah, yeah, thanks.
Guy: … What the hell is that…
Natalia: Rather than a maid and a master…
Anise: … They look like newlyweds!
Tear and Luke: W-wha--!
Jade: From what I’ve just heard, they sound very, very embarrassed. [1]
Luke: I-it’s not what you think! I-I’m not like that!
Tear: W-we’re not like that!
Luke: T-that’s right!
Natalia, Anise, Jade and Guy: Oh, come on, you two should get attached!
Luke: I don’t want to get attached! I-it’s because…!
Tear: Luke, what are you implying?!
Luke: ARGH!
Note:
[1] こっぱズカズカ - 'really, really embarrassed'. Koyasu Takehito's adlib of こっぱ恥ずかしい. Thank you,
I did my best to translate the song, so I hope those who love the song will finally get the message. [Sa totoo lang, pang torpe ang kanta. XD]
Anyways, here we go. :3 for any translation corrections, please don't hesitate to correct me.
Su-su-suki, Daaisuki!
Performed by: Kagamine Rin
Translated by: Aeneid/peachy_cakes
Ne, ne, ne, nee, ne, chotto ii?
Isogashii nara, gomen
Sukoshi dake, ne, sukoshi de ii?
Oshaberi ni tsukiatte
Ne, ne, ne, nee, nee, do you have a minute?
If you’re busy, I’m sorry
Just for a while,ne, just for a while, is that alright?
I want to talk to you
Doushiyou ka? Nani shiyou ka?
Etto, GAME demo suru?
Shitori shiyo
SHIRITO “RI”… “RI”N
Gomen ne, tsuzukanai ne
What should [I] do? What should [we] do?
Hmm, should we play [a game]?
Let’s [play] shiritori [1]
Shirito “ri”… “ri”n…
I’m sorry. Let’s not continue, okay?
Onaka sukanai? Nani ka tabetai?
Eeto, atashi mizu de ii ya
Kimi MONITOR kara, me o hanashita
Suki ni hisshi ni SIMULATE
Sore na no ni baka mitsumeraretara
Nodo ga kawaite koe de nai
Are you hungry? What do you want to eat?
Umm, I’m fine with water
Take your eyes off the monitor
I must simulate distance
Despite this, [I keep] staring at that idiot
My throat is dry, words won’t come out [2]
Puhaa doushiyou
Ano ne, jitsu wa ne…
Dame da, yappari kowai no
*sigh* What should [I] do?
Umm, to be honest…
It’s futile. [I’m] scared!
Kimochi tsutaetai yo anata ni
Kono kimochi doushite kurushii no
I want to convey my feelings to you
This feeling… why does it hurt?
Ne, ne, ne, nee, ne, chotto ii?
Isogashii nara, gomen
Sukoshi dake, ne, sukoshi de ii?
Oshaberi ni tsukiatte
Ne, ne, ne, nee, nee, do you have a minute?
If you’re busy, I’m sorry
Just for a while, ne, is that alright?
I want to talk to you
Doushiyou ka? Nani shiyou ka?
Etto… sore ja, ja jankenshiyo
Jankenpon, aiko desho. [3]
Gomen ne, tsumaranai ne?
What should [I] do? What should [we] do?
Hmm, then let’s do rock-paper-scissors
Rock-paper-scissors. It’s a tie.
I’m sorry. [This is] boring, ne?
Onaka sukanai? Nani ka tabetai?
Eeto, atashi mizu de ii ya
Ano ne, tokoro de, toutotsu dakedo
Okashiitte omottara gomen
Are you hungry? What do you want to eat?
Umm, I’m fine with water
Hey, by the way, [I know] it’s abrupt but…
If you think it’s strange, sorry
Bikkurisuru kamoshirenai no
Demo ne, kiite hoshii, eeto
You might be surprised
But, I want you to listen, umm…
Puhaa, doushiyou
Ano ne, jitsu wa ne…
Dame da, yappari kowai no
*sigh* What should [I] do?
Umm, to be honest…
It’s futile. [I’m] scared!
Kimochi tsutaetai yo anata ni
Kono kimochi doushite kurushii no
I want to convey my feelings to you
This feeling… why does it hurt?
Ano ne, jitsu wa…
Ata, atashi, ata, atashi, ano, ano…
Ano ne, anata ga, aa
Atashi, gomen, matte… ata, atashi
Ata, atashi, ano, ano ne…
Anata ga, su…
Umm, to be honest…
I, I, I, I, umm, umm…
Umm, you, aa…
I, sorry, wait… I, I…
I, I, umm, umm…
You, umm…
Ano ne, jitsu wa %*#, atashi, ata
Atashi, ano, ano, ano ne,
Anata ga, aa
Atashi, gomen, matte, ano, ano ne,
Eeto, atashi…
Anata no koto ga…!
Umm, to be honest, %*#, I, I
I, umm, umm, umm.,
You… aa…
I, sorry, wait, umm, umm…
Umm, I…
You’re the one I…!
Ano ne, atashi anata no koto
Ano ne, atashi anata no koto
Atashi wa anata ga
Su, su, susu, susu, su… su
Susususu, su, su, su, su
Suu, ha… gomen, wasurete
… Matte!
Umm, umm, you’re the one I
Umm, umm, you’re the one I
You’re the one I…
Li, li, lili, lili, li… li
Lililili, li, li, li, li
Lii, ha… sorry, I forgot
…Wait!
Su, su, susu, susususu
Susususu, su… su… su… su…
Su, su, susu, susu, su, su
Suki, Daaisuki!
Li, li, lili, lililili
Lililili, li… li… li… li…
Li, li, lili, lili, li, li
Like! I looove you! [4]
Notes:
[1] shiritori – Japanese word game wherein the last kana of the word is to be used for the first kana of the next player. For this song, Rin used the word ‘shiritori’. Since ‘ri’ is the last kana, her next word was ‘rin’.
[2] Nodo ga kawaite koe de nai – lit. “[my] throat is dry, my voice won’t come out”. I replaced “koe” [voice] with ‘words’ because obviously, she can’t speak.
[3] Jankenpon. Aiko desho. – Japanese version of the rock-paper-scissors. “Aiko desho” is said when the players sport both rock, paper or scissors.
[4] Like! I looove you! – I emphasized on the love part because in the kana, Rin also emphasized her pronunciation of ‘daisuki’.
The most evident tendency seen in the anime is the non-rationalistic way of thinking, which was evident in the recent episodes, particularly in the 15th episode of the 2nd season. The best example was when Lelouch’s partner, a girl named C.C.[i] had been seized by the Emperor. When she was in the process of getting harmed, Lelouch had repeatedly ordered the Emperor to stop what he was doing, even to the point of saying the following statement, “Stop it! She’s… She’s my…” and “It’s Lelouch. Your…” when the two of them met in a flashback scene when C.C. had asked who he was. The two statements about would really make the watcher of the series think about what Lelouch really meant by it. Is C.C. merely his partner, or is their relationship more than just that? In a highly-contextualized anime, it makes you wonder what he really meant. Nonetheless, it is always either up to the person’s imagination to think of what he meant, or if the person knows what he means, then you get the whole meaning of it.
Because the anime depicts the location of Britannia in the North American continent, the next part will discuss about US-Japan foreign relations. Reischauer (1965) affirms the claim about US-Japan Relations: “Our relations with Japan have become that between equals. Fortunately, as equals we have found that we share enough common interests and ideals to be essentially partners rather than rivals.” (p. 328) Thayer (1988) agrees by saying, “World War II is over, but the American occupation of Japan still reverberates. That the United States chose to rebuild Japan rather than destroy it is the decision that still forms the basis of Japanese attitudes toward the United States. Japanese disparage the United States but are not troubled enough to change their dependency on that country.” (p. 103) In other words, the two countries’ relations are that of allies. From the past to the present, their relationship has yet to be strained further by a trade dispute and both states regard themselves as equals, but never as rivals. In the case of the anime, it is the anti-thesis of what is going on in real life. The two countries are bitter rivals, the other wanting to dominate while the weaker state wants Britannia to go back to its country and never set foot on Japanese shores. Because of the latest episode, it seems that the two will now fight over territorial issues and the Order will do everything in its power to reclaim back Japan from Britannia.
Code Geass is a nice show to watch, most especially if you’re into mecha, bishounen and a very interesting storyline, but if you just squint a bit, look for any hints that point to the sign of implications and take a pause to find it, you’ll find yourself watching the series again to look for more implications and realize how the anime is blatantly pointing out the tendencies to the viewers.
[i] Pronounced as ‘Shi-tsu’ or ‘C 2’.
References:
Fukue, H. (1991). The persistence of ie. In Barbara Finklestein, Anne E. Imamura & Joseph J. Tobin (Eds.), Transcending stereotypes (pp. 66-73). Maine: Intercultural Press, Inc.
Lebra, T. (1976). Japanese patterns of behavior. Honolulu: University of Hawaii Press.
Murakami, Y. (1991). Bullies in the classroom. In Barbara Finklestein, Anne E. Imamura & Joseph J. Tobin (Eds.), Transcending stereotypes (pp. 205-207). Maine: Intercultural Press, Inc.
Ookouchi, I (Writer), & Taniguchi Gorou (Director). (2008). The world of c (15) In A. Yukawa et. al (Producers), Code geass: lelouch of the rebellion. Tokyo: Sunrise
Rohlen, T. (1991). Up and down. In Barbara Finklestein, Anne E. Imamura & Joseph J. Tobin (Eds.), Transcending stereotypes (pp. 20-25). Maine: Intercultural Press, Inc.
Singleton, J (1991). The spirit of gambaru. In Barbara Finklestein, Anne E. Imamura & Joseph J. Tobin (Eds.), Transcending stereotypes (pp. 119-125). Maine: Intercultural Press, Inc.
Thayer, N. (1988). Japanese attitudes toward the united states. Annals of the American Academy of Political and Social Science, Vol. 497
Retrieved July 21, 2008 from http://www.jstor.org/stable/1045763
Note: This essay was written for a class of mine called JAPASOC (Japanese Society and Culture). Mind you, I was not particularly fond of the class because of circumstances beyond my control. For my final paper, I was to incorporate what I had learned in class in anything related to Japan, and in my case, I chose the anime Code Geass: Hangyaku no Lelouch and uncovered the Japanese culture in the said anime.
Thesis Statement: Even if there are anti-theses, the implications are clear: no matter what anime you watch, the tendencies, the cultural aspect and the Japanese character, no matter if the character’s nationality is not Japanese, is present.
underlying implications of japanese culture in code geass
The anime Code Geass: Lelouch of the Rebellion brings wonder and amusement to its viewers because of the way it was portrayed. A fictional country called ‘The Holy Empire of Britannia’, situated in present-day America, invades Japan in an attempt to colonize it. When they have succeeded in doing so, Japan was later renamed ‘Area 11’ and all the Japanese are now called ‘Elevens’. When the series is compared to what is happening in real life, amusement would be the first reaction of the viewers, for it would seem that Code Geass is set in an alternate universe. Not only is it set in an alternative universe, but what is happening in the anime is the exact opposite of what is happening in real life. As for the characters, some of the characters are the anti-thesis of what a Japanese is supposed to be. Even if there are anti-theses, the implications are clear: no matter what anime you watch, the tendencies, the cultural aspect and the Japanese character, no matter if the character’s nationality is not Japanese, is present.
When it comes to the characters’ attitudes, many could be noted and observed. As said by Singleton (1991) in The Spirit of Gambaru: “Exclusive group solidarity and commitment are part of the real (or hidden) curriculum of the educational process. The assumption is that commitment to exclusive groups is a necessary individual choice.” (p. 123) In the anime, groupism was first seen in the first episode of the first season when a group of Japanese banded together to fight for the same cause, which was to liberate Japan from the hands of Britannia. The small group failed in that attempt, but when Lelouch Lamperouge, the main character of the story, creates The Order of the Black Knights, the results of their rebellion are paying off. Not only were they successful in creating chaos, but they also managed to win the support of the people. This action is reaffirmed in the book of Lebra (1976): As Shintaro Ryu writes, the Japanese individual seems to feel really alive only when he is in a group. He wants to go wherever others do; even when he goes to the beach to swim, he avoids an uncrowded place but chooses a spot where people are practically on top of one another as if in a public bath. (p. 27) This is actually what had happened when the Order became much more successful in their missions, for it is the only time wherein everyone felt like their efforts are finally paying off. In the past, any attempt of theirs to regain back Japan always ended in failure, but now that they have a strong leader, they were now winning. In the recent episode of Season 2, groupism is seen through the recent move made by the remaining states that have not yet been colonized by Britannia by forming the United Federation of Nations, consisting of 47 nations, to rival the Holy Empire of Britannia. Countries having a common cause and banding together is truly a Japanese tendency.
Two amusing implication found in the anime is the fact that those who ratified the Constitution of the United Federation of Nations are to renounce their military force forever. This is very much similar to present-day Japan, who had to renounce war as an instrument of foreign policy and had to rely on the US for their security. Another implication is that Japan is now referred to as the ‘United States of Japan’. It is probably because the origin of the Order of the Black Knights came from Japan that many view Japan as the counterpart of the US, most especially because the Order is now acting like the US, providing military support for the member states.
A group tendency that is not at all positive is also seen in the anime and the Elevens are at the receiving end of this suffering. Murakami (1991) stated the following: One feature appears to be prominent in virtually all bullying cases: classmates and playmates close their eyes to the victimization of one of their fellows. They pretend indifference unless they are victims of the injustice of violence themselves. (p. 196) There is a academy setting in the story, but this time, it is not the students who are getting bullied but the adult Elevens. In one of the earlier episodes of Code Geass, a vendor of hotdogs was bullied by a group of Britannian students just so they could show their superiority. Instead of retaliating, the Eleven simply tolerated it because he knew that if he resisted, he would lose his livelihood. He had no choice in the matter, and the only thing left to do is to endure it all.
A sense of propriety is also observed in the anime. Fukue (1991) stated this, “Rank consciousness permeated traditional Japanese society and exists today in interpersonal relations and in business organizations.” (p. 68) This tendency was observed by the Order when it came to ranking all their personnel on how their combat abilities, loyalty and the like have been faring, as well as the Britannian Army and the whole of the Empire. In the Empire’s case, all princes and princesses were ranked according to their mother’s status. Also, a special force of the Empire called Knight of Rounds had this setup as well, ranking the skills of the knights with one being the strongest while the twelfth knight being the least powerful. This is being observed in order to preserve the harmony of the group.
With regards to having absolute devotion towards the leader, Rohlen (1991) says this, The superior finds his authority strongly limited by the general expectation that he will look after the best interests of those who work below him, that he will be their guardian or patron. The subordinate, on the other hand, finds that he should be submissive because of inexperience and out of gratitude. (p. 24) In the Britannian side, all of the Emperor’s subordinates are loyal to him because they either fear him or they are doing this because they want to. This is one of the few tendencies seen in the anime that has an anti-thesis. While Lelouch does look out for his men, he does not hesitate to use them like a pawn in order to achieve his goals. In turn, some of his subordinates, particularly during season 2, were angry at him because he had abandoned them in the middle of a war. Only two of his subordinates had chosen to believe that he had other important reasons as to why he would suddenly abandon them and remained hopeful that they will be rescued by Lelouch in time. Fortunately, Lelouch had indeed rescued them just in time before they got executed and had redeemed himself to his men by proving to them that he was very much serious to get back to his plans of liberating Japan and defeating Britannia.
- Mood:
sleepy
From the videogame: 快盗天使ツインエンジェル (Kaitou Tenshi Twin Angel)
Romanized by:
Lovely☆Angel!!
ラブリー☆えんじぇる!!
Ave;new Project: feat. Saori Sakura & Miyu Inoue
Let’s Go Fever Time! (A-Fua♪)
Lovely Angel✩(CHUCHU✩CHU!) WOW!
Ave;new Paradise! (CHUCHU✩CHU)
Come On!
Haruka kanata kimi ni koi no arashi o todokemasu☆(Go!)
Neratta mono! Takaramono wa nigaseruwake naishi♪
Aoi hikari tsutsumi komu yo koi no yaneraimasu
Doko made mo oikake LOCK ON! Enryo hairimasen♪
Tenshi ga sono yasashii hitomi mabata kisuru mae ni
Zenbu matomete itadaichaukara ne! (>_<) yeay☆
ANGEL TORNADO de WAKU WAKU ♪
(゚∀゚)ノkyun kyun
Kimi no HEART o nusumeru no ka na? Dakishimeraretara
(゚∀゚)ノ hai hai!
Kono mama ubawarechau yo!
ANGEL ARROW de DOKIDOKI ♪
(゚∀゚)ノkyun kyun!
YuCHU☆ni sasete ne sono egao kimi o miagetara
(゚∀゚)ノhai hai!
Mabushisugite yappari suki deshita!! (>_<)
(kyun kyun kyun kyun) Yeay☆
Omoi wa haruka tooku kimi ni todoitara nagai no ni (GO!)
Ijiwaru na kamisama onegai!! Kono koi kanaete ♪
Sou ne! Kitto aoi sora ni kumo hitotsu mo nakute (WOW!)
Harere ya ka na kibun tomadou koto nakute tenmei matsu ♪
Ii kagen na koi no mahou yori ubaimasu yo!
Kono te de! Kimi no kokoro washizukami! (>_<) yeay ☆
ANGEL WINK de WAKUWAKU ♪
(゚∀゚)ノkyun kyun!
Itsumade tatte mo furi mukanai!! Hitomi o tojitemo
Senobisuru natte warau
ANGEL TOUCH de DOKIDOKI ♪
(゚∀゚)ノkyun kyun!
Yasashiku sotto dakiyosete mite (WOW) kagami ni utsutta
(゚∀゚)ノhai hai!
Kuchibiru wa zutto kimi dake no mono!! (>_<)
Let’s Go Fever Time! YEAH! (A-Fua♪)
Lovely Angel (CHUCHU☆CHU!) WOW! (WA-I!!!)
Ave;new Paradise! (A-Fua♪)
(CHUCHU☆CHU) Come On!
Tenshi ga sono yasashii hitomi mabata kisuru mae ni
Zenbu matomete itadaichaukara ne! (>_<) yeay ☆
ANGEL TORNADO de WAKU WAKU ♪
(゚∀゚)ノkyun kyun!
Kimi no HEART o nusumeru no ka na? Dakishimeraretara
(゚∀゚)ノhai hai!
Kono mama ubawarechau yo!
ANGEL ARROW de DOKIDOKI ♪
(゚∀゚)ノkyun kyun!
YuCHU ☆ni sasete ne sono egao kimi o miagetara
(゚∀゚)ノhai hai!
Mabushisugite yappari suki deshita!! (>_<)
(kyun kyun kyun kyun) Yeay ☆
Lovely Angel! (゚∀゚)ノHaihai!
Ave;new Here We Go!
(CHUCHU☆CHU) (゚∀゚)ノkyunkyun
Ave;new Paradise! (゚∀゚)ノHaihai
(CHUCHU☆CHU) Come On Everybody DANCE!
WOW! (゚∀゚)ノKyunkyun (La-La-La-LaLa)
Ave;new Here We Go! Yeah!
(゚∀゚)ノKyun kyun kyu kyun! X3
Let’s Go Fever Time! Yeay ☆
(゚∀゚)ノ Kanji and English translation to follow~
Mediafire:Download
Major thanks to my Japanese friend, Takafumi-san, for helping me read one kanji~ :3333
- Mood:accomplished
Nation's name: Lietuvos Respublilka (Republic of Lithuania. Poland calls him "リト," which is "Liet.")
Capital: Vilnius
Language: Lithuanian
Birthday (Independence from Soviet Union): February 16th
National flower: Rue (personal note: its flower language is "regret")
Human name: Toris Laurinaitis
Height: Unknown
Age: 19 (appearance. The nation will celebrate the millennium in 2009)
-Exists as the eldest brother of the three Baltic states,
-Used to be a member of the Teutonic Knights, but established independence as the Kingdom of Lithuania after a rebellion against Christianity
-But was often pursued by German knights hoping to convert them into Christianity. (Note: Lithuania was the last pagan nation of Europe)
-After that, became a commonwealth with Poland and peacefully converted to Christianity.
-But was taken over by Russia after a fight over the annexation/partition of Poland.
-A good-natured person who likes to take care of people, and even though he has the Baltic attribute of being introverted, is the type who will take one into his heart when he gets used to that person.
-But, perhaps it is because of this sort of personality that he holds the infamous record of having the highest suicide rate of the world.
-Loves martial arts and literature. Also, his car is definitely a second-hand car. Is particular about taste, and is known to use many flavours of ketchup and mayonnaise in a day.
------------------
Ahh, sweet little Liet! Lithuania is a people-pleaser, and seemingly a bit of a doormat due to his unfortunate history with Russia. But Lithuania is quite a strong, loyal fellow! (And such a sweetie, ohmygod ;_;)
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The translation above belongs to the Hetalia LiveJournal community, which is like Candyland to me. Visit it! http://community.livejournal.com/hetalia/
- Mood:accomplished
Will you?