Jump to content

Anya Jenkins

This is a good article. Click here for more information.
From Wikipedia, the free encyclopedia

Anya Jenkins
Buffy the Vampire Slayer character
Emma Caulfield as Anya Jenkins in a season 7 promotional photo. She is wearing a yellow top against a blurred background while looking at the camera.
Emma Caulfield as Anya Jenkins
First appearance
"The Wish" (1998)
Last appearance
Buffy the Vampire Slayer Season Ten (2014–2016)
Portrayed byEmma Caulfield
In-universe information
Full nameAnya Christina Emmanuella Jenkins[a]
Aliases
  • Anyanka
  • Aud
Occupation
  • Vengeance demon (seasons 3, 6–7)
  • Cashier (seasons 5–6)
AffiliationScooby Gang
Significant other
Xander Harris (seasons 4–6)
Classification
  • Vengeance demon (seasons 3, 6–7)
  • Human (seasons 3–7)

Anya Christina Emmanuella Jenkins[a] (/ˈɑːnjə/ AHN-yə) is a fictional character who appears in the television series Buffy the Vampire Slayer. She is introduced in "The Wish" as Anyanka, a vengeance demon who wreaks havoc by granting the wishes of women wronged by men. After losing her abilities, she becomes trapped in human form and begins a relationship with Xander, a friend of Buffy's. Anya is unfamiliar with social conventions, and her blunt, tactless speech is often used for comic relief.

Anya is portrayed by the American actress Emma Caulfield and was initially written to appear in one episode before her role was expanded; she appears as a recurring guest in Buffy's third and fourth seasons, before becoming a series regular in the show's fifth, sixth, and seventh seasons. Anya is considered a fan-favorite character, owing to her comedic aspects and Caulfield's performance. Journalists have also commented on her relationship with Xander and her death in the series finale. Academics have analyzed Anya's character and relationships, with studies focusing on identity, symbolism, gender, and sexuality.

Appearances

[edit]

Seasons 3 and 4

[edit]

Anya is introduced in "The Wish", in which she poses as a student at Sunnydale High School. She is revealed to be the 1,120-year-old vengeance demon Anyanka, who grants the wishes of scorned women. She seeks to exact vengeance for the popular cheerleader Cordelia Chase, who is distraught after catching her boyfriend Xander kissing his friend Willow. Anya prompts Cordelia to say that she wishes that Buffy, who is the Slayer and Xander and Willow's friend, never came to Sunnydale. Anya grants her wish and creates an alternative reality where Buffy is absent and vampires have overtaken the town. After discerning what has happened, Rupert Giles, a Watcher, summons Anyanka and destroys the necklace that contains her powers, returning the world to normal, and leaving Anya a mortal and powerless teenage girl.

Anya returns in "Doppelgangland", seeking to regain her powers as a vengeance demon, but she fails. In "The Prom", she attends the prom with Xander and develops feelings for him, leading her to ask him out again in "Graduation Day". When he tells her of the Mayor's planned ascension, she informs the Scooby Gang[b] that the event involves a transformation into a pure demon. She decides to flee town and confesses her feelings to Xander before leaving. Anya returns to Sunnydale early in season 4, still infatuated with Xander. She seduces him in an attempt to move on, but she fails; the two begin dating, and Anya joins the Scooby Gang. Her straightforward, tactless remarks put her at odds with the other Scoobies, especially Willow, who distrusts her, and her ignorance of social conventions is often used for comic relief.[1] Still, she helps the group battle many demons. Anya is revealed to be afraid of bunnies, which becomes a running gag.[2][3]

Seasons 5–7

[edit]

In the fifth season, while playing The Game of Life, she discovers her love for money and capitalism. Anya's budding retail skills encourage Giles to hire her as a cashier at his magic shop called The Magic Box. The Scooby Gang learn of the hellgod Glory; she seeks to return to her dimension by using the blood of Buffy's younger sister, Dawn, to open a portal, which would cause dimensions to bleed into one another. Anya provides demonic knowledge and suggestions that help the Scoobies battle Glory. She also struggles to understand her newfound mortality, expressing confusion and shock over the death of Buffy's mother, Joyce, in "The Body". During the impending apocalypse at the end of season 5, Xander proposes to Anya, and they are engaged for most of season 6. Anya is often frustrated with Xander, as he refuses to announce their engagement until Halloween. At their wedding, Xander leaves Anya at the altar, because he fears he will become abusive like his father. Grief-stricken, Anya becomes a vengeance demon again. Anya tries to exact vengeance on Xander. However, she cannot find anyone who wishes vengeance on Xander, so she takes comfort in sex with the vampire Spike, an act that puts her relationship and friendship with Xander and Buffy in jeopardy. In the season 6 finale, she assists the Scooby Gang in stopping Willow, who is grief-stricken from the murder of her girlfriend Tara, from destroying the world with witchcraft.

In the seventh season, Anya does not enjoy her return to being a vengeance demon—her experience as a human has led to empathy, which makes exacting vengeance too painful for her to manage. In flashbacks in the episode "Selfless", it is revealed that she was initially a human named Aud; her lover, Olaf, cheated on her, and she transformed him into a troll. Impressed, D'Hoffryn, the leader of vengeance demons, granted her wish-granting abilities and renamed her Anyanka. Over more than 1,000 years, she became obsessed with her work and defined herself through vengeance. In the present, after her demon friend Halfrek encourages her to return to her former level of work, Anya takes vengeance on a group of college boys by unleashing a spider-like demon that kills them. Buffy decides that she must kill Anya to prevent further harm, but their battle is interrupted by D'Hoffryn, who has been summoned by Willow. D'Hoffryn asks Anya what she wants, and she asks that her vengeance be reversed. D'Hoffryn tells her the price will be the life of a vengeance demon; Anya agrees, but D'Hoffryn kills Halfrek instead and strips her of her powers, making her mortal once again. Anya decides that she has been too dependent on others and resolves to find an independent purpose in life for herself. She eventually rejoins the Scooby Gang as season 7 focuses on the fight against the First Evil, an ancient primordial force, and reconciles with Xander. The two admit that they still love each other and have sex, but they never officially resume their relationship.

In the series finale, "Chosen", Anya fights with the others in the battle against the First Evil at Sunnydale High School and is killed by a Bringer, a servant of the First Evil. Her body lies in the school's remains, although Xander attempts to locate her while fleeing the collapsing building.

Comic books

[edit]

In the first issue of Buffy the Vampire Slayer Season Ten (2014–2016), Anya returns as a ghost and talks to Xander about their relationship, especially his guilt from abandoning her. It is revealed that she is a fake ghost created by D'Hoffryn to exact vengeance on Xander for "robbing" her from him. The fake version of Anya realizes that D'Hoffryn had manipulated and controlled her for much of her life, and she turns on him. Before departing, she assures Xander that he is a good man and that the original Anya would forgive him as well.

Development and casting

[edit]
American actress Emma Caulfield at a Buffy the Vampire Slayer convention in Tampa
The actress Emma Caulfield portrays Anya.

Anya was initially written to appear in one episode of the third season of the supernatural horror drama television series Buffy the Vampire Slayer. The American actress Emma Caulfield, who had a prior relationship with one of the show's casting directors,[4] was chosen for the role after she met with the series creator Joss Whedon.[5] She eventually appeared in a recurring capacity for two years before being promoted to a series regular in the fifth season. When portraying Anya's demon form, she wore prosthetic makeup,[6] including head, chest, and hair pieces.[7] A month after her initial guest appearance, Caulfield was asked to return to the show. Following the completion of the third season, she was informally expected to appear in the fourth season.[8] After Cordelia (Charisma Carpenter) left the show at the end of the third season, Anya was incorporated to replace her frankness;[7] Caulfield was asked to appear in an "indefinite amount of episodes" in July 1999.[8] The consulting producer David Greenwalt highlighted Anya and Spike[c] as key characters in replacing Cordelia because of their lack of tact and larger-than-life qualities.[9]

Whedon said that Caulfield's promotion to a series regular was a "delicate" decision and a matter of whether the character aligned with the group dynamic. Whedon chose to promote Caulfield to allow Anya to assume Cordelia's "wiseacre" role. He stated that the decision made "perfect sense" due to the character's alienated, blunt nature and Caulfield's comedic timing, adding that one does not "usually get that much funny in a girl that pretty".[10] Caulfield said that she was not promoted earlier due to being unable to "get into the head of ... Whedon".[6]

The sixth season focuses on themes of disillusionment, responsibilities and the realities of life. Whedon wanted to explore the "frightening" idea that "monsters is one thing, marriage is another", especially for a young man such as Xander, leading to the events of the episode "Hell's Bells" where he leaves Anya at the altar.[11] Caulfield said her acting focused on Anya's "human" aspects in "the very broadest sense of the word", since she did not want to portray her as a "cartoon character". She found the process difficult due to Buffy's frequent tonal shifts.[12] For the seventh season, the writers wanted to explore how Anya and Xander would continue with their lives and navigate being friends after their "intense" relationship, according to the co-executive producer David Fury. The team wrote the two growing apart before bonding again to deepen their love, despite the two no longer being in a relationship.[13] Whedon also wanted to kill a character off in a sudden, brutal manner in the final season. Caulfield expressed disinterest in returning to the show, which Whedon attributed to a poor relationship with 20th Century Fox Television in which she found herself "ill-used" and wanting to "move on". Thus, he chose to kill Anya off. Her death scene was the last scene that Caulfield shot.[14]

Academic analysis

[edit]

Symbolism

[edit]

Academics have discussed symbolic readings of Anya's character. Gregory J. Thompson and Sally Emmons-Featherson regard the Scooby Gang as an example of an "allegorical characterization", with Anya representing materialism, greed, and unadorned truth.[15] On the other hand, Elizabeth L. Rambo, an associate professor of English, writes that she could be perceived as "a reasonable facsimile" for a third culture kid due to her zealous reverence for capitalism and other "American" values. She draws parallels to "hidden immigrants", who have similar physical appearances to those around them but have differing perspectives on life due to their experiences with other cultures.[16]

The authors Valerie Estelle Frankel and Jan Jagodzinski argue that Anya is a symbolic reflection of Buffy's other characters. Frankel interprets her as a representation of "the simplistic innermost child Buffy left behind" in the later seasons and "a force for seizing the pleasures of life beside the increasingly-dark and duty-driven Buffy", especially in the sixth season, in which Buffy is depressed while Anya is happily engaged.[17] She also compares Anya to the Freudian concept of the id due to her directness, fear of death, and simplistic manner of expressing herself.[18] Alternatively, Jagodzinski views Anya as Willow's abject self, declaring that Willow's description of her as a "thousand-year-old capitalist ex-demon with rabbit phobia" symbolically represents "a reformed bad girl who is off drugs but into consumerism".[19]

Identity and character arc

[edit]

Caroline Ruddell writes that Buffy frequently explores Gothic doubles, particularly through vampires, and that Anya is doubled by her identity as a vengeance demon.[20] According to the English professor Emily Dial-Driver, Anya is the character who most frequently oscillates between "light and dark" in the show, with her "dark side" metaphorized by her demonic form. She contends that despite Anya's character being "immature and erratic", her request for her vengeance to be reversed in "Selfless" represents an eventual recognition and rejection of her "dark side".[21] In Why Buffy Matters, the author Rhonda Wilcox argues that Anya's different identities are represented and contrasted through her names—she uses Anya when attempting to define herself as Xander's future wife; Anyanka (chosen by D'Hoffryn) when she is a vengeance demon; and Aud when she was a human. In "Selfless", Anya rejects her role as a vengeance demon and Xander's offer to help. The author asserts that these rejections and her continued use of the self-chosen name "Anya" demonstrate that "she will establish the descriptors" herself rather than accepting identities imposed by others.[22]

Scholars have also examined Anya's character arc. In his book Televised Morality, the New Testament professor Gregory Stevenson writes that her development shows how moral judgments are influenced by how much one values human life: In the third season, she flees town, contrasting Xander, who says he will stay for his friends. However, in the fifth season, she helps fight Glory because of her love for Xander, and in the seventh season, she battles the First Evil due to a professed appreciation for humanity.[23] The sociologist Ananya Mukherjea interprets Anya's arc as Gothic, because "the formation of her self is so wrapped up in death and pain", which "constitute the counterpoint to her consistent need for love and stability". As examples, she cites Anya's fear of death after becoming mortal; the ridicule she experiences for her speech and interests; and her dying shortly after developing an understanding of her identity.[24]

Gender, sexuality, and relationships

[edit]

The author Lorna Jowett asserts that Anya's character alternates between embodying either feminist or feminine ideals, with her heterosexual romances hampering her independence and identity formation. She claims that heterosexuality and power are presented as "incompatible" in Anya's character: She gains her supernatural abilities after a failed romantic relationship, enters another upon losing them, and regains them when that relationship ends.[25] Elana Levine maintains that Anya initially oscillates "between caricatured versions of femininity and feminism"—the writer views her character as the epitome of conventional femininity during her relationships with Olaf and Xander; and as a caricature of a career-driven woman and radical feminist during her time as a vengeance demon. However, she argues that her decision to find an independent purpose in "Selfless" is a rejection of the postfeminist concept that a woman must choose between extremes of feminism or femininity, in favor of third-wave feminist ideas.[26]

The writers Tamy Burnett and Lewis Call both highlight Anya's romantic and sexual relationships. Burnett argues that Anya is the only sexually liberated female character in Buffy and "transgress[es] forms of female sexuality", since she openly discusses and engages in sex without consequence. She cites the loss of Angel's soul after having sex with Buffy[d] and punitive interpretations of Tara's death[e] among consequences faced by other female characters for their transgressions of traditional performance.[29] Similarly, Call maintains that Anya and Xander are the only couple in Buffy whose engagement in kink is presented "unproblematically"; he describes their relationship as featuring "an astonishing amount of open, direct negotiation" and consensual BDSM-related practices, including spanking and bondage.[30] He further contends that despite their romantic relationship ending in the sixth season, their interactions in the seventh season continue to reflect the structure and dynamics of a committed kinky relationship: "[S]exually, they are basically monogamous, though they do play with others."[31] According to Burnett, Anya's acceptance within the Scooby Gang "legitimizes her perspective" on sex, but her death positions her as "failing to achieve [her] ultimate narrative legitimacy".[29]

The philosophy professor Carolyn Korsmeyer, writing in Buffy the Vampire Slayer and Philosophy, states that Anya's love for Xander is mentioned but rarely felt by audiences. She argues that her limited human relations and emotional register lead to their "non-fungible" love lacking "a wider and more robust scope of affection somewhere in one's character and experience" to be credible.[32] Contrastingly, Anthony Curtis Adler claims that the directness in Anya's speech "give[s] voice to a human finitude, a fleshy, creaturely existence" and her love "is purely sensual and yet absolutely faithful, and it is almost as if the human body itself, innocent of consciousness, was granted the gift of language".[33]

Reception

[edit]

Vox's Emily St. James referred to Anya's return in "Doppelgangland" as "endearing",[34] and the BBC said that the episode positioned her as "a very promising character with an interesting history".[35] In commentary on "The Prom", Mark Rabinowitz of Paste called her tactlessness "bizarre but endearing".[36] Anya later became a fan-favorite character,[37][38] which ComicBook.com's Shawn Lealos credited to her comedic aspects and Caulfield's "outstanding" performance.[39] Several journalists singled out Anya's monologue in "The Body", in which she tearfully refers to death as "mortal and stupid", as moving and poignant.[f] Moreover, Rabinowitz described Anya's character as "compelling[,] ... funny and lovable".[36] The /Film writer Justin McDevitt opined that her character development was "fascinating", commenting that her difficulties with understanding humans established her as one of the show's "most relatable" characters.[43] Similarly, Emma McKenna, writing for ComicBook.com, said that her alienation from humanity was "sincere, complex, and surprisingly poignant" while highlighting it as the catalyst for some of Buffy's most humorous scenes.[44] Reviewing Caulfield's acting, The Guardian stated that her timing and pitch were "so perfect it seemed itself otherworldly".[45] The BBC argued that her "always adorable" performance made her Buffy's "most watchable character",[46] while The Star-Ledger said she was "one of the funniest evil creatures".[47] Nylon agreed, claiming that she offered Anya "fire and joie de vivre" that transformed her into "a layered, surprising character".[48]

Journalists have commented on Anya's relationship with Xander and her death in the series finale. Lealos said she and Xander had "one of the best relationships" in the show,[39] while BuzzFeed News dubbed them the "greatest TV couple of all time".[49] Articles in Nylon and Digital Spy ranked Anya and Xander as the 6th-best (of 12) and 11th-best (of 17) romantic relationship in the Buffyverse respectively.[48][50] The former praised the couple's "sheer abundance of joy",[48] whereas the latter disapprovingly opined that Xander fell for Anya accidentally and reluctantly.[50] Vulture and Rolling Stone criticized their breakup in "Hell's Bells", with the latter referring to the episode as the sixth season's "breaking point".[51][52] In commentary on "Selfless", Rolling Stone wrote that Anya's development in the seventh season "is quietly one of the most compelling", particularly her decision to establish her own identity and her death.[52] McDevitt stated that her fate displayed her character growth,[43] while McKenna said her death was "one of the most painful".[44] Other writers, such as Kirsten Howard of Den of Geek, Morgan Jeffrey of Digital Spy, and Nick Caruso of TVLine, criticized her death as "unnecessary and mean-spirited",[53] "ignoble",[54] and "confounding", respectively.[55] According to The Guardian, her swift death scene "did a disservice to all that the characters had meant to us and each other".[56] Caulfield referred to Anya's fate as "lame" and believed that it deserved a greater reaction from the other characters.[57]

Anya has been ranked among Buffy's best characters by TVLine (7th)[58] and ComicBook.com (9th).[44] /Film listed her as the show's third-best main character.[43]

Notes

[edit]
  1. 1 2 In "Checkpoint", Anya gives her full name as "Anya Christina Emmanuella Jenkins" while trying to convince the Watcher's Council she is an ordinary human. Later, in "Selfless", she calls it a "lame-ass made up maiden name". In the 1999 Sunnydale High Yearbook tie-in book, she is named "Anya Emerson".
  2. ↑ Buffy's core group of friends who help her battle the supernatural
  3. ↑ Spike, portrayed by James Marsters, became a series regular in the fourth season after making recurring and guest appearances in the second and third seasons.
  4. ↑ In "Surprise" and "Innocence", Buffy and her boyfriend, Angel, who is a 241-year-old vampire cursed with a soul, have sex for the first time. Because Angel achieves a moment of true happiness after having sex, the curse is broken, and he loses his soul.[27]
  5. ↑ Tara is killed in "Seeing Red". In the episode, she and Willow are portrayed in bed between sexual encounters, leading to critics accusing Whedon of implying that lesbian sex should be punishable by death, which is a trope in film and television.[28]
  6. ↑ Attributed to articles in TVLine,[37] /Film,[40] The A.V. Club,[41] and The Baltimore Sun[42]

References

[edit]
  1. ↑ Meenan, Devin (February 19, 2024). "Buffy the Vampire Slayer Typecast Emma Caulfield in a Very Specific Way". /Film. Archived from the original on July 22, 2026. Retrieved July 21, 2026.
  2. ↑ Bradley, Laura (July 8, 2016). "Why Is Hollywood So Scared of Bunnies?". Vanity Fair. Archived from the original on July 16, 2026. Retrieved July 16, 2026.
  3. ↑ Chilton, Louis (January 20, 2021). "WandaVision: Buffy the Vampire Slayer Easter Egg Spotted by Fans in New Marvel Series". The Independent. Archived from the original on February 2, 2026. Retrieved July 16, 2026.
  4. ↑ Bell, Jeff (November 7, 2000). "The Devil in Miss Caulfield". The Times. p. 44. Retrieved August 18, 2026 – via Newspapers.com.
  5. ↑ Holder, Mariotte & Hart 2000, p. 283.
  6. 1 2 Ausiello, Michael (March 13, 2000). "Buffy Villain Stops Her Bitching". TV Guide. Retrieved July 8, 2026.
  7. 1 2 Stafford 2007, p. 97.
  8. 1 2 Holder, Mariotte & Hart 2000, p. 284.
  9. ↑ Holder, Mariotte & Hart 2000, p. 396.
  10. ↑ Ausiello, Michael (September 22, 2000). "Buffy Baddie Finally Gets Regular". TV Guide. Archived from the original on October 29, 2025. Retrieved July 8, 2026.
  11. ↑ "Life Is the Big Bad". Buffy the Vampire Slayer: The Complete Sixth Season on DVD (DVD). 20th Century Home Entertainment. May 25, 2004.
  12. ↑ Crook, John (November 25, 2001). "Checking In with Emma Caulfield". The Sanford Herald. p. 59. Retrieved August 18, 2026 – via Newspapers.com.
  13. ↑ "Full Circle: Buffy's Final Season". Buffy the Vampire Slayer: The Complete Seventh Season on DVD (DVD). 20th Century Home Entertainment. November 16, 2004.
  14. ↑ Ausiello, Michael (May 23, 2003). "Buffy Postmortem: Is Spike Dead?". TV Guide. Archived from the original on August 19, 2025. Retrieved July 8, 2026.
  15. ↑ Thompson & Emmons-Featherson 2014, p. 165.
  16. ↑ Rambo 2018, p. 4.
  17. ↑ Frankel 2014, pp. 114, 116.
  18. ↑ Frankel 2014, p. 115.
  19. ↑ Jagodzinski 2008, p. 130.
  20. ↑ Ruddell 2012, p. 92.
  21. ↑ Dial-Driver 2014, p. 15.
  22. ↑ Wilcox 2005, pp. 55–58.
  23. ↑ Stevenson 2004, p. 166.
  24. ↑ Mukherjea 2008, p. 9.
  25. ↑ Jowett 2005, pp. 28–29, 33.
  26. ↑ Levine 2007, pp. 181–182.
  27. ↑ Odyssey, David (January 20, 2023). "Angelus Turns 25: The Devastating Twist That Changed Buffy the Vampire Slayer & TV Forever". Nylon. Retrieved July 26, 2026.
  28. ↑ Mangels, Andy (August 20, 2002). "Lesbian Sex = Death?". The Advocate. No. 869/870. pp. 70–71.
  29. 1 2 Burnett 2010.
  30. ↑ Call 2013, pp. 169–170.
  31. ↑ Call 2013, pp. 170–171.
  32. ↑ Korsmeyer 2003, p. 142.
  33. ↑ Adler 2014, p. 47.
  34. ↑ St. James, Emily (March 10, 2017). "In Honor of Buffy's 20th Anniversary, We Ranked It from Worst to Best Episode". Vox. Archived from the original on January 30, 2024. Retrieved July 14, 2026.
  35. ↑ "Doppelgangland". BBC. Archived from the original on July 20, 2026. Retrieved July 14, 2026.
  36. 1 2 Rabinowitz, Mark (May 19, 2023). "The Best Buffy the Vampire Slayer Episodes: Every Episode Ranked". Paste. Archived from the original on January 30, 2024. Retrieved July 14, 2026.
  37. 1 2 "Buffy's 20 Best Episodes, Ranked!". TVLine. May 20, 2023. Retrieved August 18, 2026.
  38. ↑ Houghton, Rianne (February 3, 2017). "Fear the Walking Dead Is Bringing in a Buffy Fan Fave". Digital Spy. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  39. 1 2 Lealos, Shawn (November 26, 2025). "4 Great Buffy Characters Introduced After Season 1". ComicBook.com. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  40. ↑ Deshler, Kira (January 12, 2023). "The 10 Most Heartbreaking Moments in Buffy the Vampire Slayer". /Film. Retrieved August 18, 2026.
  41. ↑ Murray, Noel (July 30, 2010). "Buffy / Angel: 'Reprise / Epiphany / I Was Made To Love You / The Body'". The A.V. Club. Retrieved August 18, 2026.
  42. ↑ Kaltenbach, Chris (May 18, 2003). "The Best of Buffy". The Baltimore Sun. p. G3. Retrieved August 18, 2026 – via Newspapers.com.
  43. 1 2 3 McDevitt, Justin (November 3, 2022). "Every Main Character in Buffy the Vampire Slayer, Ranked". /Film. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  44. 1 2 3 McKenna, Emma (July 24, 2025). "10 Best Buffy the Vampire Slayer Characters Ranked". ComicBook.com. Archived from the original on December 11, 2025. Retrieved July 20, 2026.
  45. ↑ Mangan, Lucy (May 3, 2012). "Your Next Box Set: Buffy the Vampire Slayer". The Guardian. Retrieved July 20, 2026.
  46. ↑ "Selfless". BBC. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  47. ↑ Sepinwall, Alan (October 22, 2002). "Soul Sucker". The Star-Ledger. p. 36. Retrieved August 18, 2026 – via Newspapers.com.
  48. 1 2 3 Odyssey, David (October 21, 2021). "Buffy the Vampire Slayer Couples, Ranked". Nylon. Retrieved August 1, 2026.
  49. ↑ White, Alan (September 8, 2014). "This Is What Anya and Xander from Buffy the Vampire Slayer Look Like Now". BuzzFeed News. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  50. 1 2 Dibdin, Emma (March 10, 2016). "Buffy the Vampire Slayer and Angel: Ranking Every Single Romance in the Buffyverse from Worst to Best". Digital Spy. Retrieved August 1, 2026.
  51. ↑ Bunting, Sarah D. (March 10, 2017). "Every Season of Buffy the Vampire Slayer, Ranked From Worst to Best". Vulture. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  52. 1 2 Francis, Jack (May 20, 2023). "Buffy the Vampire Slayer: Every Episode Ranked from Worst to Best". Rolling Stone. Retrieved July 20, 2026.
  53. ↑ Howard, Kirsten (February 2, 2026). "Ranking Every Season of Buffy the Vampire Slayer". Den of Geek. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  54. ↑ Jeffrey, Morgan (August 13, 2018). "Buffy the Vampire Slayer Seasons 1–7 Ranked, from Worst to Best". Digital Spy. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  55. ↑ Caruso, Nick (July 20, 2025). "Buffy Reboot: 10 Characters We Need Back – and One We Don't". TVLine. Archived from the original on July 20, 2026. Retrieved July 20, 2026.
  56. ↑ Mangan, Lucy (March 27, 2017). "When Good TV Goes Bad: How Buffy the Vampire Slayer Started to Suck". The Guardian. Retrieved August 1, 2026.
  57. ↑ Buffy Reunion: Why Emma Caulfield Thinks Her Death in the Finale Was 'Lame' | PEN | People. People (Video). April 21, 2017. Archived from the original on July 9, 2024. Retrieved July 20, 2026 – via YouTube.
  58. ↑ "Buffy's 25 Best Characters Ever". TVLine. August 30, 2020. Archived from the original on July 20, 2026. Retrieved July 20, 2026.

Works cited

[edit]
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Anya_Jenkins&oldid=1374353534"