Top, L-R: U.S. Marines engaged in street fighting during the Korean War, circa late September 1950; The first polio vaccine is developed by Jonas Salk.
Centre, L-R: US tests its first thermonuclear bomb with code name Ivy Mike in 1952. A 1954 thermonuclear test, code named Castle Romeo, is shown here; In 1959, Fidel Castro overthrows Fulgencio Batista in the Cuban Revolution, resulting in the creation of the first communist government in the Western hemisphere; Elvis Presley becomes the leading figure of rock and roll in the mid-1950s.
Bottom, L-R: Smoke rises from oil tanks on Port Said following the invasion of Egypt as part of the Suez Crisis in late 1956; The Hungarian flag with the Communist coat of arms cut out during the Hungarian Revolution, 1957; The Soviet Union launches Sputnik 1, the first artificial satellite to orbit the earth, in October 1957.
The 1950s (pronounced nineteen-fifties; commonly abbreviated as the "Fifties" or the "'50s") (among other variants) was a decade that began on 1 January 1950, and ended on 31 December 1959.
The flight was operated for the purpose of maintaining the currency of the instrument rating of two of the airline's pilots. Shortly after takeoff and only seconds after climbing through 150 feet (46m), the plane began banking to the right. It continued to roll through 90degrees; the nose then dropped suddenly and moments later it struck the ground. All three members of the flight crew were killed upon impact. (Full article...)
... that Alan Choe was tasked with developing Queenstown, Singapore's first satellite town, after its British architects left the country in the mid-1950s?
... that a group of 25 women disfigured by the atomic bombing of Hiroshima traveled to the United States in the 1950s to receive reconstructive surgery?
... that in the 1950s Michel Klein opened one of the first veterinary practices in Paris?
... that Sandra Caron changed her name to avoid associations with a woman once described as "the most highly paid woman in British show business in the 1950s and 1960s"?
The film began production in February 1956, as director Corman wanted to shoot one final film in six days before a change in union contracts meant that actors were limited to working only five days a week. Filming of Gunslinger was marred by several inconveniences; rain caused the filming location to become muddy, and the two lead actresses were both injured on set. Eventually, Gunslinger was released to mixed reviews, and, in 1993, was featured in a fifth-season episode of the film-mocking comedy television series Mystery Science Theater 3000. (Full article...)
Pelli Chesi Choodu deals with the negative effects of the dowry system in India through the marital life of Venkata Ramana (Rama Rao) and Ammadu (Varalakshmi). The film's production began after the release of Vijaya Productions' Pathala Bhairavi (1951). Marcus Bartley was recruited as the cinematographer and the film was edited by C. P. Jambulingam and M. S. Money. Ghantasala composed the film's music. (Full article...)
The film's storyline concerns a newlywed woman who believes she is being haunted by the ghost of her new husband's previous wife. The simplistic musical score centres on the dies irae. (Full article...)
Fellini described La Strada as "a complete catalogue of my entire mythological world, a dangerous representation of my identity that was undertaken with no precedent whatsoever". As a result, the film demanded more time and effort than any of his other works, before or later. The development process was long and tortuous; there were problems during production, including insecure financial backing, problematic casting, and numerous delays. Finally, just before the production completed shooting, Fellini suffered a nervous breakdown that required medical treatment so that he could complete principal photography. Initial critical reaction was harsh, and the film's screening at the Venice Film Festival was the occasion of a bitter controversy that escalated into a public brawl between Fellini's supporters and detractors. (Full article...)
Presley later indicated that of all the characters that he portrayed throughout his acting career, the role of Danny Fisher in King Creole was his favorite. To make the film, Presley was granted a 60-day deferment from January to March 1958 for beginning his military service. Location shooting in New Orleans was delayed several times by crowds of fans attracted by the stars, particularly Presley. (Full article...)
The film is loosely based on the story of Veerapandiya Kattabomman, an 18th-century king who rebelled against the East India Company. It was an adaptation of the play of the same name by Sakthi T. K. Krishnasamy which featured Sivaji Ganesan as the title character, and premiered in August 1957. Principal photography began in October the same year, and took place mainly in Jaipur and Madras (now Chennai) until late 1958. This was the first full-length Tamil film released in Technicolor. (Full article...)
Image 9
Madhumati is a 1958 Indian Hindi-language paranormal romance film directed and produced by Bimal Roy, with a story and screenplay written by Ritwik Ghatak. The film stars Vyjayanthimala and Dilip Kumar in the lead roles, with Pran and Johnny Walker in supporting roles. The plot focuses on Anand, a modern man who falls in love with a tribal woman named Madhumati. However, they face challenges in their relationship finally leading to a paranormal consequence. The film was ranked 11th in the Outlook Magazine's 25 leading Indian directors' poll for selecting Bollywood's greatest films in 2003.
Missamma (transl.Miss madam) is a 1955 Indian Telugu-language romantic comedy film directed by L. V. Prasad. It was produced by Nagi Reddi and Chakrapani on Vijaya Productions banner. The film stars N. T. Rama Rao, Savitri, Akkineni Nageswara Rao and Jamuna. The script was adapted by Chakrapani from Rabindranath Maitra's Bengali play Manmoyee Girls' School. It revolves around two unemployed people— M. T. Rao and Mary— who pose as a married couple to obtain employment in a high school founded by Gopalam, a zamindar. As Rao and Mary fall in love, Gopalam's nephew A. K. Raju learns that Mary is Gopalam's missing elder daughter Mahalakshmi; she is unaware of her true identity.
Production began in early 1954 with P. Bhanumathi cast as the female lead, though she would eventually be replaced by Savitri. The film was simultaneously shot in Tamil as Missiamma, with an altered cast. Principal photography ended that December; filming was delayed because of Bhanumathi's exit after filming a few reels, and the difficulty of managing two casts simultaneously. C. P. Jambulingam and Kalyanam edited the film; Marcus Bartley was the cinematographer, and S. Rajeswara Rao composed the music. Missamma focused on social issues such as unemployment, corruption, and freedom of worship. (Full article...)
Image 11
Malliswari is a 1951 Indian Telugu-language historical romance film produced and directed by B. N. Reddi under his banner Vauhini Studios. P. Bhanumathi and N. T. Rama Rao star as a couple– Nagaraju and Malliswari– who are separated by Malliswari's greedy mother. Malliswari is sent to the king's palace according to the custom of "Rani Vasam", a tradition during the Vijayanagara Empire wherein young women were fetched to the palace with an offering of gold and jewellery to their parents. The rest of the film focuses on the consequences faced by Nagaraju when he, against all rules, surreptitiously enters the palace to meet Malliswari.
B. N. Reddi had envisioned a film about Sri Krishnadevaraya since his visit to Hampi during the production of his debut film, Vande Mataram (1939). He enlisted Devulapalli Krishnasastri to write the script, drawing inspiration from Butchi Babu's play Rayalavari Karunakruthyamu and Devan Sharar's short story The Emperor and the Slave Girl. B. N. Reddi also incorporated elements from his own childhood to enhance the narrative's authenticity, particularly in the playful interactions between Nagaraju and Malliswari. To ensure historical accuracy, B. N. Reddi consulted Mallampalli Somasekhara Sarma, a noted historian and epigraphist. Art director A. K. Shekar devoted nearly two years to designing the sets, meticulously preparing sketches to reflect the period’s aesthetics. The film's music was composed by S. Rajeswara Rao, with cinematography by Adi M. Irani and B. N. Konda Reddy. (Full article...)
Image 12
Theatrical release poster
The Incredible Shrinking Man is a 1957 American science fiction film directed by Jack Arnold, based on Richard Matheson's 1956 novel, The Shrinking Man. The film stars Grant Williams as Scott and Randy Stuart as Scott's wife, Louise. While relaxing on a boat, Scott is enveloped by a strange fog. Months later, he discovers that he appears to be shrinking. By the time Scott has reached the height of a small boy, his condition becomes known to the public. When he learns there is no cure for his condition, he lashes out at his wife. As Scott shrinks to the point where he can fit into a dollhouse, he has a battle with his family cat, leaving him lost and alone in his basement, where he is now smaller than the average insect.
The film's storyline was expanded by Matheson after he had sold the story to Universal-International Pictures Co., Inc. He also completed the novel upon which the film is based while production was underway. Matheson's script was initially written in flashbacks, and Richard Alan Simmons rewrote it using a more conventional narrative structure. Director Jack Arnold initially wanted Dan O'Herlihy to play Scott, but O'Herlihy turned down the role, leading Universal to sign Williams as the lead. Filming began on May 31, 1956. Scenes involving special effects were shot throughout production, while others used the large sets of Universal's backlot. Production went over budget, and filming had to be extended; certain special effects shots required reshooting. Williams was constantly being injured on set. (Full article...)