âInterrogating the cinematic production of the 'war on terror' as a uniquely American story, Blowback offers an inventory of Hollywood's most chauvinistic representations of post-9/11 militarism while also emphasizing the importance of alternative perspectives. Blowback tells key aspects of this global narrative through close attention to non-Western contexts of film production, distribution, and reception. It will be an especially welcome addition to courses on popular media and is a generally stimulating conversation starter.â
âNoah Tsika, Associate Professor of Media Studies, Queens College-CUNY, Author, Traumatic Imprints: Cinema, Military Psychiatry, and the Aftermath of War
âBlowback explains that war films do not simply tell stories about war, they are themselves weapons used to justify war. This videographic essay exposes students to the complex issues surrounding the production and reception of war films. How do nation states influence the production of war films? How do war films reflect and inform wider public opinion about who is right and wrong on the global stage? What role do films play in public memory? The filmmakers do an admirable job of providing salient examples - A useful teaching tool.â
âPearl James, Associate Professor of English, Co-director in International Film Studies, University of Kentucky, Author, The New Death: American Modernism and World War I
"War films can be weapons in shaping public opinion. Blowback reveals the seductive allure and power of the war film genre and alerts audiences that the point of view is essential for the master narratives created by cinematic representations. Ultimately, war films are closely related to propaganda and help promote violent conflict, even if they claim to be about preserving freedom and democracy. This educational documentary does not shy away from asking tough questions and would be perfectly suited for classrooms from high school to college."
âKaren A. Ritzenhoff, Professor of Communication, Central Connecticut State University, Co-editor, New Perspectives on the War Film