Just Add Peanut Butter

I grew up in a Seventh-day Adventist home that flavored savory foods with peanut butter, which others find gross, but I loved it. Tonight I added peanut butter to a bean and cheese burrito and it was delicious. I can’t think of any food that isn’t better with peanut butter.

Claude: Your family was ahead of the curve. Half the world cooks savory food with peanuts. West Africans build groundnut stew on them. Southeast Asians make satay sauce. Sichuan cooks toss them into kung pao and dan dan noodles. Mexico has salsa de cacahuate, a peanut and chile salsa, and many moles use peanuts to thicken and enrich the sauce. So a bean and cheese burrito with peanut butter sits closer to Puebla than to a church potluck.

The Adventist version grew out of need. A vegetarian kitchen has to find fat, protein, and depth somewhere, and nuts filled that role. Nut loaves, peanut butter gravies, and lentil roasts carry that logic. Outsiders flinch because Americans file peanut butter under sandwiches and cookies.

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‘Why Floundering Trump Will Sell Out on World Stage | Inside Trump’s Head’

On September 22, 2026, Michael Wolff and Joanna Coles record the 168th episode of Inside Trump’s Head, the podcast The Daily Beast launched in October 2025. Coles runs content at the Beast after editing Marie Claire and Cosmopolitan and running content for Hearst. Wolff has written four books on Trump, starting with Fire and Fury. The week hands them material. Four days earlier Trump banned CNN, MS NOW and Politico from the White House grounds, and ABC, CBS, NBC and Fox suspended pool coverage in solidarity. On Monday the White House launched Trump TV, a 24/7 YouTube stream of old speeches. Trump speaks at the United Nations while they record, and Xi Jinping arrives Thursday for a state visit.

The cold open states Wolff’s thesis for the week. Trump needs good news, and “his way of getting good news is not to negotiate a good deal. His way of getting good news is to agree. He goes into flattery mode.” The rest follows: “Xi will flatter Donald Trump, and in return Donald Trump will flatter him. And that will result in the Chinese getting what the Chinese want.”

Coles says Melania’s white collar gives her “a bit of a Ruth Bader Ginsburg” look, and Wolff says the first lady has become Jewish. Coles asks if he had a big feast the night before. Yom Kippur ended at nightfall Monday, and the feast she means is the break-fast. Wolff bristles. “We’re going to talk about my levels of observance? Is that what you want to talk about now?” Then: “Just because someone might be Jewish, you don’t have to attach them to a Jewish holiday.” He calls it “what Brits do.” Coles says every Jew she knows in New York was celebrating. Wolff: “More Jews than not are not observant, as I am not observant, as I am actually only equivocally Jewish. My father’s Jewish. My mother is not Jewish.” And: “It’s always the Brits getting trapped in Jewish talk.” Coles: “I just can’t win.” A commenter under the video noticed that Wolff objects to one stereotype by reaching for another. The man who sorts the powerful into types all day will not let a British colleague sort him by the calendar.

Coles mentions Melania as “the subject of your lawsuit” and says they should catch up on it. They never do. On May 22, 2026, Judge Mary Kay Vyskocil threw out Wolff’s preemptive suit against the first lady and faulted him for tactical gamesmanship, and Melania’s lawyers pressed for sanctions over the summer. The Beast has its own history in the matter. In July 2025 it pulled a story built on a Wolff interview about Melania and apologized for it. The host’s outlet apologized to the woman the host sued, and the show moves on to Melania’s hair.

Then Wolff reports his UN-week sightings, and here the old magazine columnist comes back to life. On a midtown street he runs into Steven Cheung, the White House communications director, “who regularly issues statements about what a scumbag I guess I am.” They lock eyes. “I thought he was going to greet me, because actually we like each other. But then he closed down immediately and scuttled on.” The spokesman who calls him names in public likes him in private, and the proof is a glance on a sidewalk. At the corner of 55th and Sixth, Wolff sees “this incredibly handsome man,” an older gentleman with a beautiful woman on his arm, posed as if for a magazine. A homeless man on the corner makes the identification: “I think that man ran for president.” It is Mitt Romney. Wolff: “It’s interesting what happens to somebody who doesn’t become president.” Coles praises the documentary Mitt and then doubles down: “Mitt Romney would have been a better president than Obama.” She predicts the comments, and she gets them. The Romney line draws more anger below the video than anything Trump does in the hour.

Wolff’s best five minutes cover the press ban. He reads it as a news-cycle play. When Trump needs a distraction, “the go-to thing is make the media the enemy, and make the media the enemy plays very well with the Trump base.” He places himself and Coles in the story: “We’re in New York. Our panties are in a twist about this.” The base hears that the press lies. Then the claim the rest of the trade won’t make: “A war with the press. Nothing better. And also, I think we should say, there’s nothing better for the press.” “This is win-win for everybody.” Coles asks if he thinks the First Amendment is under threat. He does, “constantly,” and “I have been in the line of fire on this issue many times.” But the room Trump closed never mattered to him. The White House press room is “one of the stupider things that the press does. What do you get out of being in the press room at the White House? I’m going to tell you: nothing.” Both sides trade on “a conceit.” The White House gets reporters at its feet, and the press gets to say “we’re in the White House when they are not.” Press secretaries, in Trump’s world, are “just a pretty face.” Karoline Leavitt left on August 27 and the post sits vacant.

The analysis fits Wolff’s career. Access through the front door buys nothing. The story lives in the conflict and in the back channel, and he has built his books on the second. He also names the incentive: “He needs them. They need him.” What he leaves out is the microphone in front of him. The episode carries the title “Why Floundering Trump Will Sell Out on World Stage,” and later Wolff announces that once the midterms pass, “we will begin the 2028 race, and we’ll be back four days a week.” The win-win he describes includes a podcast that grows with every Trump fight. Wolff sees the trade clearly and exempts his own stall.

The facts since recording cut against his forecast that the ban is a ten-minute news cycle. The outlets sued, and at a hearing Wednesday Judge Timothy Kelly voiced skepticism about the White House’s process. On Trump TV, Coles says nobody is watching, and Wolff predicts it will make billions the way Truth Social did. The comparison misfires. Axios describes Trump TV as a government stream on the White House’s YouTube channel, with no business behind it to sell.

On Trump’s plan to turn his 250-foot arch into a military complex with drones and snipers, Wolff says Trump “doesn’t know shit about a military installation” and “just plays the same card over and over again,” the card he played when he called the ballroom a military base. Coles calls it maneuvering. Wolff corrects her, and the correction is his theory of Trump in one line: “Even to say that Trump is maneuvering implies some strategy.” “He makes this up as he goes along.”

On the wars, the method shows. “When I speak to people within the White House about this, I find a kind of gallows humor.” He mentions the war to a source, and “this person says, ‘Which war?’” Staffers, he says, pass around a 1979 or 1980 clip of Trump with the gossip columnist Rona Barrett, urging troops into Iran during the hostage crisis. Wolff’s summary: “He gets something in his head, doesn’t get it out of his head.” Then a history lesson compressed into a chain of errors: “Wars happen because of errors and miscalculations,” and the Soviet invasion of Afghanistan leads to “the collapse of the Soviet Union, and ultimately 9/11.” Trump’s pattern in Iran is “charging in recklessly and then not being able to make up your mind. Charging, and then dither.” The evidence is the evidence Wolff always offers: an unnamed person, a remark, a clip passed hand to hand. None of it can be checked, and all of it rings true to anyone who has read his books.

Two first-person witness claims come in the China segment. From the first term: “I witnessed aides trying to tell him how you say Xi,” for weeks, until they tried “she,” as in Melania. Coles asks whether it was a power play. “This seemed genuine.” Then the generals: “Something else I witnessed, when generals come in and make presentations, a PowerPoint,” Trump “is out the door, cannot listen to it, cannot absorb that kind of information.” Then the funniest exchange of the hour. Wolff: “I share his anxiety about PowerPoint.” Coles: “We are grateful that you are not the commander in chief.” Wolff: “Fair. Totally fair.” He understands Trump in part from the inside of a temperament he shares.

His China forecast: success for Xi means “the Chinese coming away with expressions of Trump’s goodwill,” which they will read as triumph. On Taiwan, “no mention of Taiwan, or a mention in which Taiwan becomes even more equivocal. That would be the ultimate victory for Xi.” The country is “dependent on Donald Trump understanding the stakes, the nuances, the subtleties, the risks,” a man “who doesn’t listen to anyone.” Xi’s advisers, he guesses, cannot grasp “how chaotic and scattered” Trump’s mind is, and at the table Xi “has to keep a straight face.” The summit comes Thursday, and the forecast is on the record.

On the midterms Wolff has less to offer. Coles returns from Los Angeles with warnings of Democratic overconfidence. Wolff says Trump’s policy initiatives “are all unpopular” and then: “What’s going to happen? Who knows?” He can’t explain the Republican money edge except that Trump “has gone around extorting everyone.” When Trump calls his PAC war chest “my money,” Wolff hears “a kind of break in the proscenium.” The pretense of independent PAC money drops away. The money figures check out in rough terms. Trump’s MAGA Inc. has spent $15 million of its $415 million on Ken Paxton, and George W. Bush left Paxton out of a Senate fundraiser. James Talarico has raised about $72 million, a bit short of the $80 million Coles cites. In Maine, Graham Platner quit the race on July 10 and Democrats nominated Troy Jackson against Susan Collins. One host admits, “I was so wrong about Graham.”

One political read concerns Tucker Carlson, who has praised Michigan’s Democratic nominee Abdul El-Sayed against Mike Rogers. Wolff calls Carlson a potential 2028 candidate and “a sign of a serious MAGA fissure,” and he names the bond: “They are mutually aligned in their opposition to Israel in any way, shape or form.” Rogers stands for the “traditional Republican neocon-ish” view that never met a war it didn’t like. Carlson has since denied endorsing anyone and said he knows nothing about El-Sayed, but in the same breath he called Rogers a tool of Israel and the intelligence agencies. The denial confirms Wolff’s motive and undercuts his wording.

Then the line that fills the comments. Wolff says he would not vote with enthusiasm for anyone. Coles asks who he will vote for. “No, I try not to vote.” Coles lets it pass. A seventh-grade teacher writes below the video that he teaches his students voting is a civic duty. Another viewer asks what the point of the blathering is, if Wolff will not cast a ballot. Some editors have abstained on principle. Leonard Downie Jr. stopped voting when he ran the Washington Post newsroom to guard his neutrality. Wolff gives no reason. The line fits his posture over fifty years. He watches the court and reports on the factions, and he joins none of them. It sits oddly beside the alarm he sounds ten minutes earlier about the First Amendment and a commander in chief who might start a world war.

The last stretch is filler, with one piece of biography. Coles plays a clip of Robert F. Kennedy Jr. cooking with a chef who does 2,222 push-ups a day, and Wolff recalls “my rather extended period with RFK Junior when we were both young.” Kennedy “was high most of the time,” and his diet was “strictly Big Macs.” Coles mocks Usha Vance’s children’s podcast, a listener sends a note about the narrow-mouthed whorl snail that keeps slowing construction at Trump’s Doonbeg resort, and a limerick names Kennedy Trump’s top weasel. On measles, Wolff closes with his darkest read of the country: the outbreak is “not a crisis for him. This is a plus for him,” and more disturbing than the disease is “a very significant part of this country” willing to tolerate it rather than take a vaccine.

 Sources:

‘Interviews With The Disruptors: Michael Wolff’

On August 18, 2026, America the Possible posted an hour-long conversation between Michael Wolff and Martin Puris. Puris co-founded Ammirati & Puris, wrote “The Ultimate Driving Machine” for BMW, and served as media adviser to George H.W. Bush in both of his presidential campaigns. Businessweek profiled him in 1992 as an elegantly tailored copywriter taking heat from ad critics for his Bush spots. America the Possible is his campaign to rebrand democracy. He introduces Wolff as “my brilliant friend,” and he opens with the line Abba Eban used about the Palestinians, who never miss an opportunity to miss an opportunity. He fears it fits the Democrats. Both men summer on the East End of Long Island, and at the close they plan lunch in Amagansett.

The room differs from the Daily Beast studio. Puris is an older man from Wolff’s world who lets him talk, and Wolff talks at length. A commenter thanks Puris for finally interviewing Wolff as a competent journalist and adds, “lessons to be learned here… listening Ms. Cole.” Another calls it the best interview with Wolff he has seen.

Wolff’s midterm call comes first. “I don’t think even the Democrats can blow the midterms.” “This is an election about Donald Trump’s failures, not about the Democrats’ success.” The failures run “so great and so egregious and so deep that they will even save the Democrats.” He sorts elections into two kinds: the technical kind decided at the margins by turnout, and this kind, “a mood election, a zeitgeist election, a gut election.” The Senate sits on the head of a pin. Puris raises the DNC’s debt, which ran about $2.2 million above its cash at the end of June, and The New York Times reported that the committee had asked vendors not to send bills until after the election. Wolff waves it off. Committees “don’t have the money anyway. It’s the candidates that have the money,” and he does not consider the gap “a particularly critical void.” A month later, on the Beast, he told Joanna Coles that nobody knows how November goes. The certainty softened as the Republican money arrived.

His account of politics starts from a gap. “Politics is out of sync with culture, with how people live.” His evidence is a conversation from the Fire and Fury reporting with Tim Miller, then fresh off Jeb Bush’s campaign and now a mainstay of The Bulwark. By late 2015, Wolff says, Bush’s people “just knew that Jeb Bush was not connecting.” Trump connected, and the party lined up behind him for a reason Wolff finds simple: “He was the only person who understood what needed to be understood in order for them to keep their jobs.” The man who made the connection, he adds, is a thief, with an epithet the captions drop, and “that is probably part of the reason he was able to make this connection.”

Then comes the best scene of the hour. Wolff had dinner in the Hamptons with a governor, and “this is how inauspicious this dinner was, because I can’t remember his name.” Puris supplies it: Andy Beshear of Kentucky. The East End is where “all politicians show up to raise money,” and the table held “a handful of billionaires and me. What I was doing there is kind of unclear.” Beshear seemed intelligent and decent, and “dull as dishwater.” “Every question was answered with a policy paragraph.” “No one believes your policy paragraphs.” Wolff finally spoke up and told the governor that “politics really has nothing to do with politics. He didn’t understand that at all, and it went over everybody’s heads.” The scene holds his career in miniature. He sits at the billionaires’ table as the only man without a checkbook, he measures the candidate by his effect on the room, and he delivers his verdict to the candidate’s face.

He draws the contrast with Bill Clinton, for whom “people were sexy to him and policy was sexy to him.” Trump cares nothing for policy. “He’s simply a performer. He loves the attention of the public. That’s it.”

Puris says Trump loved Wolff despite the books. Wolff corrects the verb. Trump “would have preferred a complimentary book, but in the end he probably would have preferred a best-selling book.” On the 2024 trail, in a hotel lobby in Iowa, Trump walked past a pack of reporters, spotted Wolff, pointed, and said, “I made that guy rich.” Wolff’s gloss: Trump claims credit for books that say terrible things about him, “and to some extent he’s right.” Puris guesses Fire and Fury sold 12 or 15 million copies, and Wolff lets the number stand. On the Beast a month later Wolff described the war between Trump and the press as good for both sides. Here he concedes the same bargain for himself, in a hotel lobby.

Steve Bannon enters as source and theorist. “Steve Bannon and I have become friends. And now we’re back to being enemies.” Bannon’s view held that Trump “was information phobic,” that anyone who told him something gained an advantage over him, and that Trump shut information out. “He was purely on broadcast.” Wolff grants him “some kind of extraordinary feral instinct” for weakness. From his months inside the first White House, “about seven months within the White House itself,” he still can’t explain his own access. “Why I got to do this made no sense, continues to make no sense.” Aides learned that a one-pager ran too long, so “you had to reduce it to three bullet points. And even then he had this gesture that he would just kind of wave the paper away.” The workaround ran through cable: “you moved information through people on television, especially through Fox News.” Asked whom he listens to, Trump told Wolff, “I listen to myself.” Susie Wiles has lasted as chief of staff “because she doesn’t try to tell him anything,” and she treats the post as “an administrative secretary.” Of the second-term staff, the first-term crew was “rather mediocre, but compared to this group…” He lets the sentence hang.

Wolff’s strongest claim concerns 2020. “There’s no one in the entire world who actually thinks that Donald Trump won that election except for Donald Trump.” Puris asks if Trump believes it. “Absolutely.” A cynical lie would carry a logic you could follow. “He actually believes this. So on this score he has departed reality.” Wolff offers no evidence beyond long exposure. The claim reports an inner state, which is the thing Wolff always reports, and it is the thing his critics say no reporter can know.

Puris supplies his own status detail. When Michael Dukakus rode in the tank in 1988, Puris called “Roger” to say the campaign was over. The Roger is Roger Ailes. Wolff answers that Trump’s gift is “getting away with it,” out of shamelessness and a refusal to accept what others take as reality, from Access Hollywood through January 6. What sets Trump apart is fourteen years as “the star of a top-rated reality television show.” He misreads a room only when the room belongs to someone else, as at the White House Correspondents’ Dinner: “He didn’t read that room because it’s not his room.” That was the rescheduled dinner of July 24, held three months after shots broke up the April event. Trump spoke for an hour to a muted crowd.

Wolff breaks with his own trade on the rallies. The New York Times, he says, describes them “in terms of apocalyptic darkness.” “I’ve been to them. Everybody is having a fantastic time. There’s not a sense of anger and hostility.” Puris adds that his wife sat beside a donor in her mid-seventies who said of Trump, like a teenage girl with a movie star, “I just love him.” Wolff gives the division its terms: “I just love him, and I absolutely hate him.” The base holds, he says, but “his prime supporters are not enough.”

On the Democrats, Wolff speaks as a skeptic of the romance of change. “I often feel change is terrible, but change is inevitable.” “You want the new. The new is powerful.” Every time he sees Hakeem Jeffries beside Chuck Schumer, he thinks it a mistake. Asked about the DSA, he mentions “some woman in New York who just won a primary… I have no idea who this person is.” She is Darializa Avila Chevalier, a 32-year-old organizer who beat five-term Rep. Adriano Espaillat on June 23. Wolff’s New York is the New York of the dinner table, and she has not reached it. Then he turns on his own side’s last nominee. “Bernie probably should have been the nominee.” Hillary Clinton was “a perfect representative of what the Democratic Party had made itself into, a kind of technocratic, nepotistic” party, and “somebody ought to be held accountable for that.” The Democrats “should not be rewarded” for Trump’s rise.

Puris brings a poll showing young Americans losing faith in democracy. Wolff answers the way a magazine editor answers a press release: “These statistics are related to the question that’s asked. Who did the polling?” When Puris says millennials grew up with Vietnam, Wolff does the arithmetic on air. A 45-year-old was born in 1981, six years after Saigon fell. Puris calls AOC “kind of a blip” and Mamdani something more. A commenter calls the remark sexist.

Then Wolff delivers his theory of the insurgent left, and he warns that it will sound flippant. Wipe away the politics and ask what the winners have in common. “They’re all great-looking.” Kennedy won the same way. “To be youngish and good-looking is saying something beyond politics,” and “this is what I keep trying to encourage political writers and politicians themselves to do: think beyond politics.” On Gavin Newsom: “He seems like a pretty boy to me,” and “if politics is about a head of hair, which it often is, that puts you and me out of the running.” This is the columnist from New York and Vanity Fair at full strength. He reads surface as substance and the look as the platform. He also admits the method has a blind spot. He cannot say what the look means, only that it cannot be a coincidence.

The social-media passage gives the setting. After All or Nothing came out in the first weeks of the second term, “I couldn’t get on television.” His wife Victoria told him “you’re going to have to do the Instagram thing,” and he went in “like the guy in the headlights.” The lack of preparation, “sink or swim,” is what worked. After “a bazillion television appearances,” all short and controlled, he now performs the opposite: “I am thinking out loud.” The noon siren sounds across Amagansett in the middle of the thought. “It is this living out loud.” The man who built a career on the unguarded remarks of others has become a producer of unguarded remarks.

On revenge after a Democratic win, Wolff applies his reality-show thesis. The Russia investigation and the four indictments “got them nowhere.” “Donald Trump loves an enemy, actually exists because of that.” “What’s the secret of reality television? Conflict. So you hand Donald Trump conflict and he’s going to play that better than you.” His advice: “The Democrats should probably go after everybody except Donald Trump.” He calls Trump “absolutely sui generis” and predicts “no continuation of Trumpism and MAGAism” after him.

He predicts the exit too. Trump “will undermine every Republican,” JD Vance and Marco Rubio both, because “the one thing that Donald Trump cannot accept is that there will be another Republican president, thereby relegating him to some emeritus-at-best status.” He will return to Mar-a-Lago “as the once and future president,” funded by money raised by “extorting every corporation in America,” and reign as “the pretender president.” A third term is “impossible, fortunately,” and Trump “has a finer understanding of theatrics than that.” Three weeks earlier, at the correspondents’ dinner, Trump put on a “Trump 2028” cap and joked about a fourth term, which fits the theatrics reading.

Puris closes with a question about fundamental change, and Wolff declines the premise. “The media loves that story, change, because it makes for something new,” and without something new the media has fewer customers. “You could reverse this and say we’re at a pretty good place.” “This would-be dictator is being constrained, and will probably be severely spanked, and possibly even humiliated.” The next administration’s task is “to put things back together again. Donald Trump is all about breakage.” China, which calls America an empire in decline, looks to him like “a house of cards.” The alarmist of the Beast podcast turns out to hold a calm view of the republic when the room is calm. He applies the incentive critique to the media’s change story here, as he applied it to the press war on the Beast, and he stops short of his own share in both.

Puris ends on the founders and calls America the only country founded on an idea. A Dutch commenter points to the Act of Abjuration of 1581, which some historians see as a model for Jefferson. Wolff offers another exception: “I would actually probably argue that Israel was founded on an idea,” and then, “that’s a whole other kettle of fish, which casts a shadow over virtually everything right now.” He is glad the hour has run out before they have to deal with it.

He admits he can’t explain his access, and he grants Trump the credit for his fortune. He reads politics as aesthetics and says so to a governor at a billionaires’ dinner. He claims to know Trump believes he won in 2020. He places himself as a skeptic of change who votes for no one and doubts the polls. The midterm certainty is the part to watch, since he has already walked it back.

 Sources:

‘Why Melania’s New Grab Is Terrifying Trump: Wolff | Inside Trump’s Head’ (July 21, 2026)

On July 21, 2026, Michael Wolff and Joanna Coles record the 141st episode of Inside Trump’s Head. Coles sits in the Daily Beast studio in steaming Manhattan. Wolff calls in from somewhere cooler and explains that this is his summer vacation, one day of it, and “that’s the kind of vacation I take.” The episode is presented by PMI U.S., the American business of Philip Morris International. Its sponsor spot about America building its way forward through disruption airs in the middle of the segment on the first lady’s marriage. A viewer complains that the ad lands right in the middle of things.

The hour opens with a smear. The day before, White House communications director Steven Cheung answered Richard Gere, who had praised USAID in an interview with the Associated Press and called its dismantling insane. Cheung skipped the argument and revived an old sexual rumor about the actor. The hosts decline to repeat it. Coles says the Beast staff “had a long conversation about how do we cover this story.” Wolff calls it “a dark, terrible, inexplicable and, I would say, impossible rumor,” “absolutely untrue and absolutely meaningless.”

Then he explains it. His first guess is routine: the president was mad at Gere, so “Steven Cheung was assigned this job, his daily assassination here.” Then he drops the guess, “but I don’t think that’s true,” for a larger theory. “Inside Trump’s head is at a fixed point decades and decades ago.” Cheung, he says, “is probably even too young to know this.” Coles supplies a motive. Gere starred in American Gigolo and Pretty Woman and married Cindy Crawford, and she suspects “some sort of wild jealousy that is still lodged somewhere in a file in Donald Trump’s brain.” Wolff agrees: “That’s the way things happen in the White House.” “These sparks go off in Donald Trump’s head. They’re not connected to anything reasonable,” but to “a set of random memories that come together at any given moment to create this moment of anger and resentment,” tied to a libel “which no one knows about anymore except Donald Trump, because he’s 80 years old.” Within a day Raw Story ran the segment under a headline crediting the biographer with the jealousy theory, which Coles proposed.

The evidence cuts against the theory. Cheung did not need Trump’s memory. His post carried a screenshot of a 2020 magazine article that had written up the rumor’s long life in pop culture. The rumor lives online, where a 44-year-old aide can find it in a minute. Wolff reads a private obsession of an old man into an act a staffer could perform with a search bar. The reading may still be right about who wanted Gere hit. It cannot prove it, and the method shows: a confident account of what sits in Trump’s head, built from the timing of a post.

The Melania segment follows, drawn from Wolff’s Substack post “Melania: The Wild Card,” published the day before. The episode’s title and cold open come from it. White House aides “don’t know what she’s going to do and they are afraid of it.” Her new business “seems to make her the center of attention, which puts her in direct conflict with the president of the United States, who, as we know, can’t stand anyone else being the center of attention. Doesn’t mind you making money. But do not steal the limelight.” Coles counts “approximately 14 to 16 public appearances this year” and sets them against the hundred or more a year she credits to Michelle Obama and Laura Bush. Wolff’s post puts Melania’s net at $17 million in 2025. A federal disclosure showed $10.71 million from the Amazon documentary deal alone.

Wolff reaches for his 2024 book. Melania made no appearances in the campaign until its final week and never went to court with her husband. He recounts “one aide going to her and trying to ask her as politely and gently as possible if she would come to court with him, and she just broke up in laughter and said, nice try.” “I’m not coming to court. I won’t be in court except divorce court.” He calls it “the strangest marriage in the history of all presidential marriages,” the phrase that runs through his Substack series on it. “This isn’t a marriage. They just don’t live together.” “Are you together or are you not together? This is at some level binary, and they aren’t together.” A White House source, he says, “refers to it as the Charles and Diana of it all.” Coles reads a placard she photographed at the FDR library at Hyde Park about Lucy Mercer Rutherfurd, who was with Roosevelt when he was stricken at Warm Springs. Commenters balk at both comparisons. One writes that Eleanor traveled the country as the president’s eyes and ears, and that setting Melania beside her insults Eleanor. Another says Melania is no Diana.

The segment sets a standard the show does not keep. The hosts will not repeat a rumor about a 76-year-old actor. They spend ten minutes on the sitting first lady’s marriage from unnamed White House sources, with a divorce-court punchline, while Melania’s lawyers press for sanctions against Wolff over his earlier claims about her. The Gere rumor was false on its face and decades old. The marriage reporting comes from sources Wolff will not name. The two differ in kind, and still the show draws its line where the subject has no lawyer on the case. Later in the hour Coles recalls Hugh Grant’s 1995 arrest with Divine Brown and catches herself: “Me and Stevie, we’ve got a lot in common.”

On the Iran war, Wolff offers a theory of how wars last. A war becomes a forever war “because people start to forget that the war is going on.” The show proves the point: “we didn’t begin today’s podcast with that story, because what can you say?” “One of the reasons that you don’t get out of it is because people stop yelling at you about it.” So “this is our job now, to say it does go on.” He grants the job and then gives the war twelve minutes after a quarter hour on Gere and Melania. The Houthis threaten the strait between the Red Sea and the Gulf of Aden, and Wolff admits “I don’t know what Donald Trump does. I don’t know what he can do, and he doesn’t know what he’s doing.” Coles says Steve Witkoff may be good at “negotiating scraps of land in downtown Manhattan” but is no match for the Iranians. On ground troops, Wolff says “even Donald Trump would not be that stupid,” then adds, “those are words you probably don’t want to get caught saying.” At the close the hosts cannot name the second strait. A producer spells it: Bab el-Mandeb. Wolff salutes “a greater cast of characters.”

The Senate segment makes a prediction the record can grade. Congress rebuked Trump on the war, which Wolff calls “a kind of rebuke, almost a censure,” and is now asked to fund it: “We told you not to do this, but because you’re Donald Trump, we’re going to give you the money to do it anyway.” Todd Blanche’s nomination for attorney general turns on John Cornyn and Thom Tillis, two senators Trump has insulted and both on their way out. Coles calls them “hinge senators” and predicts “both of them will roll over in the end because they don’t want the hassle.” Wolff hopes they stay “dug in.” Coles called the vote. The Senate confirmed Blanche 50–49 on August 8. Neither host foresaw the terms. Cornyn and Tillis held up the committee until Blanche rescinded in writing a $1.8 billion “anti-weaponization fund” that critics feared would pay January 6 defendants. Susan Collins and Lisa Murkowski voted no.

Wolff adds a line with a personal edge. The administration’s legal efforts against its enemies “almost always come to naught. But before they come to naught, those are really steep legal bills.” “They really make you drop everything else.” He speaks as a man with a live case against the first lady.

On Maine, Coles worries that Troy Jackson “doesn’t look like a US senator.” Wolff calls him “neither as tainted nor as charismatic as Graham Platner,” and turns the worry into an asset. Platner was an oyster man and Jackson a logger. “You shouldn’t look like a United States senator, because that look means you look like an old guy.” The aesthetic reading of politics that Wolff pressed on Martin Puris a month later appears here in its first form.

On the lame duck, Congress will become “an incredible noose around his neck,” though Wolff allows that such campaigns have “turned out to be probably bad politics.” JD Vance, he says, went on Joe Rogan and was “publicly proclaiming his distance from Donald Trump.” The vice president’s rule: “In order to succeed the boss, you have to offer something different than the boss.”

Coles supplies the episode’s best status scene. Kept home on Saturday by a leak in her top-floor ceiling, she goes looking for Vance’s new book, Communion. At McNally Jackson in SoHo she feels “almost like I was asking for something illegal” as the clerk looks at her, and the store has no copy. At the Strand, the man at the information desk “made a point of telling me they had never ordered it.” She finds a pile at the Barnes & Noble on Union Square, “all $5 off,” and adds that she “was served by a transgender person.” In three shops she maps where a vice president’s book may be bought in lower Manhattan. Her reading of the book: “What the book is actually about is JD Vance’s ambition,” with Peter Thiel as pied piper to Catholicism. Wolff generalizes: everyone who runs for president has an ambition “probably pathological.” He will read the book “on my phone.” Trump posted the first photo of the Vances’ newborn, Alec Neel Vance, born July 19. Coles jokes that the boy is named Donald John.

Wolff sets himself against the rival chroniclers. Regime Change by Maggie Haberman and Jonathan Swan is “basically about the most powerful presidency ever.” “But actually that’s already old. We’re already passing into another phase of this presidency,” where Trump is up against it on every issue. The dismissal of the year’s best-selling nonfiction book is a status move. It also misreads the book, at least as Mark Danner reads it in The New York Review of Books: a president with a vast appetite for power who repeatedly backs down when the costs rise. That is close to Wolff’s own thesis.

Then Britain. Asked about Andy Burnham, the new prime minister, Wolff retells a story he has told before. “I was the person who in the spring of 2016, two weeks before the Brexit vote, told Donald Trump about Brexit.” The exchange: “What’s your view of Brexit?” “Wha? Brexit?” Keir Starmer handled Trump by “that decision to bend over,” and Wolff urges Burnham toward “the Hugh Grant tack,” the prime minister’s speech in Love Actually telling off an American president. Coles has forgotten the scene. The New Yorker remembers the British movie, and the Englishwoman remembers the British scandal.

On Nigel Farage, who resigned his seat to re-contest Clacton after an undeclared £5 million gift from a crypto billionaire came to light, Wolff predicts that the boycott by Labour and the Tories leaves Farage “standing there looking like he can’t prove anything.” He calls Farage “a very powerful figure and a very charismatic figure. And that does not change the fact that he’s also a very corrupt figure.” “By not running against him, we leave him with the corrupt factor.” He expects “a very shallow vote.” On August 13 Farage won 63 percent and called it a convincing, overwhelming win. Count Binface, a comedian with a dustbin on his head, took 27 percent, thought to be the best showing ever by a novelty candidate. Both readings found their numbers. The standards investigation has resumed.

He theorizes what sits in Trump’s head from a single post, and the post’s own screenshot undercuts him. He retells the “except divorce court” scene while litigating with its subject. He describes the press’s duty to keep a war in view, then lets the war wait behind celebrity and marriage. And he dismisses a rival book whose thesis he shares. Coles makes the better call on the Senate, and she names the show’s habit when she jokes about Stevie.

 Sources:

‘The Man Who Gets Under Trump’s Skin: Michael Wolff’ (Mar. 10, 2025)

On March 10, 2025, seven weeks into Trump’s second term, Michael Wolff sat down with Alastair Campbell and Rory Stewart for Leading, the interview spinoff of The Rest Is Politics. Campbell ran Tony Blair’s press operation. Stewart served in Conservative cabinets and ran for the party leadership. The video has 1.6 million views. Wolff had just published All or Nothing: How Trump Recaptured America, his fourth Trump book. At the end he tells the hosts, “I love this podcast.”

The hour is valuable now for a reason Wolff could not plan. It records his predictions eighteen months before this review, and events have since graded most of them.

He starts with the access story and strips it of mystery. “I’m not sure how I can say how I got the access, as though there were some secret. There was no secret.” He told Trump he would like to come in as an observer, “and he thought that was a job. And then I said, no, no, I want to write a book, and then he couldn’t be less interested.” That shrug became “my pass for basically seven months in the White House.” “No one really knew why I was there, but they just assumed that if I was there, I was there for a reason and under someone’s approval.” The method follows: “Just by keeping my mouth shut and smiling, I saw, practically speaking, most everything.” In the debrief, Campbell adds the part Wolff leaves out. After Trump glazed over at the word “book,” he sent Wolff to Steve Bannon, and Bannon told him that since nobody had said no, he might as well hang around. So Wolff sat on different sofas and watched people come and go.

Why do they talk? “Everybody around Donald Trump has an understanding that this is strange, weird, not right, even if they’re part of it.” His access, he says, “is actually better” now, because “we’re kind of friends.” You can be “their public enemy and their private friend.” When Trump posted a long attack calling him fake and a loser, “someone in the White House texted me a link, and with the link said, ‘You’re welcome!’” “There are two realities going on here.” The detail explains the career. Inside the court, being attacked by the king raises your price, and the courtiers know it.

Stewart presses him on change. Trump in 2017 looked like a buffoon running Mitch McConnell’s agenda, and Trump in 2025 looks like a threat to the world order. Wolff denies the premise. “He doesn’t change. He does the same thing over and over and over again.” It is “Donald Trump looking for a headline, and it’s headline, headline, headline.” The second term may break the world order, or “it could equally be all of this is a kind of punk-rock provocation to no ultimate point, with the likelihood that it collapses in on itself, which I actually think will happen.” The headlines “have to get bigger and bigger and bigger,” which makes the program unsustainable, and “in the not too distant future Donald Trump finds himself in a very, very difficult situation.” “To assume that Trump knows what he’s doing, that he has gamed this out… is false. He doesn’t. This all exists in the moment.”

Then comes his most specific forecast. “Elon Musk now is performing the Steve Bannon role. Steve Bannon lasted six months. I think probably Elon will last no longer than six months.” He was right. Musk left the government on May 30, 2025, and within a week the two men were trading insults. Wolff’s broader rule fared worse. “100% of the people who have been around Donald Trump, their relationships have broken down. They’ve been humiliated, they’ve been publicly fired, often they have been indicted. No one has survived this.” Musk was back on good terms by the fall of 2025. Two minutes later in this same interview, Wolff calls Jared Kushner “the survivor.” The rule has exceptions.

He makes a second exception on staff. “Nobody matters but Donald Trump,” “except for actually the girls.” Hope Hicks was the key figure of the first term, and Natalie Harp is her successor. Harp came into the 2022 campaign as “a kind of a fetch girl,” and her job is “to comfort Donald Trump or cushion Donald Trump… the ultimate yes person.” She has become “the most important person around him.” Wolff then relays unsourced speculation about the nature of the relationship and settles it with a guess about an old man’s habits, adding that Trump “continues to surround himself with these women, all who look alike.” This is his method at its thinnest. The insinuation is passed along, attributed to no one, and resolved by the reporter’s hunch.

The Murdoch section carries his deepest reporting, drawn from the year he spent interviewing the mogul for The Man Who Owns the News. “Murdoch hates Trump.” Even then, Trump was “one of those tropes… the foolish celebrities who populated the tabloid world.” “When Ivanka took Murdoch out to lunch to say her father was going to run for president, he waved it away as too ridiculous.” The result is “one of the great bitter ironies in Murdoch’s life. His dream of electing a US president, and the person he elected was, effectively, Donald Trump.” After January 6 Murdoch tried to make a comeback impossible, and “the Ron DeSantis bubble was largely of Rupert’s making.” The 2024 election settled “who needed who more,” and “it turned out Fox needs Trump.” A second irony follows: “Rupert has never been a man in the television age,” and Fox News “is the thing that he was least involved in creating.” Roger Ailes built it.

His Murdoch forecast has not held. The empire, he says, “has already gone away,” leaving “the facade of the newspapers and Fox News.” It “will be inherited by four children who don’t agree with each other, and the ultimate disposition will be, I assume, to get rid of it.” Six months later the family settled the trust fight. Lachlan Murdoch took sole voting control through 2050, and Prudence, Elisabeth and James were bought out for about $1.1 billion each. The deal kept Fox under the heir most committed to it. Wolff’s 2023 book The Fall announced the end of Fox News, and Fox is still here.

On motive, Wolff rejects the standard view of Trump. “I don’t necessarily think he is transactional. I think there’s only one thing that motivates him, and it’s personal attention.” In 2016 he asked Trump why he was running, and Trump, perfectly comfortable, said “to be the most famous man in the world.” The press errs by treating him “as though he’s in politics.” “When he says a base, he doesn’t really mean a political base. He means a fan base.” He rejects the fascism frame for the same reason: “The danger of fascism is that it implies that there is a plan, that there is intention, that there is a goal.” It is a cult of personality “not toward accomplishing anything other than to increase the cult of personality.”

Campbell asks about the misses. In a 2018 interview for GQ, Wolff told him Trump would not run again and could not win. At another event Wolff said Trump was headed to jail, not the White House. Wolff answers, “Wait a minute, let’s… you have to parse the episodes here.” “He did lose.” Then he offers a defense of his own method that deserves more attention than it got. He wrote All or Nothing in real time without knowing the ending, and he realized “if he lost, you’d read what I wrote and say, well, of course he was going to lose. But if he won, you would read the same thing and say, of course he’s going to win, which is this strange poetry of Donald Trump.” He offers it as a paradox about Trump. It also describes a book that could not have been wrong. An account that fits either outcome forecasts neither. Wolff’s value lies in the scene and the texture. His forecasts are the part of his work his own theory tells us to discount.

Stewart argues the danger lies beyond Trump, in an ideological current that runs back through Gingrich and the Tea Party. Wolff disagrees. “I think that Trump is sui generis.” The currents “can’t easily replace Donald Trump when he exits.” His advice to Starmer, Macron and Merz: “I think you just wait him out,” without joining the show, because “we’re just in an unfortunate and difficult period of very bad weather, but it will pass.” A commenter calls Wolff’s analysis the most optimistic one out there and incredibly depressing. Another, with more than a thousand likes, writes that Trump may not be serious, but the people backing him are. That is Stewart’s objection, made from the comment section.

The record since supports both men. Wolff was right that the pace would outrun Trump’s control. By the summer of 2026 his approval sat in the thirties, the Iran war dragged on, and Republican senators extracted concessions on his attorney general. Stewart was right that the machinery would outlast the moods. USAID is gone. The Supreme Court overruled Humphrey’s Executor. The removal power the movement sought for forty years now belongs to the president. In the debrief Stewart names the flaw: Wolff’s “fundamental insight, which is this is not a serious person,” produced the confident misses, and “he certainly created an ecosystem in which people with very, very strong ideological views are being given the space.” An unserious man can preside over a serious project.

On policy reversals Wolff did well. “The idea of consistency doesn’t exist in the Donald Trump world.” On tariffs, the business community gets upset, and “he’ll never say we’re taking tariffs off, but he will take them off.” Three weeks later came Liberation Day, and a week after that the ninety-day pause. The emergency tariffs finally fell in court, when the Supreme Court struck them down in February 2026.

His one-word sketches of the court hold up as snapshots. JD Vance is “a lackey,” and Bannon is on the periphery, cast out. Kushner is “smarter than we might have thought.” Don Jr. and Eric are “poor wretched souls.” Then Melania, who “may be the only one who is actually truly a match for him.” “She holds the strings, she plays him.” “She is his weakest link, so she could pull the rug from under him at any time.” Her motive is “transactional,” and “a kind of hatred of him. I think she may even enjoy being this constant existential threat to him.” The hosts open the episode with this exchange. It reads now as the first chapter of a longer story. In October 2025 Melania’s lawyer threatened Wolff with a $1 billion suit over his Epstein remarks. Wolff sued first and lost on procedure. By the summer of 2026 he was writing a Substack series on the marriage and planning a book about her. Vance, the lackey of March 2025, spent the summer of 2026 on Joe Rogan putting distance between himself and the boss.

Campbell closes on the press. The AP had just been pushed out of the pool, Bezos had shown no spine, and Campbell asks if people like Wolff are scared. “I feel certainly depressed, and perhaps I should feel scared, ’cause God knows he threatens me enough.” The lawsuits “don’t win, but they’re taxing and costly.” The larger threat is ownership: “the news media is subservient to other corporate interests,” and “the media at this point is almost as intimidated… as during the McCarthy era.” Trump threatens “any media organization that has any licensing concerns or mergers and acquisitions.” Eighteen months later the networks, Fox included, refused pool duty in solidarity when Trump banned CNN, MS NOW and Politico. The trade he called cowed pushed back together. By then Wolff, on his own podcast, was calling the fight good for both sides.

Stewart asks how unseriousness squares with cruelty. Wolff answers that “he could very well be an unserious nasty guy.” “When you sit with him and hear him speak about other people, it’s with a real meanness. It’s cruelty.” “He treats them as poorly as I’ve ever heard of any boss treating anybody.” He describes the couch talk: “He doesn’t say let’s invade Greenland or let’s take Greenland. He says, let’s say we will.” “There is a case that you could make that you don’t have to govern by policy, you can just govern by headlines.” Will there be a fifth book? “I hope not, but I have said that after every book.”

The debrief puts the access question to two men who managed access for a living. Stewart compares Wolff to Michael Lewis and his months with Sam Bankman-Fried, and asks why anyone agrees to it. The times he has been “royally screwed over” came when he let a journalist spend days with him, The New Yorker for nearly two weeks. Campbell lists his own exceptions: Peter Stothard of The Times, whose weeks inside Downing Street happened to fall during the buildup to Iraq; Robert Harris in the 1997 campaign; and Michael Cockerell’s documentary on the Number 10 press office, which drew more coverage than anything Cockerell had made. Campbell credits Wolff with “enough humility to admit he got a lot of the stuff wrong.” The tape shows less of that than Campbell remembers. Wolff parsed the episodes and called the result poetry.

 Sources:

‘Joanna Coles and Michael Wolff: Inside Trump’s Head’

On January 21, 2026, Joanna Coles and Michael Wolff took Inside Trump’s Head onstage at the 92nd Street Y on a bitter night in Manhattan. The date gave them a news peg. That morning Trump addressed the World Economic Forum at Davos. By evening he had ruled out force on Greenland and dropped his tariff threat against eight European allies. Coles opens: “We’re one year and one day into this. We’ve had the rupturing of the global order, which happened today.”

Wolff tells the access story again, this time for a hometown room. “Ten years ago I kind of knocked on the White House door. And it really is not more complicated than that.” He spent “seven months wandering around the West Wing totally unsupervised.” The picture he paints is new: “You would poke your head into the Oval Office and there would be 35, 40 people there sitting there looking at their phones, and he would be sitting behind the desk talking.”

Then he states the show’s premise, which is also a claim about his trade. He and Coles “had a problem understanding the way our colleagues were reporting on this White House.” “They still struggle every day to fit Donald Trump into some template that they understand.” Neither host came up through political journalism, and Wolff is blunt about it: “I actually find reporting on politics is kind of reporting on the bureaucracy, and not that interesting.” Trump, though, is “the experience of a lifetime.” Politics usually runs on external events, on cause and effect. “With Donald Trump, it all comes the other way. It’s not external. It’s literally what he wakes up with in the morning.” Coles adds her English schooling. Trump is “a character that was as big as a literary character,” the reason, she says, “why I had bothered to read Macbeth and King Lear.” This is the show’s method in two sentences. It treats Trump as a character, and the dramatist gets a better view than the beat reporter.

The sources have not dried up. “I’m left with, actually, a circle of friends who are in the White House.” They talk, he believes, because “they are as bewildered by what’s going on as we are,” and “the phone calls that I get are always, ‘You won’t believe it.’” One friend described the Greenland weeks this way: “We just wait to see what he posts overnight, and then we go into the office and we see the panic on Susie Wiles’s face.” Policy follows the post “not because it began as policy… but because what do you do when the president of the United States says something?” “This is a government of one.”

The status comedy runs through the hour. Coles watched Trump come down the steps of Air Force One and thought he looked like a bison, shoulder-heavy and curved. Wolff tops her: “Steve Bannon says he looks like a giant shrimp.” At night the television stays on, and “he has the television on about himself.” “He’s watching himself on television. He is measuring his own fame.”

Coles tells the story of their friendship, and it doubles as a portrait of the old New York media class. In 1997 she arrived as the Guardian’s bureau chief and read Wolff’s media column in New York. He “would sit down with these captains of the media industry and tear them apart in his pieces, and then three months later they would be back for more.” She asked him to lunch, and “three times you canceled me.” Finally “we had lunch at Michael’s,” the West 55th Street room where the media trade eats and watches itself eat. “We didn’t stop talking for three hours,” and he hired her at New York the week before 9/11. The subjects who came back for more after he tore them apart are the same pattern as the White House friends who still call him after four books. Contempt in print and intimacy at the table run together in his career, and the lunch at Michael’s is where it starts.

His best new scene comes from the spring of 2016, at Trump’s house in Beverly Hills. “He said, ‘Are you hungry?’ I said I wasn’t. But he opened the door and he said, ‘I am.’” The refrigerator “was just filled with pints of Häagen-Dazs ice cream. He threw one to me and he took one, and then we sat on the couch.” Coles: “Like teenage girls.” In that conversation, Wolff says, Trump gave him the answer to why he was running that Wolff has quoted ever since: to be the most famous man in the world.

On how Trump talks, Wolff sharpens his old line. “He never ever for a second shuts up.” If you slip a word in, “he looks at you with some amount of incredulity, and then he goes on.” “There is no conversation that ever takes place.” Among the speechwriters there is “no longer any hope for coherence.”

Then he names his best sources. “The two people I have found who have been most acute on the subject of Donald Trump are Steve Bannon and Jeffrey Epstein.” Bannon, he adds, speculated that Trump had a learning disability as a boy, was made to feel bad about it, and “to compensate, he just built this wall in which no one could tell him anything.” The sentence tells you how Wolff ranks sources. He values acuity and does not weigh character. His two most trusted readers of the president are a political arsonist he calls a friend and an enemy by turns, and a convicted sex offender who died in federal custody.

The Davos speech draws his most sweeping line. “Nothing in that speech was true. Not literally one fact.” He wondered how Trump could say it, “but then I thought, oh no, actually he believes it,” and he asks whether one must “finally come to the conclusion that the president of the United States is delusional.” Coles: “He’s undoubtedly delusional.” CNN did fact-check a barrage of false claims in the speech. “Not one fact” is a stage line, and Wolff delivers it as a finding. The same speech contained the news that mattered that day, the pledge not to use force, and that part turned out true.

He tells a secondhand story from The Apprentice, attributed to an unnamed sound man Trump came to depend on. When that man took a day off, the substitute “happened to be a black guy,” and “Trump went crazy, locked himself in the bathroom,” until the regular man was called back. Wolff offers no second source and no response from Trump. He draws a working lesson that matches his White House reporting: “You couldn’t get Trump to stay on script, so they just had to let him talk constantly and keep the cameras running.” The anecdote carries a racial charge as heavy as anything he says all night, and it rests on one unnamed man’s memory.

On the second-term staff he calls it “a sort of natural selection process.” Anyone with an independent career knew that “you go to work for Donald Trump, this is going to end in tears.” Trump hates “that look,” the look of someone reasoning with him, and so Pete Hegseth gazes at him “like a dog.” From the New York criminal trial he recalls a lunch-break scene. One lawyer used the bathroom reserved for Trump and “got fired immediately.” After a bad morning in court, Trump lined up the others and asked, “Have you ever heard of a man named Perry Mason?” “I need you to do what Perry does.” Trump’s idea of a lawyer came from television, like his idea of most things.

Coles asks if Trump shows signs of dementia. Wolff declines the medical question and answers with a literary one. “He has always been on the verge of madness.” He has “lived on the edge of his own vanity,” and now there is “no one to catch him if he falls off. So he is, I think, more and more in free fall.” Coles asks about a stroke. “I don’t know. I think he’s mad as can possibly be.” The refusal to diagnose is sound. The verdict of madness that replaces it is a diagnosis.

On Greenland he gives his reality-show reading. The press saw geopolitics “when it wasn’t anything except the next episode of the reality television show,” and “I assume the Greenland episode is over.” That night he was right. Trump announced a “framework of a future deal” with NATO’s Mark Rutte, called it an “infinite deal,” and dropped the tariffs set for February 1. Two sources told Axios the framework respected Danish sovereignty. The deal gave Trump less than he had demanded that same morning. On Mark Carney’s Davos warning of a rupture in the global order, Wolff agrees: “How can you have a global order when there is no order?” That order, he says, “has been a dependence on the United States of America.”

Minneapolis gets his attention. Three weeks earlier, he says, the city meant “a burgeoning scandal that the Republicans had targeted,” the fraud cases shaping up as a midterm weapon. “Win, big, big win, pot of gold for the Republicans. But instead, they send in these ICE agents. They kill an unarmed, unthreatening mother.” He means Renee Good, shot by an ICE agent on January 7. “That’s what Minneapolis stands for now and will forever stand for,” and “he’s incredibly self-destructive.” Three days after the show, federal agents killed Alex Pretti in the same city. Tens of thousands marched in subzero cold, and the surge ended on February 12. His forecast that the country would not forget Minneapolis held. He also warns against crediting Trump with a plan to distract from it: “To give him credit for any plans and any strategies and any cause and effect is probably the incorrect way of looking at this.”

The Epstein section carries the gravest claims of the evening, and they rest on a single source. Epstein “asked me to consider writing about him in 2014,” when he “was looking to be rehabilitated,” with the pitch that Wolff would meet Bill Gates at his house. When Trump ran, Epstein became “a very valuable source.” Wolff says he knows “in detail the kind of relationship” the two men had, “probably, I suspect, the closest relationship both of these guys have ever had in life.” “They were the same guy, really,” interested in girls and money and freedom from rules. Then comes the narrative shape: “One ends up in the darkest prison with the sheet around his neck, and the other ends up in the White House. It’s a hell of a story.” Epstein’s verdict on his friend: “The problem with Donald Trump is that he has no scruples.” Coles: “God. Jesus.”

Coles then retells an Atlantic City story that Wolff says Epstein told him. It reaches the audience at three removes, from Epstein to Wolff to Coles, and Wolff confirms it with a string of yeps. His summary: “They were predators and women were their prey.” Trump has long said he broke with Epstein years before his arrest and knew nothing of his crimes. On this stage the sole witness is a dead man with every motive to implicate a famous former friend, relayed by a reporter whose book depends on the story. Wolff may be right. The sourcing is the sourcing, and the room hears it as settled.

On money, Coles cites a Times estimate of $1.5 billion to Trump in the first year. Wolff adds a family scene: after 2020, Trump fell out with Jared Kushner in part because Kushner was “suddenly making all of this money out of the Middle East,” and “Trump was pissed.” The creed is that he “shouldn’t have to sacrifice for being in public office.” During the campaign Trump tired of fundraising and said, “I don’t have to raise money anymore. The crypto guys will give me everything I want.” Wolff calls it “corruption at an unimaginable scale,” which history “will return to again and again.”

In the audience questions, MAGA ends with Trump because “it’s not ideological,” and JD Vance “seems like a really unattractive person,” “just a politician.” Trump is “an actor… a showman… incredibly charismatic,” and at a rally “he throws things out again and again and waits for the reaction,” which is “kind of mesmerizing.” Is the chaos intentional? “It’s a word I never use in the case of Donald Trump.” “Chaos is a happy state for him.” A Trump person gave him the image he likes best: “It’s not really that he’s interested in setting the fires that he sets. What he really likes are the fire engines rushing to put it out.”

On Susie Wiles, whom Coles notes told Vanity Fair that Trump has “an alcoholic’s personality,” a line Trump then accepted, Wolff says she has no impact “whatsoever.” He tells an origin story. When Trump first met her in Florida in 2016, he turned to his people and said, “She looks like a refrigerator. Get rid of her.” They kept her, she flipped Florida, and after 2020 Kushner, who did not want the job of keeping Trump, put Wiles into it. Her secret: “Stay out of his way. Don’t try to manage him… Basically, be his secretary.”

On November, the forecast is confident. “I wouldn’t count on the Democrats for anything,” but “the Democrats should just go home and they’ll do fine in November.” Trump “will definitely lose the House.” Eight months later, with Republican super PAC money flooding in, Wolff would tell Coles that nobody knows. On Putin, the answer is quick: Trump “wants to be Putin,” because Putin “has all the power and all the money.”

The night’s most consequential exchange concerns Wolff’s own case. Asked if he fears retaliation, he begins, “Let me give props to my lawyers.” Melania’s lawyers threatened a billion-dollar suit “because of things I had said linking Melania Trump with Jeffrey Epstein. We’ve all seen, there are pictures. They all hung out together.” His First Amendment lawyers advised, “Before she sues you, let’s sue her.” Now, he says, “unless she figures out some way out of this, and I don’t see how,” she will have to testify under oath about her relationship with Epstein and the president’s. Coles adds that he can subpoena “people who hung out with her when she first moved here from Slovenia, people in the modeling industry.” Wolff answers the audience: “Absolutely. So if you know anybody, let us know.”

A litigant solicits witnesses against the first lady from a stage, before an audience that paid to hear him. She found the way out he could not see. On May 22 Judge Mary Kay Vyskocil dismissed the suit, faulting what she called an inappropriate level of tactical gamesmanship and declining to be conscripted into the spat. The deposition he promised the room never took place.

Coles closes with the show’s community. YouTube, she says, told them they had the most articulate comments of any podcast, highly literate and politically engaged. She reads viewer verse, a limerick and a haiku among them, and ends on a limerick that rhymes Trump with a bodily function. The crowd laughs. Under the video, a commenter writes that Wolff needs to be protected at all costs.

 Sources:

‘Michael Wolff | Fire and Fury: Inside the Trump White House’ (Jan. 16, 2018)

On January 16, 2018, eleven days after Fire and Fury came out early to beat a legal threat, Michael Wolff opened his book tour at the Free Library of Philadelphia. His interviewer was Dick Polman, national political columnist for WHYY and writer in residence at the University of Pennsylvania. The crowd filled the hall and two overflow rooms. The recording went up on YouTube on May 3, 2019, two weeks after the Mueller report was released, and it has about 30,000 views. It shows Wolff at the moment of his greatest fame, before he knew what the next eight years would do to his forecasts.

Polman opens with the day’s news. The White House doctor had just pronounced Trump fit and listed him at six foot three, an inch taller than usual. Wolff explains the inch: “if he is a little taller he can avoid being called obese, which is a significant goal in Donald Trump’s life.” At the reported weight of 239 pounds, the extra inch put Trump just under the line.

Why did the book sell when so much of it was already known? “I’m not sure I know the answer,” Wolff says, and then gives one. “This is a pretty good story. I think I’ve told it in a pretty compelling way.” Daily reporters live in a cycle where “today’s explosion means that you forget about yesterday’s explosion.” His goal was to seat the reader beside him: “I was sitting on the couch there, and I hope readers will find themselves feeling that they are sitting on the couch there too.”

He knew Trump from New York, where Trump “used to call me up to complain about what was said about him, or actually often to complain that nothing was said about him.” The access came with a shrug. When Wolff mentioned a book, “his face fell. Book? Why would you want to do that?” Staff reacted the same way, then asked when it would come out. Wolff said sometime next year, and for people working for Trump, “the world would surely end before that.” He credits his media beat: “Donald Trump is much more intrusive in the media than he is in politics.” Mostly, though, “they didn’t pay attention. They really didn’t notice. I think many other reporters could probably have done this. I was just the one who did.” Seven years later he would still tell the story the same way.

His scorn for the press room goes back this far. “If you sit in the briefing room you truly learn nothing, but they sit there anyway.” The Trump presidency is “the central event of our time,” and “nobody really knows how to cover it.” The press has shown daily that Trump is a liar and a fool, and still he is president. So why can’t reporters produce “a collective moment of saying he has no clothes?” He took another approach and brought the reader inside.

Then comes the most important passage of the evening for anyone weighing his method. Polman asks whom he wished he had interviewed. Wolff declines, because naming names “begins to triangulate,” and then describes his deals. One kind went like this: “I will talk to you, but if anyone asks me if I talked to you, I will deny it,” “and our deal would be that you would not contradict me. And I accepted that,” “because I wanted to know what they knew.” Later he mentions “a lot of recordings of people who I have absolutely sworn never to acknowledge that I have spoken to.” Protecting a source is standard practice. Agreeing in advance to deny, if asked, that a conversation took place goes further, and he says so from a library stage. It means that when Wolff says he did not talk to someone, the denial carries no information. A reader cannot check the book against his public statements about it, because those statements are part of the deal.

On Steve Bannon, he calls him “a remarkable source, someone you think is worth listening to.” He watched Bannon’s faith in Trump decay: “I saw this guy suffer, and I saw him come to the understanding that Trump was not what he seemed to be,” that “the reality was Trump is an idiot.” Wolff sees his own role clearly. Bannon had decided to break with Trump, “and I think I was part of that grand strategy, which for a couple of reasons has not played out as Steve thought it would.” A week earlier Bannon had been pushed out of Breitbart over his quotes in the book. That day Robert Mueller subpoenaed him. Wolff wonders aloud: “Will Steve Bannon set out to break Donald Trump?” Bannon had told him how horrified he was by the potential for collusion and the money laundering, and “I think Steve knows where the skeletons are.” Bannon did not break Trump. He found his way back into the fold, and on his last full day in office in January 2021 Trump pardoned him on federal fraud charges. The source who used Wolff as an instrument misjudged his leverage, and so did Wolff.

His account of the daily routine is the best status detail of the night. He kept apart from the press corps: “I was very careful not to go in as a member of the press.” He waited on the two couches in the West Wing lobby, which works like a hotel lobby with everyone passing through. “No one ever keeps their appointments,” so a ten o’clock might happen at three. “You feel completely humiliated.” For a long time “I didn’t even know where the bathroom was.” Then the humiliation turned useful: “this sense of being invisible became very useful.” Someone would pass, see he was waiting for the chronically late Bannon, and invite him back to chat. “This floating chat guy, that was me.”

He also admits what critics charged. Didn’t he press them? “I was just the guy listening, and certainly not challenging, and kind of nodding my head as though in agreement, perhaps.” “And over this period of time they poured their hearts out.” The method is the non-person’s: be present, be harmless, agree with the speaker. It gets confession. It does not test it. The same passivity that opens the source leaves his claims untested before print.

Polman asks if anyone in the West Wing ever told him the others were wrong and Trump was doing a terrific job. “Never. Never one.” The senior staff were mostly “good people, professional people,” stuck with “this guy who absolutely knows nothing, cares about nothing.” His thesis in one sentence: there may have been “no White House ever in which the entire senior staff believes that there is something wrong with the President of the United States.” He extends sympathy to Sean Spicer, cast as “the most hapless creature on earth, which I think is unfair,” and explains why none of them quit on principle: “it’s very hard to suddenly say I have to take a moral position here.” Asked about Anthony Scaramucci: “The Mooch speaks for itself.”

The book’s fortunes were bound up with Trump’s reaction to it. Publication moved up from January 9, Wolff says, “because Donald Trump was suing us.” In fact Trump’s lawyer, Charles Harder, sent cease-and-desist letters. No suit was filed. Wolff grasped the economics at once: the threat would “sell more books than have ever been sold in the history of Christendom.” Then Trump defended his own mental health on Twitter. “Who does that?” Days before the event came the reported “shithole countries” remark and the denial, and Wolff’s verdict: “The man is just a liar.”

Is Trump crazy like a fox? “No, he’s certainly not crazy like a fox.” “Everybody around him feels that he is just appallingly stupid.” He passes on a theory from inside: Mueller “won’t return indictments” against Trump because intent would be hard to prove, “because it’s just stupid people doing stupid things.” Later he adds that “nobody really believes that there was a grand conspiracy” because “the gang couldn’t shoot straight,” but “everybody felt they were enormously vulnerable from a legal standpoint,” especially if prosecutors turned to money laundering. “Nobody was saying that Donald Trump was, what would be the word, innocent.” This is his best forecast of the night. The Mueller report did not establish a conspiracy with Russia and declined to decide the obstruction question, while stating that it did not exonerate the president. The posting date made the prediction look good.

He is less sound on personnel. The president’s two senior-most advisers, he says, are Hope Hicks, “28 or 29, a former junior PR person,” and Stephen Miller, whose head had just blown up on CNN. They are “as ill-equipped to have the role of senior-most advisers” as anyone could be, and “it’s impossible to imagine how the executive branch of this country can function with this talent pool.” Hicks left six weeks later. Miller stayed. He wrote the immigration program of both terms and by 2026 served as deputy chief of staff for policy. The courtier Wolff dismissed as a cable-news casualty outlasted nearly everyone in the book.

The audience cards bring up his critics. David Brooks had filed the book under a lowbrow resistance to Trump. Wolff answers with a joke: “Throughout my whole career everyone, and especially my publishers, have said you’re too highbrow. So I don’t know, maybe it’s a virtue of Donald Trump, he lowers us all a bit.” The press, he says, “is resentful when someone else does it,” and his only answer is “just come back to read the book.” Fred Armisen had played him on Saturday Night Live that weekend. “How many journalists get to be portrayed on Saturday Night Live?”

On the factual errors, he lists them himself: “mixing up two people named Berman, writing two L’s or one L in Hillary, and I think we got wrong when Boehner left the House.” “In future editions we will fix all such errors.” Asked about more substantive passages he would change, he says, “I’m pretty happy.” He puts his own time with Trump at “about three hours in one-to-one conversation” across the campaign, transition and White House, and frames the book as “about the impressions of Donald Trump on the part of the people who are closest to him.” On burning bridges he is cheerful. He does not have to go back and does not expect to be let back. By 2025 he would tell British interviewers his access had improved.

Polman raises the anonymous-source problem and the Janet Cooke scandal at the Washington Post. Can a book like this be written on the record? “Obviously it can’t be.” The choice, he says, is between having the view or declining it: “Do you want this view, or do you want to say no, I’m too pure for that view?” “Give me the view.” The reader then judges “by reading it. Do you believe it?” The standard runs in a circle. A book that cannot be checked is judged by whether it sounds true, and what sounds true about Trump depends on what the reader already thinks of him. The early sales and the early attacks sorted along that line. He also discloses his informal fact-check: “Most of my friends are journalists,” and there was “a constant kind of discussion of this. Does this sound right to you? Or other journalists using me as a source.” Mike Allen appears in the acknowledgments. The trade that resented him also traded with him.

On the midterms: “It doesn’t take a political genius” to see that “the Republicans are going to have enormous difficulties in 2018.” Democrats gained about forty House seats. On Bannon’s alleged remark to Mueller, he jokes, “you could just read the book.”

The close records his worst forecast. Polman reads Bannon’s line from the book: a third chance of impeachment, a third of resignation under the Twenty-Fifth Amendment, a third of limping to the finish, and zero chance of a second term or even another run. Wolff: “Sounds fair to me.” “I just don’t think he’ll do it. I don’t see the motivation.” “He’s been pummeled,” and “if he limps to the end, he will be a destroyed human being.” Trump was impeached twice, finished the term, ran and lost, ran again and won. The one commenter under the video who remembered this wrote, “This didn’t age well.”

‘Michael Wolff: Why Rupert Murdoch ‘Is In Charge’ Of Fox News, And How He Really Feels About Trump’ (Sep. 26, 2023)

On September 26, 2023, the day The Fall: The End of Fox News and the Murdoch Dynasty went on sale, Michael Wolff sat for a half hour with Diane Brady on Forbes Newsroom. The video captures his Murdoch forecasts on publication day, three years before the family settled the question, and his most candid statement of method, given in answer to a question about a dog.

The book opens with epigraphs from The Godfather and King Lear, and Wolff defends the scale. Who has “commanded more power and influence as long as Rupert Murdoch? I don’t think anybody.”

Brady notes that Murdoch, 92, had just announced he was stepping down as chairman of Fox Corp and News Corp. Wolff corrects her. “That would actually be incorrect.” Murdoch, he says, “has specifically said not that he has stepped down but has stepped back, whatever that means.” Brady had it right. The Fox announcement said Murdoch was stepping down as chairman of each board, to become chairman emeritus, with Lachlan as sole chair of News Corp. Wolff’s substance still has force. “Murdoch is in charge. Nobody else is in charge. The company exists because of him, in his image,” and he is “a meddlesome old geezer.” “I don’t think he’s going away, and I don’t really think that anything changes.” Murdoch went on to fight his own children in a Nevada probate court to rewrite the family trust. The title changed, and the man kept control of what counted. Wolff got the fact wrong and the power right, and he corrected the host on the fact.

Why the announcement now? “I think probably in part the book.” His theory is legal. Murdoch “doesn’t want to testify in the Smartmatic case,” a $2.7 billion suit, because his Dominion deposition “was a catastrophe.” Stepping back is “another potential delay that will bring them at a faster pace to the settlement table.” Three years later there is no settlement. The Smartmatic case sits in pretrial limbo in Manhattan, with no trial date and a summary judgment ruling still pending. Smartmatic says it wants a full trial.

On Dominion his account is plausible and fits the record. The bill reached $787.5 million because Fox never settled early, and “nobody could make the decision because there is only one decision maker, and that’s Rupert, and he didn’t make the decision.” On the courthouse steps, the fear of Murdoch as first witness sealed it: “an absolute disaster and a humiliation for a 92-year-old.”

His Trump–Fox history is compact. Trump “becomes the president of the United States certainly in large part because of Fox News,” and Fox “became the Trump channel.” The book’s boldest claim is that Sean Hannity “really became, during certain periods, his effective chief of staff.” Hannity was “the only person that Trump would listen to, because Hannity was on the air,” and for Trump “the most important credential: are you on television?” Murdoch meanwhile “has always, always detested Donald Trump,” and found it “a humiliation that he now had to pay court” to him. After January 6 and the 2022 midterms, Ron DeSantis became “an effective Trump killer who he would promote.”

Here Wolff made the call the next three years confirmed. “The Fox audience has become almost synonymous with the Trump base,” so it is “an untenable situation for the network to hope that it can prosper without supporting Donald Trump.” Fox came back to Trump. A Fox weekend host became secretary of defense. The DeSantis bubble burst, and Wolff’s verdict on the governor held: “He’s a stiff who’s trying to play a role which doesn’t seem very believable.” DeSantis quit the race in January 2024. Wolff adds a Murdoch line that dates the man: Murdoch would say DeSantis was not a Trumper, that he was a professional, and then “the worst thing you could say, he’s a Jeb Bush Republican.” Asked if Murdoch judges character well, Wolff says he “developed great crushes on people and then soured on them.”

The book, he says, opens with Murdoch’s obituary, because “everything is now shadowed by the fact that Rupert Murdoch is going to depart this vale of tears any minute.” Then the forecast the title stakes the book on. When Murdoch dies, power passes to four children “riven by all kinds of primal enmities, but also profound disagreements over politics and business.” “I just absolutely don’t see a scenario going forward in which Fox comes out of this maintaining its current form.” James “has vowed he will take this company from his brother and turn it into a force for good.” Elisabeth, “for my money the smartest of the bunch,” argues that “cable television is not going to get more valuable, so why are we holding on?” And “there is no constituency among the children to support Fox News as a right-wing, Trump-supporting news channel.”

The sentence leaves out Lachlan, who ran Fox and was that constituency. Two years later Rupert and Lachlan settled the trust fight. Lachlan took sole voting control through 2050, Prudence, Elisabeth and James were bought out for about $1.1 billion each, and the terms were built to keep Fox’s direction. Murdoch did not die first. He was 94 at the settlement and still chairman emeritus. The book is called The Fall. Fox is still standing, and the son Wolff left out of the answer holds the keys.

He was nearer the mark on the wider market. Fox “has been a kind of remarkable monopoly,” and “we are beginning to see a natural fragmentation,” with Joe Rogan, Tucker Carlson, Ben Shapiro suddenly able to build their own audiences. On Carlson, fired from Fox that April, he calls the next phase “a test of both Tucker’s entrepreneurial will and acumen,” and passes on “the word on the street” that Carlson was raising a lot of money. The Tucker Carlson Network launched that December. The podcasters mattered in 2024 more than cable did.

His read on the moment reaches past Fox. The rhetoric “has only escalated and gotten more extreme and more practiced. It’s as though everyone is inhabiting a role” and they “cease to recognize that reality might be different from the role that they are playing.” They have “learned their roles, and they’re incredibly good at them, and even compelling in them.” Of himself: “This is my story. The story of our time.” “This is the world we live in, and you had better come to terms with it in some way, which is what I try to do as a writer.”

He made one forecast here that his 2018 self had ruled out: “the ultimate moment in which Donald Trump could become the president of the United States again is something that virtually no one has yet gotten their heads around.” That held. Others did not. “It is going to be a Biden–Trump election again,” and “rematches are the ultimate fight.” Biden withdrew in July 2024. On Nikki Haley: “I don’t see much of a rise there.” She outlasted every other challenger and quit after Super Tuesday. He expected “two trials.” There was one, in Manhattan, ending in 34 felony convictions. The federal cases ended with the election.

Brady brings a status moment at the close. Her boss, Steve Forbes, she says, doubts a rematch and thinks it could be Gavin Newsom. Wolff: “I think all you have to say is that Steve Forbes thinks that.” Then, “You can cut that.” Brady offers full transparency and moves on. The guest mocks the owner of the house on the owner’s show, and the host keeps it in.

The best passage comes when Brady raises the dog. The Fall describes a lunch at Tucker Carlson’s Florida home in which DeSantis spoke in an outdoor voice indoors, pushed one of the Carlsons’ spaniels under the table, and prompted the question, had he kicked the dog? Carlson called it “totally made up” and said DeSantis never touched the dog. The DeSantis campaign called it absurd and false. Why, Brady asks, is this not a book with footnotes?

Wolff gives his clearest defense of the craft. “I write a different kind of book. I tell a different kind of story.” “I’m trying to tell a private story, what happens in private rather than what is curated for public consumption.” “Most journalistic reality is a negotiated reality.” “You don’t get a scoop, you negotiate one,” with the comms people, the PR people, the lawyers, and the institutions with their own agendas. “I’m a kind of lone guy out there who’s able to sit in the background, hear what’s going on, and then tell the story as I have heard it and as I have seen it.” That shocks “the people I’m writing about, who are used to controlling their reality.” “I kind of slip in the back door and give a version of reality which they don’t have control over.” “So they go crazy and they deny,” and “they seem incredibly wounded.”

A week later he named his source. He told Mediaite that the source was Carlson himself: I just reflect what he told me. Asked if Carlson was lying, Wolff said maybe he exaggerated, maybe he lied, maybe he regrets saying it. What he could vouch for with the greatest authority was that Carlson said it happened. A Carlson spokesman called that false too. The episode shows the negotiated-reality critique cutting both ways. Wolff escapes the curated account by publishing what a source said in private. He then cannot vouch for the event, only for the saying of it. When the source recants in public, the reader is left with two tellings by the same man and a reporter who stands behind the telling, not the dog. The claim is honest as far as it goes, and it goes only as far as the source.

Asked if the end of Fox would be a loss, Wolff says no. “I don’t think it’s tragic at all.” Fox “clearly has too much power,” and “its very dominance is corrupting.” “I think it’s a great silver lining that the end is near.” The wish and the forecast are the same sentence, and the forecast missed.

 Sources:

‘Author Michael Wolff, “The Fall: The End of Fox News and the Murdoch Dynasty,” and “Fire and Fury”‘ (Apr. 25, 2024)

On April 25, 2024, Michael Wolff made his first visit to the New York State Writers Institute, at Page Hall on the University at Albany’s downtown campus. Times Union editor Casey Seiler moderated. That day Trump was in a Manhattan courtroom for his hush-money trial while the Supreme Court heard three hours of argument on his immunity claim. Wolff had sat in the trial every day but this one. Seiler notes that it was fifty years since Wolff’s first significant piece in The New York Times Magazine, and he reads the Washington Post review of The Fall: Wolff “harbors no qualms about consorting with some of America’s worst people, nor about burning them blithely in the service of his narrative.” Seiler compares him to a fellow New Jersey native, Philip Roth, a lively chronicler of the establishment eager to puncture its conceits.

They start with Fox. Wolff says it is an ideological cornerstone of the era, “except more importantly is the fact that it has $2 billion in free cash flow.” If ideology earned it $1 billion, or the $600 million he credits to CNN, “it wouldn’t have that ideology anymore.” “It is singularly there to make Rupert Murdoch a buck.” Television news runs on “concerns about ratings, which is concerns about money, which is concerns about ego,” and on airtime, “and people will kill for that and literally do anything.” The argument places money first and belief after it, and it explains the next two years of Fox better than his own predictions did.

On Murdoch, then 93, he offers court gossip with the tenderness left in. Someone close to him said Murdoch had been “really fading” over the past year, but “since Rupert has met this woman and they’ve decided to get married, he’s back.” Seiler: “True love.” Murdoch married Elena Zhukova five weeks later. On Tucker Carlson, Wolff calls him “a power in MAGA land” who is raising money to build his own media company.

Then comes the forecast. “I don’t think that there will be a Fox killer. I think Fox will kill itself,” through the family and the decline of cable, since “pretty much nothing will survive in its current form.” He explains the trust. At Murdoch’s death, power passes to four children, one of them Lachlan, and the other three votes belong to “his brother who mortally hates him and his two sisters who don’t hate him but do hate Fox News.” So “the likely outcome is that Lachlan will not be the CEO shortly after his father’s death.” James promises to remake Fox along the lines of Sky News, which Wolff translates as “something like CNN, at $600 million rather than $2 billion,” so “the probably more likely outcome” is that the family says life is too short: “Let’s get rid of it. Sell it, spin it off, let it be someone else’s problem.” He had the mechanics right and the outcome wrong. Murdoch did not wait to die. In September 2025 he and Lachlan settled with the other three, bought them out, and put Lachlan in sole control through 2050. His own cash-flow argument pointed to that result. A $2 billion business finds a way to keep its owner.

Murdoch “certainly continues to detest Donald Trump,” and “likely wakes up in the middle of every night saying to himself, what have I done?” But “Fox tried to invent Ron DeSantis, it tried to get on board with Nikki Haley,” and it all failed. “Rupert is the ultimate transactional guy, and Trump is the only deal out there.” “Rupert is not that imaginative. This is the bed he’s made.” That held. Fox rode Trump back to the White House and sent its hosts into his cabinet.

On the press, Wolff says: “Trump is what keeps the media in business right now,” and “everybody in the media business is delighted he’s back.” Talk of news avoidance is “kind of baloney,” and “the one thing that does have any hope of bringing people back to relatively traditional media is Donald Trump.” After January 6, he adds, Trump “was actually uncertain about what he was going to do.” Later a woman asks about PBS and the issues that matter, climate, Ukraine, Gaza. Wolff’s answer is the most useful sentence of the evening. Those issues “are complicated… not necessarily dramatic in a linear narrative fashion,” “not made for audiences. Trump is made for audiences.” “For news media it’s a gift.” He names the market logic that drives the coverage, and his own books sit inside it.

Seiler asks whether the three Trump books add up to a portrait of chaos that left wreckage. Wolff accepts the chaos and doubts the wreckage. It is “an interesting but debatable point.” “Trump in the White House and Trumpism in general has produced very little effect.” The first-term policies were “basically standard-issue Republican conservative policies” and would have looked the same under Ted Cruz or Marco Rubio. Because the White House was a mess, “most of the policies came out of Congress,” and “it was really Mitch McConnell.” He was describing the first term, and fairly. As a guide to the second it failed. Tariffs by decree, the closing of USAID, the fight over Humphrey’s Executor and the deportation surge came from the White House, and none of them came from Mitch McConnell.

Seiler presses harder. The books have huge readerships and little political effect. It is as if Silent Spring came out and readers asked for more DDT. Wolff answers with his creed. “I’m not anybody’s advocate,” “unlike, I think, many journalists.” “I’m perhaps a throwback. I regard my job as to tell the story, make it as vivid as possible, let readers experience what I’m experiencing.” “Donald Trump is an inexplicable character. Someone has to explain him.” “I think I’ve probably come closer than most.” Trump’s deeper effect may be “on American character,” and grasping it requires seeing “that he is an actor, that this is a performance.” That, he says, “is the thing that I bring to the party.” The claim is modest and grand in the same breath. He disowns advocacy, and then he claims to understand Trump better than anyone else who has tried.

He brings the trial into the room. Trump campaign people speak of “the split screen reality”: a sweep of the primaries on one side, four indictments on the other. Inside is “this incredibly dingy courtroom. It’s freezing,” strung with cables. Trump is “trapped,” made to hear “fundamentally humiliating testimony.” Then he walks into the hall, finds the cameras, and “tells the story of his victimization.” Wolff’s forecast: “He may be convicted in New York, and that at the same time might elect him president.” Seiler asks who narrates better, the Times or Trump. A jury convicted Trump on 34 counts five weeks later, and he won in November. This forecast held.

On the stand that week was David Pecker, and Wolff offers a status portrait at no charge. “He looks like a ’70s porn star. I’ve known the guy for many, many years.” “I’ve known a lot of sleazy people. I may have cornered the market. But he is beyond even the sleazy people who I have known.” The Enquirer is “the lowest low of American publishing,” and Trump’s attachment to it shows him as “a guy out of another age, and especially out of another media age.” Trump had just stopped everything to sit for Time: “Time magazine barely exists anymore, but in his mind to be on the cover of Time magazine is still as it was in 1975.” The joke cuts both ways. Wolff learned his trade in the same 1970s New York and prizes the same covers.

He explains his access by Trump’s vanity. “If you are interested in him to the extent that he is interested in himself, even if that’s negative interest, because it doesn’t really matter, he’s perfectly happy to have you come in.” The sources still talk: “We’ve actually become kind of friends.” He asked one what would happen to him if Trump won. “You’d probably become the ambassador to a small country.” On the second term: “It’s probably going to be very much like the first.” The same source said Trump “might spend four years deporting everybody in the country, or equally he might spend four years playing golf. Probably more likely the latter.” “Nothing gets done with any real system, because he’s not that interested.” The first half of the source’s choice turned out closer, and the system Wolff doubted was waiting in the Heritage playbook. He was right about the man’s attention and wrong about the machine around him.

Seiler asks how he vets single sources in a backstabbing culture. Wolff says there are “few instances… when it’s just single sources,” that many people contribute to a portrait and “you just separate the outliers.” Over years “you know the people who are reliable, and there have been some people in some instances that prove not to be reliable, and you get rid of them.” The answer is the standard one, and it sits uneasily beside the dog story in The Fall. Seven months earlier, when Tucker Carlson denied what Wolff reported, Wolff said he could vouch only that Carlson had said it.

What next? Wolff had hoped the story was over, “for reasons of the well-being of the nation and then for reasons of my own well-being. I would like to do something else.” But it is “the central story of our time,” the mirror in which we are forced to look. All or Nothing came out ten months later.

Seiler, an Albany man, turns to his own subject, Andrew Cuomo. Wolff profiled him for New York and found him “fascinating,” a man who wore it on his sleeve. If Eric Adams is pushed out, “I think Andrew Cuomo will run to be the mayor of New York City, and I think he will win.” Seiler: “You heard it here first.” Cuomo ran. Zohran Mamdani beat him in the June 2025 primary and again in the November general, when Cuomo ran as an independent. The miss belongs with the Fox forecast. Wolff read the court he knew and missed the voters he did not.

The audience asks about Elise Stefanik as a running mate. She “certainly has a possibility.” His list: Kristi Noem, Tim Scott, JD Vance. Vance got it in July, and Noem went to Homeland Security. His best detail from inside: until a few weeks earlier, Trump “was very focused on RFK Jr.,” and “kept saying Trump-Kennedy.” “That was a brand.” The Kennedy people said no to the ticket. Four months later Kennedy endorsed Trump, and he now runs Health and Human Services.

On Truth Social, which had just gone public, he says “no one is on Truth Social except Donald Trump,” “a social network of one,” and “this weird legal way to give Donald Trump money.” If Trump won, “every foreign government in the world that wants to influence Donald Trump can just buy sponsorships on Truth Social.” It is “a business which really has no cost because it has no business. It just has the pretense of it.” Two years later, on the Beast, Wolff would say Trump made billions from it.

On influence: Trump “doesn’t listen to anybody,” and at best “somebody might have his ear for ten seconds, and they might in that moment be able to say something that would influence him for the next ten seconds, but that’s about as good as you’re going to do.” A man asks him to compare the Murdoch and Trump children. Murdoch, “for as odious as he might have been in many situations, is a good father, or a recognizable father,” and “it causes him incredible pain when his children don’t seem to pay attention to him.” Trump: “I swear to God I don’t think he gives a shit about his children.” Seiler: “That’s so grim.” On Fox’s role in the first victory, Fox “gave him the airtime to have political opinions,” turning a reality star into a man with views the audience might turn to.

The last question asks what sits behind the actor’s mask. “I honestly think, and I think this is an important point about understanding him, there’s nothing under that mask.” Seiler supplies John Updike, whose line is that celebrity is a mask that eats into the face. Wolff: “I would say no internal life whatsoever.” It is his firmest statement of the thesis under all the books, and the hardest to test. A reporter who spent seven months on a couch hearing what others said of Trump, and a few hours with the man himself, concludes that there is no one inside.

 Sources:

‘DIGITAL AGE – The Net Made Dean, Did TV Do Him In? Michael Wolff’ (Feb 25, 2004)

On February 25, 2004, a week after Howard Dean quit the presidential race, Michael Wolff sat for a half hour on The Digital Age, a cable show hosted by James Goodale, the former vice chairman and general counsel of The New York Times who defended the paper in the Pentagon Papers case. Wolff had just moved from New York to Vanity Fair and had just published Autumn of the Moguls.

Goodale opens by putting up a Times photograph of his guest. Wolff: “Oh my God, that’s me.” The occasion was the failed bid for New York, then for sale by Primedia. “Right up until we didn’t get the deal, we thought we had the deal,” and then, “with almost ten minutes to spare, it suddenly went away.”

He names his partners, “my group of rich guys.” Mort Zuckerman, who owned the Daily News. Harvey Weinstein, “the movie baron of New York.” Donny Deutsch, who had sold his ad agency to a holding company. Nelson Peltz, the 1980s raider. And Jeffrey Epstein, “who we just referred to as the mysterious billionaire.” Goodale asks where one finds such people. Wolff: “It turns out they have no friends. So if you offer to be their friends…”

The list reads differently now. In 2004 it was a roster of New York money willing to back a columnist. Four years later Epstein pleaded guilty in Florida to a sex offense involving a minor, and in 2020 a jury convicted Weinstein of rape. At the 92nd Street Y in January 2026, Wolff dated his Epstein relationship to 2014, when Epstein asked him to consider writing about him. This tape shows the two men were in business together a decade earlier, when Epstein was still the mysterious billionaire. Nothing here suggests Wolff knew of the crimes, and the public record of them came later. It does show that the source Wolff would later rank with Bannon as his most acute reader of Trump came from his own circle of backers. The joke about men with no friends lands on the man who became their friend.

Raising money, Wolff says, “is probably the hardest thing I’ve ever done.” Then he called Deutsch, a man he did not know, who picked up and said without a hello, “I understand you’re buying a magazine. Would my deep pockets be of any help?” “I thought, that’s it. That’s how you raise money.”

His plan was candid. “My primary plan was I wanted to continue to write my column, and I knew if somebody else came in I probably wouldn’t be able to do that.” Goodale sums it up: “Basically you’re buying the company to save the column.” The business case was the website. The magazine “was never going to make a lot of money,” but nymag.com, “I thought that was the gold,” with “enormous potential.” Goodale asks if his fascination with the net is a bit myopic. “I’m sure it is. I mean, I have gotten in trouble here before,” a nod to the dot-com venture he chronicled in Burn Rate.

The bid was $44 million. Bruce Wasserstein, known in the 1980s as “Bid ’em up Bruce,” took the magazine for $55 million at the last minute. Wolff says Wasserstein’s past publishing ventures were “none of them very successful,” and he offers a theory that Allen & Company, which ran the auction, had Wasserstein “in their pocket.” He offers no evidence for it.

What happened next grades both halves of his pitch. Wasserstein hired Adam Moss from the Times. Goodale asks if Wolff would have gotten along with Moss. “No.” “One of my rules is, one step ahead of the sheriff.” Under Moss, New York became the most decorated magazine of its era, and the website Wolff called the gold became the business, spinning off Vulture, The Cut and Grub Street until Vox Media bought the company in 2019. Wolff read the asset correctly and lost it to a man he dismissed. The magazine thrived without his column, the one thing he was buying it to save.

He went to Vanity Fair because “I got a better offer, actually, to be truthful.” He would finally “get a chance to get a little sleep after spending the last five years writing a weekly column,” and he names his new peers, Christopher Hitchens, James Wolcott and Dominick Dunne.

The Dean analysis starts from an old magazine. Wolff found a 1972 New York piece on George McGovern’s direct mail and was “just riveted to my seat. I thought, my God, this is the same story that everyone is writing now about Howard Dean and the internet.” The mechanism is targeting. “The science is all about finding the people who are most partial to you,” and the more you reach beyond them, the more your response rate falls. So “instead of expanding your base, you’re constantly involved in this act of limiting your base.” The money “convinces the media that you’ve tapped into a real wellspring of support,” and the chain runs “money equals media, media equals polls,” but “money does not equal votes.” An election is won by “finding and then convincing these people in the middle,” by going horizontal instead of vertical.

He adds three turns: the capture of Saddam Hussein, which cooled the one issue Dean ran on, “the pivotal moment”; the moment voters looked and asked, “who is this guy… does this really look like a winner?”; and a Times front-page interview with Dean’s wife, Judith Steinberg Dean, which he calls “a pivotal moment.” His line on her has not aged well: “There’s absolutely nothing wrong with her, except she’s not doing what we all understand the wife of a presidential candidate has to do.” Twenty years later, Wolff would build a Substack series and a book on a first lady who declines to do what we all understand.

His media verdict contains the argument of his whole career in compact form. The net is “not a shared experience.” “The New York Times is in the news business. The net is not in the news business.” It is “essentially in many ways an advertising machine or a propaganda machine. They are making their own news.” So “Dean himself is a media creation,” and “if the media had not said you raised this money, you’re at the head of the pack, Dean would not have existed.” Will the internet ever become a shared experience? “I don’t think so.”

He undercut that answer half a minute earlier. The scream, he conceded, “was picked up and passed… everybody had this, everyone was sending it to each other. It became a novelty item.” That was the shared experience arriving, and he described it as a novelty. Four years later Barack Obama took the Dean model, small donors and online organizing, and used it to expand a base and win. Twelve years later Trump turned a narrow, intense following and his own feed into the presidency, with television chasing the posts. The targeting argument about McGovern and Dean was sound for its cases. The claim that the net could not become the arena was wrong, and Wolff spent the next two decades chronicling the man who proved it.

He was right about the business. “The media goes more toward the internet model than the internet model goes toward the mass media,” toward “a fractured product, a fractured distribution network.” Comcast’s bid for Disney, then in the news, is consolidation as a response to loss: “We’re essentially buying the audience back,” so that “we approximate the number of eyeballs that ABC alone would have had in 1975.” That describes the next twenty years of media mergers.

Goodale closes: old media lives, yes or no? Wolff: “No.” Goodale: “We just went through a whole program and came up with a different conclusion.” It is the funniest exchange in this series, and the most exact. Wolff had spent half an hour arguing that old media made and unmade Dean, and then, asked for a verdict, chose the more interesting answer.

Posted in Journalism, Michael Wolff | Comments Off on ‘Why Floundering Trump Will Sell Out on World Stage | Inside Trump’s Head’

Big Fish

I asked ChatGPT: “Is there anything I might not know about my father?” It replied:

Possibly, Luke. The most personal thing I found is your mother’s own account of him during her final illness.

In “Testament of Faith,” published shortly after her death, Gwen credited his encouragement with helping her “keep a song in my heart the whole way through.” She described a friendship stretching back more than twenty years, including nearly seventeen years of marriage. That gives you her own assessment of him as a husband during an exceptionally difficult period. Australasian Record, May 25, 1970, pp. 12, 14

Two details in those contemporary records may be less familiar:

Your father encouraged her to write that testimony. The editor explicitly says he suggested she put her thoughts on paper to help others facing similar suffering. He therefore helped bring this surviving account of your mother’s experience into existence. Same issue, p. 12
After her death, he published a personal acknowledgment describing her as someone who “loved her family and Lord beyond human telling.” He also thanked friends for years of practical help during her illness. It is a small surviving piece of his voice immediately after losing her.

One earlier detail also stands out: before becoming a minister, he had already begun a newspaper career. His biography reports that he progressed from copyboy to editorial work at Associated Newspapers while still a teenager, having left school amid financial hardship. Writing was already part of his life before theological scholarship.

Your father’s first doctorate was in speech, not theology. His 1960 Michigan State dissertation, A Rhetorical Study of Certain Pauline Addresses, was submitted through the Department of Speech. He treated seven Pauline letters as speeches intended to be read aloud. His central conclusion was that Paul’s authority came from character and self-disclosure: “He ever conveyed himself, not ideas merely.” This helps explain your father’s unusual combination of theologian, preacher, debater, and public performer. Read the dissertation.

The dissertation contains a short autobiography written when he was about thirty-one. He says he finished his secondary-school requirements in 1943 and then spent three years working in both the composing and editorial departments of Associated Newspapers in Sydney. This is more substantial than the usual story that he was merely a teenage copyboy. Typesetting, editing, journalism, argument, and public speech all preceded his theological career.

His theological break with Adventism developed over decades. In his 1959 master’s thesis, Daniel 8:14 and the Latter Days, he wrote that the church’s response to criticism had been “rather stereotyped” and had added little to its defense of Daniel 8:14 for more than a century. He called for the church to examine every doctrine closely. Yet he still concluded that the 2,300 days extended into the end times. Read the 1959 thesis

That establishes a more complicated trajectory:

By his own later account, doubts or concerns began around 1945.
In 1959 he recognized serious interpretive problems but still defended the traditional prophetic framework.
During the 1960s and 1970s, study gradually moved him away from that position.
By 1979 and 1980, he believed the doctrine threatened Christian assurance.

Glacier View therefore represented the public arrival of a question he had lived with for most of his adult life. His intellectual movement was gradual and documented.

The institutional conflict followed him even after death. According to theologian Norman Young, Avondale College’s council initially approved holding your father’s memorial in the college church. The South Pacific Division later withdrew permission. The memorial was moved to the University of Newcastle, where more than 500 people attended. Young says the organizers deliberately kept the dispute out of the service. Norman Young’s account in Spectrum

That memorial preserved two intimate details. His favorite hymn was Charles Wesley’s “Depth of Mercy, Can There Be?” His favorite biblical passage was Romans 8:28–39, ending with the assurance that nothing can separate believers from the love of God. Gillian spoke about his emphasis on forgiveness. Elènne described him as her mentor, pastor, confidant, and “go to person.”

The emerging picture is of a man whose driving concern was assurance. He encountered religious anxiety as a teenager, spent decades examining the doctrine that intensified it, and ultimately accepted serious professional consequences because he believed people should not live in fear about whether God had accepted them. That concern appears much earlier in his life than the public controversy suggests.

Posted in Desmond Ford | Comments Off on Big Fish

Benny Hill: His Life & Times

Benny Hill was born Alfred Hawthorne Hill in Southampton on January 21, 1924, the middle child of Alfred Hill and Helen Cave. His father managed a surgical-appliance business. Before settling into respectability he had run away to join a circus, and Benny’s grandfather Henry Hill had also been involved in circus entertainment. Hill grew up close to the remnants of Victorian and Edwardian popular entertainment: circus, music hall, comic songs, physical comedy, sexual innuendo, and the broad comic character types that would eventually populate his television programs.

The family was lower-middle-class. Alfred senior’s shop dealt in the sort of medical and sexual merchandise that respectable Britain preferred not to discuss openly, including contraceptives. That detail has attracted biographers because Benny’s eventual comic universe was also built around the collision between public respectability and private sexual curiosity. In his childhood, jokes about sex existed in the same semi-forbidden territory as seaside postcards and music-hall double entendres. Hill inherited a comic tradition that was already generations old.

He attended Taunton’s School in Southampton. Hill later recalled that observation and mimicry came early. His father’s shop provided material. He watched customers, remembered faces and voices, and after closing time stood behind the counter imitating them. A remarkably early profile of Hill quotes him describing exactly this childhood routine. The habit remained with him. His mature comedy depended less upon invention from nothing than upon noticing some cadence, gesture, vanity, pretension, costume, or social type that could be exaggerated.

After school he worked at Woolworths in Eastleigh, then at various times as a milkman, driver, bridge operator, and drummer. The milk round became part of his personal mythology and eventually supplied the setting for his biggest record, “Ernie (The Fastest Milkman in the West).” His early working life mattered because Hill’s comedy remained fascinated by clerks, shopkeepers, policemen, doctors, television announcers, waiters, salesmen, old men, and petty officials.

Hill belonged to the generation whose early adulthood was interrupted by the Second World War. Called up in 1942, he trained as a mechanic with the Royal Electrical and Mechanical Engineers. He worked as a mechanic, truck driver, and searchlight operator, reaching Normandy in September 1944 after the main D-Day landings. His service subsequently took him through northwestern Europe. Before demobilization he moved into service entertainment, an environment in which men who had spent years driving trucks or maintaining equipment could suddenly find themselves writing sketches and appearing before audiences.

The Army did not magically transform Hill into a polished comedian. Stage performance remained difficult for him. What military entertainment did provide was proximity to professionals who recognized his ability and encouraged him. This was a recurring pattern in Hill’s career. He possessed considerable comic instinct but was poorly suited to the conventional means by which a British comic was expected to establish himself. Television eventually solved that problem.

After the war he entered a British entertainment industry still organized around variety bills, summer seasons, touring revues, radio, and the surviving institutions of music hall. He adopted “Benny” partly in homage to Jack Benny, one of his favorite American comedians. He studied other performers constantly, absorbed techniques, and reworked them into his own increasingly visual style.

One of his early professional jobs was working as straight man to Reg Varney. Hill struggled much more onstage than his later television assurance would suggest. He suffered from stage fright, lacked the commanding projection of a traditional music-hall comic, and had some bruising experiences in variety. His gifts were mimicry, characterization, observation, editing, and visual juxtaposition. Television would allow him to substitute those talents for the naked encounter between a solitary comedian and a live audience.

He was working in radio by the late 1940s, appearing on programs including Variety Bandbox. His first television appearances came around the turn of the 1950s. By 1954 he had attracted attention through Showcase, where he appeared in multiple disguises and parodied television programs and personalities. He was named television personality of the year while still a young performer learning what the new medium could do.

The Benny Hill Show began on the BBC in January 1955. The timing could scarcely have been better. Britain was becoming a television society. Television ownership was expanding rapidly, and ITV began broadcasting later that year, ending the BBC’s television monopoly. Much early television entertainment had been borrowed from radio, theatre, and music hall. Hill belonged to the first generation of performers who began discovering what television comedy could do that none of those older forms could.

An early Hill routine captures the idea. Through filming and editing, he could appear as several participants in the same television discussion. The underlying multiple-exposure trick was hardly unprecedented, but its use as part of a fast television parody showed Hill thinking in terms of the screen. A character could look at another character who was also Benny Hill. A joke could exist in the cut between two shots. Speed could be manipulated. A close-up could supply the punch line. Television could manufacture comic events that had never existed continuously before a live audience.

That early Benny Hill is easy to lose because the later program became such a powerful stereotype. He was an impressionist, writer, singer, and parodist. He spoofed television personalities, advertisements, documentaries, news programs, popular songs, crime dramas, chat shows, and whatever else happened to be moving through British broadcasting. He could play several characters in a sketch. He liked accents and linguistic jokes. He had a fine memory for voices. He understood the comic possibilities of close-ups, cuts, speeded film, visual incongruity, and reaction shots.

The other half of his inheritance came from music hall. Hill loved the comic world in which pompous men are humiliated, authority figures are idiots, old men are unexpectedly lustful, husbands are cuckolded, skirts blow upward, and an innocent sentence acquires an obscene second meaning. He added techniques borrowed from silent film. Charlie Chaplin, Buster Keaton, and the visual comedians of the silent era belonged to his ancestry alongside British music hall. His best work often needs little dialogue. That later became one reason it travelled so successfully abroad.

He also developed recurring personalities. Fred Scuttle, with his cap, salute, crooked glasses, and spectacular inability to understand whatever job he had been assigned, became one of the most durable. Hill impersonated contemporary broadcasters under altered names. Television personalities, cooking programs, police dramas, political broadcasts, game shows, and commercials were endlessly cannibalized. Some characters and ethnic impersonations that television accepted at the time are jarring now. Hill’s archive contains both sophisticated television parody and material that has aged badly.

His BBC career was considerably broader than the later Thames show. He tried a situation-comedy anthology, Benny Hill, in 1962 and 1963, playing a different central character in different stories. In 1964 he played Bottom in a large-scale television production of A Midsummer Night’s Dream. The casting sounds like stunt casting, yet contemporary reaction was favorable and the production was a considerable popular success. From 1964 to 1966 he also had Benny Hill Time on the BBC Light Programme.

Films never suited him as well as television. He starred in the Ealing comedy Who Done It? in 1956 and appeared in Light Up the Sky!. His supporting film roles included Those Magnificent Men in Their Flying Machines, Chitty Chitty Bang Bang, and The Italian Job. His filmography is respectable, but no director found a cinematic Benny Hill equivalent to the television form Hill devised for himself. His special talent lay in controlling the duration, editing, characterization, and rhythm of a comic television sketch.

The decisive second phase began in 1969 when Hill moved from the BBC to Thames Television. Thames had recently become London’s weekday ITV company and was building one of the great light-entertainment operations in British television. The new version of The Benny Hill Show ran from 1969 until 1989. This is the Benny Hill most of the world remembers.

The supporting company became part of the effect. Henry McGee was the smooth announcer and straight man. Jackie Wright was the diminutive bald comedian whose head Hill repeatedly slapped. Bob Todd supplied an enormous range of eccentrics, grotesques, and authority figures. Nicholas Parsons appeared frequently during an earlier phase. Sue Upton, Louise English, Jenny Lee-Wright, and many others became familiar performers. Hill may have been the name above the title, but the rhythm depended increasingly upon a repertory company whose faces viewers immediately recognized.

The famous chase sequence eventually became a kind of compressed silent movie. Film was accelerated. Someone was caught in a sexual or social transgression. Police, old ladies, beautiful women, husbands, nurses, monks, burglars, or assorted eccentrics joined the pursuit. Doors opened and closed. Clothes vanished. Everyone changed direction. The action was usually accompanied by “Yakety Sax,” the instrumental associated with saxophonist Boots Randolph. The association became so complete that millions of people who did not know its title understood it simply as the Benny Hill music.

At his peak, Hill occupied a place in British culture that is difficult to reconstruct in an era of fragmented audiences. Some broadcasts drew audiences above twenty million. Thames ultimately sold the program to more than a hundred countries. The features that increasingly irritated sophisticated British critics helped make Hill exceptionally exportable. A viewer did not have to understand Westminster politics, British class codes, or regional accents to understand a pompous official falling into a pond or a guilty man fleeing an enraged husband with his trousers around his ankles.

America was the great late-career surprise. Edited half-hour versions entered American syndication in the late 1970s, and Hill became a substantial television presence there. The American audience discovered him when he was already in his fifties. His international celebrity consequently peaked at almost the same moment that his cultural standing within Britain began to deteriorate.

His foreign success says something about the unusual nature of his comedy. Monty Python was intensely verbal and culturally specific even when it was visually surreal. Hill could reduce comedy to appetite, embarrassment, pursuit, collision, concealment, and revelation. Those jokes crossed linguistic boundaries with little assistance. In this respect there is a line between Hill and the later international success of Mr. Bean. Rowan Atkinson’s character was very different from Hill, but the export mechanism was similar. Physical comedy travels.

Hill could also write comic songs. “Gather in the Mushrooms” reached the British charts in 1961. His triumph was “Ernie (The Fastest Milkman in the West),” a mock-Western about a fatal rivalry between a milkman and a baker. Released in 1971, it spent four weeks at number one, became Britain’s Christmas number one, and earned Hill an Ivor Novello Award. Strip away the television girls and “Ernie” reveals something older in Hill. It belongs to a British tradition of comic narrative songs in which ordinary tradesmen are elevated into heroes of ridiculous epics.

Hill’s private personality was almost the reverse of the voracious extrovert he played. He never married and had no children. Biographical accounts describe crushes, failed romances, awkward courtships, and rejected proposals. Actress Annette Andre later said that she had rejected a proposal from him. His inability to establish a conventional intimate life became one of the central themes of later biographies.

Yet the cliché of the miserable, friendless clown also goes too far. Hill maintained long friendships. Performers returned to work with him repeatedly. Several colleagues remained protective of him after his death. What seems unusual is the degree to which a man whose public character radiated sexual appetite appears to have remained emotionally adolescent in parts of his private life. Sexual confidence was much easier to perform than intimacy.

Fame barely altered his material habits. Hill rented modest accommodation. He travelled by public transport, walked considerable distances, and never learned to organize his life around the fact that he had become wealthy. Despite accumulating millions, he was famous among acquaintances for economy that could shade into miserliness.

Travel was one of his indulgences. He loved France, particularly Marseille, spoke French, and acquired varying amounts of several other European languages. His linguistic curiosity fed his comedy. Foreign accents could become caricatures, but Hill also possessed considerably more interest in languages and foreign cultures than his Little England stage persona might suggest.

There was something close to monastic about his dedication to comedy. He watched television compulsively for people and formats to parody. He remembered voices, faces, phrases, and mannerisms. Colleagues recalled a continual accumulation of jokes and scraps of ideas. His television world was constructed partly from other television. A presenter only had to develop a sufficiently recognizable vocal tic, hairstyle, posture, or catchphrase before Hill had raw material.

There was a limiting side to this method. Hill became extraordinarily good at being Benny Hill. Eventually he became too good at being the Benny Hill that viewers already knew. The recurring characters, sight gags, sexual pursuits, and editing tricks that had once represented experimentation hardened into formula.

During the 1970s the program moved further toward sexual display. By the early 1980s it included the dancers known as Hill’s Angels. Attractive young women had always been present in his work, but they now became one of the show’s central visual trademarks. This development coincided with Hill’s greatest international marketability and with the beginning of his critical disaster at home.

British comedy was changing around him. The Comic Strip, The Young Ones, and the broader alternative-comedy movement challenged much of the club and television comedy that had dominated the previous generation. The new comedians were more overtly political, more suspicious of racial and sexual stereotypes, and eager to distance themselves from forms of entertainment they associated with an older Britain.

Hill became a conspicuous target. Ben Elton emerged as perhaps the name most closely associated in popular memory with criticism of Hill’s sexual politics, although the later legend sometimes gives him more responsibility for Hill’s cancellation than he possessed. Feminist criticism of Hill was broader than Elton, and there was plenty in the programs to criticize. Women were frequently presented for male visual consumption. Voyeurism and lechery supplied endless plots. Some ethnic, gay, and gender stereotypes common in mid-century comedy became increasingly difficult to defend.

Yet the popular memory that Benny Hill was simply driven from television by “political correctness” compresses a more complicated history. John Howard Davies, who became Thames’s controller of light entertainment in 1988, made the decision to end the program the following year. Davies later emphasized economics and demographics. The series was expensive. Its domestic audience had declined. Women were less enthusiastic viewers than men. Hill was aging. The format looked exhausted to the executives responsible for deciding whether to commission another expensive series.

Cultural attitudes had moved against him at the same time. Both explanations matter. The show was an aging and costly television format whose sexual comedy had become a symbol of what a rising comic generation disliked about the old order. Its continued profitability overseas made the cancellation feel particularly savage from Hill’s perspective. He had spent decades being told that audience popularity validated his instincts. Suddenly executives were telling him that the world around those instincts had changed.

The loss mattered because television was more than his occupation. It organized his life. Hill had never built the conventional substitutes available to a retired celebrity. He had no wife, children, grand country house, political vocation, or second career. He wrote comedy. He watched television. He accumulated ideas for shows. The cancellation removed the structure around which the rest of his existence had been arranged.

Yet his career was not quite finished. International affection remained enormous. In 1991 he received an award associated with Charlie Chaplin at the comedy festival in Vevey, Switzerland. There were discussions about returning him to British television. A revival might well have occurred had his health held.

His physical condition had deteriorated. Hill had become considerably overweight and developed serious heart trouble. In early 1992 he was hospitalized following a heart attack. Doctors recommended cardiac surgery, which he declined. Kidney problems added to his difficulties.

Over Easter weekend in April 1992, Hill died alone in his flat in Teddington. The commonly accepted date is April 18. His body was discovered on April 20 after friends and neighbors became concerned. A postmortem found coronary thrombosis. He was sixty-eight. The circumstances were sufficiently bleak to cement the image of Hill as the lonely clown abandoned by the country that had once adored him.

That interpretation contains truth but also retrospective melodrama. Hill had friends. He remained internationally famous. Television companies were interested in working with him. His death followed serious medical problems and his refusal of recommended treatment. The fact that he happened to die alone should not be turned into proof that he had lived without human connections.

He was buried in Hollybrook Cemetery in Southampton near his parents. His estate was worth several million pounds. His will had become badly outdated because its principal beneficiaries, his parents, had died years before him. The resulting disposition of the fortune became another peculiar postscript to the life of a man who had earned enormous sums without developing much interest in the conventional performance of wealth.

Hill’s historical reputation is more interesting than either “comic genius” or “sexist relic.” Both descriptions capture something and conceal something.

His late-period sexual comedy aged badly. Some ethnic caricatures aged worse. A modern viewer moving indiscriminately through the archive will encounter jokes that depended upon assumptions about women, foreigners, gay people, and racial groups that mainstream British television subsequently abandoned. The lecherous middle-aged man chasing young women was the brand.

Reducing forty years of work to Hill’s Angels produces a different distortion. The early Hill was one of the people figuring out the grammar of television comedy while British television was still figuring out what it was. He understood recorded television, editing, parody, character multiplication, visual juxtaposition, filmed inserts, and the power of recurring screen personalities. What became formula in the 1970s and 1980s had often been experiment in the 1950s.

The most important modern biography is Mark Lewisohn’s Funny, Peculiar: The True Story of Benny Hill, published in 2002. Lewisohn, later celebrated for the depth of his Beatles scholarship, approached Hill with a similar appetite for chronology, documentation, interviews, and myth correction. The resulting portrait is much richer than the lonely-dirty-old-man story. Hill emerges as an observant, emotionally peculiar, intensely hardworking entertainer who understood television early, achieved almost unimaginable international success, and then lived long enough to watch the culture alter its judgment of the comic language he had helped popularize.

His life almost perfectly spans a transformation in British entertainment. He was born into a world still connected to circuses and music halls. He learned his profession through variety, service entertainment, touring shows, and radio. He became famous as television entered the British home. He developed his own program during the BBC monopoly, survived the arrival of ITV, moved successfully into commercial television, adapted to color, became one of the first British television comedians to achieve enormous international syndication, and finally collided with the revolution in British comedy during the 1980s.

That chronology helps explain why arguments over Hill sometimes become arguments over Britain. His childhood belonged to the England of Woolworths, dairies, surgical-appliance shops, seaside postcards, variety theatres, and neighborhood tradesmen. His prime belonged to the Britain of mass television, commercial advertising, package holidays, suburban aspiration, and increasingly relaxed sexual codes. His decline coincided with the emergence of a more self-conscious culture in which television institutions became much warier of the assumptions about race, sex, gender, and authority embedded in older popular entertainment.

He was simultaneously old-fashioned and technologically adventurous. That is one of the central paradoxes of Benny Hill. The moral universe of many of his jokes came from the music hall, but the means by which he delivered them could be strikingly modern. The dirty joke might have been ancient. The cut that completed it belonged to television.

The strangest part of the legacy may be that one fragment of his technique survived more completely than the programs themselves. “Yakety Sax” escaped The Benny Hill Show and became an international musical synonym for incompetence, frantic pursuit, and events descending into farce. People who have never watched a complete Benny Hill program understand what happens when footage is accelerated and that saxophone begins. The joke became detached from the comedian who established its modern grammar.

Benny Hill spent much of his career impersonating and cannibalizing the mass culture around him. Eventually mass culture cannibalized Benny Hill. The chase, the speeded film, the saxophone, the naughty old man, the slap on Jackie Wright’s bald head, and the image of beautiful women running in formation broke free from their original programs and became reusable signs. Hill became a meme decades before the word acquired its modern meaning.

The result is that his reputation remains divided between people who remember the enormous pleasure his programs gave them and people who know him chiefly as an example of what television once permitted. Both groups are remembering a portion of the man. Benny Hill was a product of the old British comic tradition, an early innovator in the new medium of television, a British cultural export, a compulsive mimic, a skilled comic songwriter, an awkward bachelor, an international celebrity who lived with surprisingly little grandeur, and finally a performer overtaken by changes in the culture he had spent his life observing.

Seen across the full span from Southampton in 1924 to Teddington in 1992, the story is larger than the familiar image of the grinning man being chased across a park. Hill began near the end of music hall and died at the beginning of the modern multi-channel television age. Between those worlds he discovered that a camera, an editing machine, a funny face, and a few seconds of film could turn an awkward former milkman into a famous comedian.

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Reggie White’s Racial & Religious Journey

The New York Times reported Mar. 26, 1998:

Reggie White, the star defensive lineman of the Green Bay Packers, drew sharp criticism from some state legislators today after his remarks concerning a range of racial and ethnic groups in an off-the-cuff talk before the State Assembly.

White, a minister at a Knoxville, Tenn., church that was burned down by arsonists in 1996, was invited by Republican leaders to talk about his New Hope project. The project, which operates in Wisconsin and Tennessee, encourages urban redevelopment and promotes minority ownership of small businesses.

But his comments ranged from remarks on race relations to his interpretations of Scripture.

White said that homosexuality is ”one of the biggest sins” in the Bible and said that he was ”offended” by gay and lesbian groups that compare their struggle for civil rights to the struggles of African-Americans.

”In the process of history, homosexuals have never been castrated,” as enslaved blacks were, he said. ”Millions of them never died. Homosexuality is a decision. It’s not a race.”

In his effort to promote racial harmony, the Packer player, who is black, said that each racial and ethnic group has its own ”gifts,” that, when taken together, form ”a complete image of God.”

But in describing those gifts, White said that blacks ”like to sing and dance,” while whites ”know how to tap into money.” He said that Hispanic people ”are gifted at family structure. You can see a Hispanic person and he can put 20 or 30 people in one home.”

Asians, he said, know how to ”turn a television into a watch.” American Indians, he said, ”have been very gifted” in ”spirituality.”

He also said that early Americans chose to enslave blacks, rather than Indians, ”because Indians knew the territory, and knew how to sneak up on people.”

Reggie White’s notorious March 1998 appearance before the Wisconsin State Assembly makes considerably more sense when placed inside the religious and racial journey that preceded it. The remarks were improvised and some of the racial examples were crude enough that White later expressed regret. Yet the underlying argument did not appear from nowhere. By 1998 White had spent almost two decades moving through Black evangelical churches, the Fellowship of Christian Athletes, inner-city ministries, interracial churches, the racial-reconciliation movement, charismatic Christianity, prophetic ministries and experiments in Black economic development. He had come to believe two things simultaneously: American racism was historical, institutional and spiritually destructive, and racial and ethnic differences had been deliberately created by God and carried distinctive gifts. The first conviction pushed him beyond the usual evangelical language of individual prejudice. The second supplied the framework that produced the stereotypes for which the speech became famous.

White’s religious formation began with his grandmother, Mildred Dodds, in Chattanooga. When White’s mother temporarily moved away after remarrying, Reggie and his older brother Julius stayed with their grandmother. White later remembered her religious commitment as the beginning of his own “spiritual awareness.” She walked several miles to church and brought the boys with her. According to White’s later account, she did not force religion on him. Her example attracted him to it.

The central religious mentor of White’s childhood was the Rev. Bernard Ferguson of Alton Park Bible Church. Ferguson was white and served a congregation that was overwhelmingly Black. White later called him “the greatest man of God I ever saw” and remembered that Ferguson had a gift for teaching children. “I always wanted to be a Christian, but I never knew how,” White recalled. Ferguson taught him that understanding came first. White described accepting Christ around thirteen and told his family while still a boy that he intended to become both a professional football player and a minister. White’s recollections of Ferguson suggest that his first important model of Christian leadership was already interracial: a white minister who made himself responsible for Black children in a Black neighborhood.

Alton Park was an independent evangelical Bible church. That distinction helps explain White’s later religious mobility. His deepest early identity was biblical and evangelical before it was strongly denominational. At seventeen he received a Baptist ministerial license through St. John’s Baptist Church after preaching a sermon on forgiveness before ministers. Later accounts often say that he was “ordained” at seventeen, though White himself generally said that he received his minister’s license. Either way, he entered adulthood carrying a recognized Baptist preaching identity while retaining the looser Bible-church formation of his childhood.

At the University of Tennessee, the Fellowship of Christian Athletes gave White a ready-made model for combining religion and sports. By his sophomore year in 1981 he was talking about becoming an evangelist. By his senior season the nickname “Minister of Defense” had attached itself to him. The FCA model was simple and powerful: athletic ability produced an audience, and the Christian athlete had an obligation to use that audience for evangelism. White would embrace that premise more completely than almost any American athlete of his generation.

During his twenties White preached wherever football took him. He treated his celebrity as a pulpit. Yet he later distinguished these years from a deeper religious change around 1987. In a 1989 interview with the Los Angeles Times, he said that although he had been licensed at seventeen, “the Lord changed my life” only two years earlier. He had previously imagined that he could enter “the world of sin,” return to God, ask forgiveness and repeat the cycle. He now believed Christianity required complete surrender.

The Philadelphia White consequently became pastoral inside professional football. By 1989 he had preached in more than one hundred churches. He conducted a weekly Bible study in his home and had baptized several teammates in his bathtub. He refused alcohol and tobacco advertising. He told the Times that the principal reason he played football was that football gave him a platform to preach the Gospel. This was the mature form of the FCA ideal: God had given White extraordinary athletic ability so that football could become an instrument of evangelism.

Philadelphia also broadened his understanding of ministry. One important figure was the former Eagles running back Herb Lusk, pastor of Greater Exodus Baptist Church in North Philadelphia. White, Randall Cunningham, Seth Joyner, Herschel Walker and other Eagles attended. Lusk built a church that combined evangelism with food distribution, employment assistance and neighborhood programs. White admired what he called Lusk’s “vision of life.” Lusk explained his approach simply: it was difficult to talk to people about Jesus when they were hungry, unemployed or desperate.

That premise became central to White’s racial thinking. Saving a young drug dealer’s soul accomplished little if the young man returned to a neighborhood in which legitimate employment remained unavailable. White became increasingly interested in credit, employment, business ownership and neighborhood institutions. Race was becoming an economic and institutional question as well as a question of prejudice and personal reconciliation.

The person who did the most to give this concern an elaborate theological framework appears to have been Rick Joyner. Joyner founded MorningStar Ministries, a charismatic and prophetic Christian organization that emphasized supernatural healing, prophecy, spiritual warfare, hearing God’s voice and interpreting contemporary events through biblical prophecy. White encountered Joyner around 1992 after players from the Washington Redskins gave him recordings of Joyner teaching about racism. White invited Joyner to speak at his church. Joyner stayed with Reggie and Sara White, and the two men began talking frequently by telephone.

Joyner later recalled that White seldom wanted to talk about football. He wanted to talk about Philadelphia, drugs, unemployment and Black young men whom White had helped convert but who could not find legitimate work. White became closely associated with MorningStar and eventually served on its board. Joyner also joined the board of White’s National Society of Nehemiah.

The National Society of Nehemiah, launched in the early 1990s, shows how far White had moved beyond conventional athlete evangelism. Named after the biblical leader who rebuilt Jerusalem’s walls, the organization was explicitly interdenominational and aimed to confront violence, drugs, racial conflict, economic deprivation and educational deprivation. It proposed local credit institutions, vocational education, alliances between churches and businesses, investment in local leaders and a system in which people who advanced economically would help someone behind them advance as well.

White’s analysis mixed religious conservatism, Black economic development and an increasingly structural account of racial inequality. He had little faith that government alone could repair urban communities, but he did not imagine that racism had disappeared. In In the Trenches, published in the 1990s, White argued that American law and institutions had historically been constructed against Black people. Historian Paul Emory Putz has drawn attention to passages in which White discussed the Constitution’s treatment of enslaved people, disproportionate imprisonment, police treatment of Black men, the suppression of Black history and the complicity of Christian churches in slavery. White wanted Christians to recognize both the church’s failures and its role in abolition.

His political categories consequently fit badly into a conventional left-right division. He advocated entrepreneurship, church responsibility and personal transformation. He also believed that past racial inequality continued to operate through present institutions. He could criticize government dependence in one paragraph and discriminatory policing in the next.

White’s association with Knoxville’s Inner City Church pushed these concerns further. The congregation was founded by brothers David and Jerry Upton and deliberately brought Black and white Christians together in a city where church life remained heavily segregated. Jerry Upton later remembered meeting White when White was still playing at Tennessee and drawing him into a Bible study. White became an associate pastor and major financial supporter of the church. According to the later ESPN and Andscape investigation “Through the Flames: Reggie’s Church,” Inner City also operated programs intended to help lower-income families purchase homes and start businesses.

On January 8, 1996, Inner City Church was destroyed by arson. Investigators found accelerants and incendiary devices. Racial slurs including “White Is Right” had been painted on the building. White immediately interpreted the attack as racist violence and used his enormous public platform to demand attention to the wave of church burnings occurring across the South. Contemporary reporting described the church as multiracial and recorded White’s anger that authorities appeared to be investigating church members and pastors while he believed white-supremacist organizations deserved greater scrutiny. “It’s time to stop sweeping this stuff under the rug,” he said.

There is an important qualification to the church-fire story. The arson was real and the racist graffiti was real, but the perpetrators and motive were never conclusively established. The later ESPN investigation reconstructed the federal inquiry and showed that investigators also considered people associated with the church. Nobody was charged with setting the fire. White died without learning who did it.

What matters for understanding White’s racial development is what the event meant to him. An intentionally interracial church to which he had attached his ministry had been destroyed amid racial threats. He connected the fire to the longer American history of violence against Black churches. During the following year he invoked the Birmingham church bombing, the treatment of Black Americans by law enforcement and the country’s recurrent failure, as he saw it, to remember racial violence. His religious language of reconciliation acquired a harder historical edge.

At the same time, White remained committed to interracial Christianity. When Wisconsin residents contributed heavily to rebuilding the church, White emphasized that most of the assistance had come from white donors and described it as “a step forward in defeating racism.” His racial worldview was never separatist. He wanted distinct groups to remain conscious of their histories while becoming parts of a functioning Christian community.

This brings us to the idea that made his 1998 Wisconsin speech so strange: different races possessed different gifts.

Here Rick Joyner and MorningStar matter enormously. In a MorningStar teaching issued before White’s Wisconsin speech, Joyner described racism as a spiritual battle and argued that America had an opportunity to demonstrate that different peoples could live together with dignity while “esteeming one another for the great gifts that every race brings to the whole of society.” The same document identified Reggie White as a MorningStar board member and predicted that he would become a major Christian voice against racism.

The resemblance to White’s later language is difficult to miss. There is no documentary evidence that White simply borrowed the Wisconsin passage from Joyner. There is strong evidence of transmission: White had sought out Joyner specifically because of his teachings about race, the two became close friends, White joined MorningStar’s board, Joyner participated in White’s social ministry, and MorningStar publicly taught that races contributed distinctive God-given gifts.

The underlying theology resembled a racialized version of the Pauline image of the church as one body with many members. Different individuals possess different spiritual gifts. No member is sufficient alone. White appears to have extended that logic to peoples and cultures. Human diversity had divine purpose. Each racial or ethnic group contributed capacities that others lacked. When combined, they displayed something closer to the fullness of God’s creation.

This theory was intended to attack racial hierarchy. No race could claim completeness or superiority. Everyone needed everyone else.

Meanwhile his social ministry had expanded into Wisconsin. In February 1997 Reggie and Sara White publicly announced an Urban Hope Project with Wisconsin governor Tommy Thompson. White’s programs focused heavily on minority entrepreneurship, business plans, access to capital and economic development. This background helps explain why, when White later described white people as gifted at organization, business and “tapping into money,” he reached instinctively for that example. He had spent years confronting the difficulty of directing capital into poor Black communities. A real institutional disparity became, in White’s theological vocabulary, evidence of a characteristic racial “gift.”

By March 25, 1998, all these strands had converged. White arrived at the Wisconsin State Assembly expecting to speak about community development and a recent visit to Israel. Instead he delivered an almost hour-long religious meditation on race, slavery, homosexuality and American society. Contemporary accounts record his argument that God had created racial difference intentionally and endowed different peoples with different abilities.

Blacks, he said, were gifted in worship and celebration. Whites excelled at organization, business and access to money. Hispanics possessed unusual strength in family structure. Asians were inventive. Native Americans possessed particular spirituality. Put the gifts together, he said, and they formed “a complete image of God.”

White thought he was making an anti-racist argument. The examples produced the opposite reaction in many listeners. Legislators heard familiar stereotypes presented as facts about racial groups. The objection went beyond etiquette. White had moved from the defensible proposition that cultures develop different traditions and institutional strengths to the much stronger claim that racial groups had been divinely “gifted” in characteristic ways.

White initially defended the theory. The next day he explained that he had generalized because Americans were unwilling to acknowledge that different cultures really were different. The purpose, he insisted, was cooperation: “If we came together it could benefit all our communities.”

Several days later he softened the defense. In a statement reported by CBS News, White acknowledged that his examples had been “clumsy and inappropriate” and asked forgiveness from anyone he had demeaned. He nevertheless retained the underlying theology. His conclusion remained that the combined characteristics of different peoples reflected “the full image of God.”

The racial remarks were one application of White’s worldview.

His comments about homosexuality came from another part of the same worldview. White understood Black racial identity as involuntary and attached to a distinctive history of enslavement, violence and legal discrimination. He understood homosexual conduct through his reading of Scripture as morally prohibited behavior. From those premises he rejected comparisons between the gay-rights movement and the Black civil-rights struggle. He regarded one as a struggle surrounding inherited racial status and the other as a dispute over conduct governed by biblical morality. His claim that homosexuality was simply a “decision” reflected his religious belief.

White’s MorningStar involvement immediately after the controversy demonstrates how embedded he was in charismatic Christianity at the time. He continued speaking at MorningStar conferences on prophecy, hearing God and spiritual warfare. Joyner’s theology interpreted racism as part of a larger supernatural struggle. White believed God communicated concrete instructions to people. He famously said that God had told him to sign with Green Bay. He attributed several recoveries from injury to divine healing. Even after the Wisconsin controversy, he spoke of his public ministry as something God had called him to continue.

The 1998 speech therefore came near the point of maximum certainty in White’s religious life. He believed Scripture gave definite moral answers. He believed God spoke into contemporary circumstances. He believed racism had spiritual causes. He believed racial differences served a providential purpose. He believed Christian churches should rebuild poor communities. And he believed an athlete whom God had given a public platform had a responsibility to proclaim these things without excessive concern for social approval.

Yet even then White was growing dissatisfied with the evangelical institutions around him.

One expression of that dissatisfaction was CAUSE, Christian Athletes United for Spiritual Empowerment. White helped establish the organization with players including Cris Carter and Hardy Nickerson, with Minnesota Vikings chaplain Keith Johnson playing an important role. White complained that Christian athletes could be exploited by ministries interested in their celebrity. CAUSE proposed athlete-to-athlete mentorship and greater accountability.

Race was part of the story. Historian Paul Emory Putz identifies Johnson as an important mentor to White and places CAUSE within dissatisfaction among Black athletes who believed Black leadership and contemporary racial problems received inadequate attention in established evangelical sports ministries. White described CAUSE in 1999 as consisting mainly of Black professional football players and said its goal included bringing spiritual renewal to Black Christians.

Keith Johnson eventually became the hinge between two different Reggie Whites.

Johnson was a United Methodist pastor who had served as a Minnesota Vikings chaplain. After becoming increasingly interested in the Hebrew foundations of Christianity, he developed a relationship with [Nehemia Gordon](https://www.nehemiaswall.com/proclaiming-gods-name-on-nashville-radio), a Karaite Jewish scholar and teacher of Biblical Hebrew. Gordon says explicitly that Johnson introduced him to Reggie White.

By then White’s confidence in his old religious world was collapsing.

After retiring from football in 2000, White began questioning the basic assumptions that had governed his public ministry. The change went much deeper than switching denominations. He began doubting his own method for deciding what God had said.

The clearest evidence comes from an extraordinary 2004 interview recorded shortly before his death. As Tom Krattenmaker reported in Salon, White looked back on twenty-one years of preaching and admitted that he had often preached what someone else had written or what he had heard another preacher say. He concluded that he had been more of a motivational speaker than a serious teacher of Scripture. He also felt that churches had used him because he was a famous football player. He described himself as having been “prostituted” by a religious culture that valued his celebrity.

More radically, White reconsidered claims of personal revelation. The younger White had confidently said that God told him to do particular things. The older White said that when he looked back, some things he had attributed to God had really been what Reggie White wanted. He became unwilling to say that God had spoken unless he could ground the conclusion in Scripture.

This amounted to a crisis of religious epistemology. White had relied on pastors, evangelical institutions, charismatic teachers, religious experience and his own sense of divine guidance. He increasingly distrusted all of them.

His answer was to go behind the interpreters to the text.

White began studying the Hebrew Bible and concluded that translations sometimes obscured or altered meaning. He traveled to Israel. Nehemia Gordon became his Hebrew teacher and showed White important Hebrew manuscripts, including the Aleppo Codex. Gordon recalls teaching him Biblical Hebrew regularly by telephone during the last part of White’s life. White explained his motivation in characteristically absolute terms: if he was going to find God, he had better find God for himself and investigate Scripture in its original language.

White also entered the broader Hebrew Roots and Torah-observant Christian world. His son Jeremy later told Sports Illustrated that the family increasingly called themselves “believers” rather than Christians. White stopped eating pork and stopped celebrating Christmas and Easter because he had concluded that these practices could not be justified from Scripture in the ways he had been taught. He withdrew from conventional church life and hosted a small Bible study at home.

This phase is sometimes described as Hebrew Israelism, but Jeremy White rejected that characterization. His father did explore whether biblical Israelite history might bear on Black ancestry, yet Jeremy said this was secondary to the larger religious inquiry. White did not teach that Black people alone were the chosen people and did not formally identify with a Hebrew Israelite organization. “Hebrew Roots Christian” or “Torah-observant Christian seeker” is closer, with the qualification that White died before his theology reached a settled form.

His relationship with MorningStar deteriorated over these new teachings. Rick Joyner later said that he believed White had become open to doctrines Joyner considered erroneous and eventually refused to let White teach some of them in MorningStar churches. The two men remained personally attached and reconciled before White’s death, but the disagreement marks the scale of White’s theological migration. The prophetic charismatic mentor who had helped shape White’s religious thinking in the 1990s could no longer accept portions of White’s theology a decade later.

White died on December 26, 2004, at forty-three, while this reconstruction was still underway. ESPN’s later documentary The Minister of Defense uses extensive footage from the 2004 interview filmed two months before his death. It captures a very different religious personality from the man who had spoken to the Wisconsin legislature six years earlier.

The continuity between those two Reggie Whites is as interesting as the change. White remained intensely serious about the proposition that religion had consequences. As a child, that seriousness meant following his grandmother to church and listening to Bernard Ferguson. As a teenager it meant preaching. At Tennessee and in professional football it meant turning athletic celebrity into evangelism. Under Herb Lusk and the Uptons it meant feeding people, financing businesses and rebuilding neighborhoods. Under Rick Joyner’s influence it meant interpreting racism as a spiritual conflict and racial diversity as part of God’s providential design. In CAUSE it meant creating institutions in which Black Christian athletes could exercise leadership. At the end of his life it meant doubting his own preaching, learning Hebrew and testing inherited teachings against the biblical text.

The principal figures in that journey consequently played different roles. Mildred Dodds supplied the example of lived religious devotion. Bernard Ferguson taught the boy White how Christianity could be understood and modeled interracial ministry. St. John’s Baptist Church gave the teenage preacher a Baptist ministerial identity. The Fellowship of Christian Athletes taught him to convert athletic celebrity into evangelism. Herb Lusk connected evangelism with economic and social ministry in Black neighborhoods. David and Jerry Upton and Inner City Church gave White an interracial congregation and a practical program of community lending and development. Rick Joyner and MorningStar supplied a charismatic theology of prophecy, spiritual warfare, race and distinctive group “gifts.” The National Society of Nehemiah and Urban Hope turned those ideas toward entrepreneurship, credit and neighborhood reconstruction. Keith Johnson and CAUSE pushed White toward Black-controlled Christian institutions and then toward the Hebrew foundations of Scripture. Nehemia Gordon finally became his Hebrew teacher and helped convince him that religious truth had to be tested against texts he could increasingly read for himself.

Seen in that sequence, the Wisconsin speech becomes more comprehensible. White was trying to reconcile several truths as he understood them: America contained a real history of racial oppression, cultures differed, every people possessed dignity, Christianity demanded racial reconciliation, economic inequality could not be solved by preaching alone, and God had intentionally created human diversity. His theory of complementary racial gifts supplied a way to hold these propositions together.

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What’s Going On With Sydney Shock Jock Kyle Sandilands?

Kyle Sandilands is going through an extraordinary combination of career upheaval, legal warfare and a health problem.

The biggest immediate news is his brain aneurysm. Sandilands disclosed in 2025 that doctors had found an aneurysm. In an episode of his new documentary series released last week, he showed himself returning for follow-up imaging after putting off the appointment. He says the aneurysm has grown from 4 mm to 5 mm. His doctors have apparently decided that operating now carries greater risk than continuing to monitor it, although Sandilands says surgery may eventually be necessary. He sounded unusually frightened about it and said he does not want to die.

At the same time, his radio career has undergone a remarkable rupture. On February 20, he had the now-famous on-air confrontation with Jackie “O” Henderson. He attacked her interest in astrology and called her “almost unworkable.” Henderson did not return to the show. Court documents say she had already complained to ARN about Sandilands’s conduct in August and September 2025. Her lawyers later alleged that repeated bullying had left her psychologically unwell. ARN treated Sandilands’s February conduct as serious misconduct, gave him 14 days to remedy the breach, and terminated him in March.

Both Sandilands and Henderson then sued ARN over the destruction of contracts reportedly worth $100 million each. Sandilands originally sought about $85 million. In June he settled for $12.09 million. The deal is more interesting than the headline figure. ARN also agreed to provide $1.5 million in advertising for his next venture. In return ARN gets 19.9 percent of revenue from that venture for three years, and Sandilands agreed temporarily to stay away from ARN’s direct competitors.

He then built his own subscription service, Kyle Sandilands Live, which launched August 10. It is basically an attempt to take breakfast radio off terrestrial radio and turn it into a paid audio-video membership product. The launch was technically awful. Audio disappeared, phones failed and one show had to be abandoned. But the business numbers appear much better than the technology. By mid-August reports put it at roughly 55,000 paying subscribers at $99 a year, implying about $5.4 million in annual subscription revenue before costs and revenue sharing.

That makes the story more interesting than “Kyle got cancelled.” He may accidentally have become an experiment in whether an enormous radio personality can take his audience with him and bypass a conventional network. The early evidence suggests that a substantial fraction of his audience will pay for him. He has begun talking about expanding the operation into a larger network and says he has offered Karl Stefanovic $2 million to do an afternoon show.

Jackie O’s side of the story is still live. She is pursuing at least $82 million from ARN, with a trial expected in October. Sandilands was subpoenaed earlier this month and ordered to produce material connected with that litigation. That puts him in the peculiar position of having settled with ARN while potentially becoming evidence in the lawsuit brought by the woman with whom he spent twenty-five years broadcasting.

And Sandilands has already recreated part of the old problem on his new show. Last week he became furious during an interview and verbally abused co-host Brooklyn Ross and contributor Mary Madigan. That matters because the independent platform removes much of the corporate supervision that restrained him at KIIS, while leaving the same workplace dynamics that helped destroy the Sandilands-Henderson partnership.

So as of September 14, the trajectory is weirdly double-sided. His conventional radio career blew up spectacularly and his relationship with Jackie O appears badly damaged. Yet he walked away with cash, launched a potentially viable direct-to-consumer business and retained a remarkably loyal audience. Meanwhile the aneurysm introduces a much more serious uncertainty than any of the media drama. It is probably the most consequential thing happening to him right now.

Henderson’s amended statement of claim says that on August 20, 2025, Sandilands attacked her dating life and psychological language on air. She told him he was pushing her too far and briefly left the studio. On September 10 they fought again, including an off-air confrontation. The following morning Henderson messaged KIIS boss Derek Bargwanna saying women listeners were describing their relationship as abusive and that senior management needed to address it. Bargwanna replied that he had already discussed the problem with senior executives. These remain allegations in Henderson’s case, although ARN admits much of the chronology.

There is an important piece of counterevidence for ARN. Its latest defence says that in December 2025 Henderson told Bargwanna that no further action was required concerning her September complaint. That could become significant at trial. ARN can argue that it believed the earlier problem had been resolved. Henderson can argue that management already knew there was a recurring Sandilands problem and failed to prevent another eruption.

Then came February 20. The pleadings give much more detail than most news stories. Sandilands told Henderson her astrology fixation made her “almost unworkable,” accused her of being unfocused and told her she was not doing her job properly. Henderson became visibly upset. ARN’s own defence says several employees immediately checked on her, senior executives told the show’s staff that Sandilands’s conduct was unacceptable workplace behaviour, and the chief content officer told Sandilands to contact Henderson about her wellbeing. According to ARN’s pleading, Sandilands said he would not call her but might text her.

That detail makes the subsequent legal problem easier to understand. Henderson’s lawyers told ARN she had suffered persistent bullying and “cannot continue to work with Mr Sandilands.” But they also said she was willing to continue performing her contract if ARN devised an alternative to the breakfast show. Henderson’s present case essentially says she exercised a workplace right by making a safety complaint and ARN unlawfully terminated her because of it. ARN’s position is that her letter amounted to a refusal to perform the job it had actually contracted her to perform. That distinction is likely to be central to the October trial.

There is another potentially explosive layer. Henderson alleges ARN’s public explanation to the ASX omitted material context about the bullying dispute. The current interlocutory fight has already reached internal corporate documents. Henderson sought board papers and communications concerning herself, Sandilands and the show from meetings in October and December 2025 and February and March 2026. Some categories have been agreed for discovery. That means the October case could expose what ARN’s board and senior management knew about the deteriorating partnership before the February explosion. The Federal Court has now created a public-interest online file for the cases and says hearings will be livestreamed.

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The Essay Maggie Haberman Will Not Write

What follows is imagined. Maggie Haberman has written none of these sentences. The episodes, publication dates, interviews and reporting practices underneath them are real. This is the accounting she might write if she treated access as an economic relationship and asked what each side received from it.

I told myself that access was how I extracted truth from Donald Trump.

I rarely asked how much Donald Trump extracted from my need for access.

Start with the defense, because it is strong. I was good at this. In 2016 my name appeared on 599 New York Times stories. By 2019 stories carrying my byline generated 2.2 percent of all article views on the Times website. Jonathan Swan later said that I was the best reporter on the Trump beat and that the distance between me and the competition was substantial. He described thinking he had found something new, then discovering I had already deposited the fact somewhere in paragraph twenty-four. That happened because I knew Trump before Washington learned how to pronounce Mar-a-Lago. I had covered New York politics and tabloids. I understood what he read, which names counted with him, and the peculiar places the New York Post and the New York Times occupied in his imagination. I could usually tell when a provocation was theater, when somebody was manipulating him and when a grievance that sounded ridiculous was about to become policy. Most important, people answered my calls. Trump did too.

He insulted me in public and kept talking to me in private. I once said the reason was obvious: “He wouldn’t talk to me as much as he does if I wasn’t at the Times.” He craved the paper’s approval. That sentence contains the transaction. The Times had something Trump wanted. Trump had something I wanted. During an interview at Mar-a-Lago for my book, he turned to two aides and said, “I love being with her; she’s like my psychiatrist.” He meant it as flattery. Enter it instead as a line item. It records what he received.

Journalism scholars have described this relationship for decades. Herbert Gans called it a dance in Deciding What’s News: the source gets amplification and some influence over the public agenda, the reporter gets information unavailable to outsiders. Oscar Gandy went further in Beyond Agenda Setting and called what sources provide an information subsidy. The subsidy lowers the reporter’s cost of production. Nothing subsidized is free.

The mistake would be imagining that a transaction requires a deal. Trump never had to say, “Write this nicely and I will call you tomorrow.” I never had to think, “I will soften this because I need him.” Economists call this a repeated game. Cooperation emerges without any agreement, sustained by the value of future rounds. Nobody shakes hands. The equilibrium does the work. A fact that produces one excellent story today can reduce the probability of receiving the next ten, and publication can frighten other sources watching how the first one gets treated. The reporter is maximizing accuracy, speed, importance, source protection, future information, competitive position and the public interest at once, and those variables do not always point in the same direction. I understood this by instinct because I had grown up in tabloid journalism, where sources called at midnight, lied about rivals, complained about headlines, rewarded reliability and punished betrayal. The sophistication of my source work became part of my reputation. It should also have become an object of my reporting.

Take July 2017. Trump invited Peter Baker, Michael Schmidt and me into the Oval Office, kept talking past his aides, and attacked his own attorney general, Jeff Sessions, for recusing himself from the Russia investigation. That was news. Access produced it. Nobody needed to leak the president’s thinking.

The president leaked himself.

Six months later, Michael Schmidt and I reported something more consequential: Trump had ordered the firing of special counsel Robert Mueller and backed down after White House counsel Don McGahn threatened to resign. The public learned something important about presidential behavior while the presidency was still underway. That belongs in the credit column, permanently. So the easy criticism fails. “Access makes reporters stenographers” is no more serious than saying confidential sources make journalism unreliable. Sometimes the reporter with the strongest relationships publishes the most damaging story. The harder question begins after conceding all of that: what else does the relationship produce?

Trump understood journalism too. He understood that the New York Times could confer something Fox News could not.

Legitimacy.

He could speak to his own supporters without me. Twitter existed. Fox existed. His rallies existed. The Times reached the people whose recognition he had wanted since his Manhattan real-estate years. I was at once an investigator and a distribution channel. That does not mean I transmitted what he wanted. It means he had reasons to keep using the channel even when he hated the output. So did I. He called me a terrible reporter and returned my calls. He attacked the Times as fake and read it. He complained that stories were fabricated and supplied material for the next story. I called it “chain-reactive Trump.” He would make an outrageous statement. We would cover it because a presidential candidate had said it. He would respond to the coverage with another statement that became another story. I understood the chain. I rarely had the option of stepping outside it.

This is where my critics make a category error. They imagine the solution was to stop covering him. He was a major-party nominee and then president. Ignoring him would also have been an editorial decision with consequences. The problem was allocation: is the outrageous sentence the story, or is the policy occurring underneath it the story? I now think the first Trump presidency taught the press to answer that badly. By his second presidency, I said journalists had become better at separating signal from noise, and I cited immigration as an area where early coverage of style had obscured what the administration was doing. That is an institutional confession hidden inside a media interview. Personality coverage had value, and my knowledge of his personality generated hundreds of scoops. The marginal Trump mood story could still have less public value than an immigration regulation. Access creates its own salience. The thing your best source tells you feels important because you possess it. The thing occurring inside an agency may count for more because nobody is calling you about it.

Then came the book. The criticism of Confidence Man was predictable: I had saved the good stuff. People pointed to my report that Trump told aides after losing the 2020 election, “I’m just not going to leave.” Those remarks became public in September 2022 as the book approached publication, and critics asked the obvious question: why were Americans learning this twenty-two months after the election? My answer was factual. I had not known it in November 2020. I learned it after Trump had left office, and it took time to confirm. You cannot publish a story before a source tells it to you.

And retrospective reporting changes what sources will say. Before my book leave, I saw a revelation in another Trump book that I wished the source had given us for a newspaper story, and I asked why the source told a book author and skipped a daily reporter. The answer was immediacy. People around Trump believed a Times article would be weaponized against them within hours, while a book revelation landing months later carried less danger. That observation deserves an economics paper. Books create a different market for disclosure. The reporter does not merely choose when to publish. The source chooses when to become willing to talk. Lower the immediacy of publication and the supply of candor increases. Some of the strongest retrospective revelations exist only because they are retrospective, so “Why didn’t you publish this at the time?” can contain an impossible counterfactual. At the time, the source might not have told me.

The book created the information it later appeared to withhold.

That is the defense. Now follow the implication. The source’s preference for delay means information often becomes cheapest after the democratic decision for which it would have been most valuable. An aide tells the truth after the election. A cabinet secretary becomes candid after resigning. An adviser describes the attempted abuse after the presidency. The reporter can behave impeccably and the public can still receive the fullest account too late. This is a structural failure rather than a personal scandal. The book economy rewards historical truth. Democratic accountability needs contemporaneous truth. Those markets clear at different times, and the gap between their clearing dates is where self-government pays the bill. There is a second way to say this. The newsroom’s disclosure norms govern the newspaper. The book contract governs the book. Moving material from one to the other is regulatory arbitrage, even when nobody intends arbitrage.

My own reporting gives us a natural experiment. Take the toilets. While reporting Confidence Man, I learned that White House residence staff had found wads of printed paper clogging toilets and believed Trump had flushed documents. I did not save it for publication day. I reported it in February 2022, roughly eight months before the book appeared, and when I obtained photographs, they were published in August, still before the book. That case weakens the claim that I stockpiled news to sell books. The accusation survived because people preferred the theory. The White House refusal is a different category: source latency. And some stories did remain in the book until publication, such as Trump telling John Kelly he wanted Ivanka Trump and Jared Kushner removed from the White House, almost by tweet. That anecdote had limited breaking-news value once everyone had left office and enormous biographical value. Books have architecture. Newspapers have urgency. The newspaper asks: what happened today? The biographer asks: what does this episode mean? A revelation that belongs inside a larger explanatory pattern can become more valuable when saved until the pattern exists. Again, nobody needs to behave corruptly. The institutional product changes the optimal publication date.

That is why the slogan “saving scoops for books” is analytically weak. The better question is whether the journalist has a disclosure rule: if information is verified, materially important to current public affairs and publishable without violating a source commitment, does it go into the newspaper? My conduct on the toilet story suggests my answer was yes. The audit should continue case by case. Do not infer motive from publication date. Reconstruct acquisition date, confirmation date, source restrictions and public relevance, then calculate delay. Do enough entries and we could replace an accusation with a dataset, and media criticism runs short of datasets.

Now return to access. The economist would call my source network an asset, and the asset appreciated as Trump rose. In 2015, covering him looked like the assignment nobody wanted. Then he won, and my accumulated knowledge acquired extraordinary market value. I did not want him to win. Specialization has returns anyway. A war correspondent becomes more valuable when war begins. No psychological corruption is required. The career incentive appears afterward. Once my comparative advantage became Trump, every continuation of the Trump story increased the value of the capital I had accumulated. That is true of many people who opposed him: journalists, strategists, pollsters, historians, lawyers, publishers. Trump became an industry, and I was among the people with the greatest Trump-specific human capital in the country. Does specialization affect perception? Of course it does. The person who knows a subject best sees details other people miss. She may also see the subject everywhere, and that risk runs highest when the subject manufactures attention. Trump knew conflict generates stories, a leak could punish an aide, a call could redirect a news cycle, a complaint could extend a story. I knew he knew these things.

Then I answered the phone.

Sometimes I extracted information. Sometimes he inserted information into the bloodstream through me. The same call can produce both. During his second presidency, asked whether my relationship with Trump had changed, I objected to the word “relationship.” I understand why. It implies friendship, loyalty or intimacy, and those implications are misleading. But a source-reporter relationship is an iterated exchange in which cooperation and conflict coexist. The source can attack the reporter Monday and call her Tuesday. The question is whether each party changes behavior because the other exists. Trump did. So did I.

That is a relationship.

The strongest evidence for my independence is also relational. Trump never froze me out for long, because he needed the channel. That gave me leverage. I could publish stories he hated because the expected future value of reaching the Times exceeded the immediate value of punishing me. That is the paradox. Access can compromise independence. Access can also finance independence. If the source needs you enough, you can afford to anger him. A reporter with weak bargaining power may soften coverage to preserve contact. A reporter with extraordinary bargaining power can publish aggressively because the source will return. Trump’s craving for Times attention increased my independence from Trump.

Then anonymity complicates the bargain. The Trump White House leaked all day. Officials leaked against rivals, to protect themselves, to steer him, to get colleagues fired. An anonymous source does not become pure because the resulting fact is true. Every leak has two informational components: the information, and that this particular person wanted me to know it. I was good at the first. The second belonged in the analysis more often. Suppose three aides tell me another aide has lost influence. Maybe he has. Maybe three rivals are trying to make it happen by getting it into the Times. Publication changes the underlying reality: Trump reads the story and begins wondering, other officials stop returning the aide’s calls, and the reporter has accurately described a factional perception and helped convert it into fact. Trump read stories about his own government as intelligence about his own government, so an aide who could not get through to him could sometimes get a message into the paper he would read. The journalist becomes part of the information system being reported.

The observer enters the experiment.

The solution cannot be abstinence. If I refuse the leak, somebody else may publish it. The better discipline is to ask what function the disclosure performs for the source. Why me? Why now? Who benefits if Trump reads this tomorrow morning?

Readers sometimes accused me of normalizing Trump because I described his behavior without adopting the moral tone they wanted. I rejected the underlying theory. After Confidence Man, I said some readers concluded that if the reporting was not defeating him politically, journalists must be doing something wrong. The expectation was unrealistic. A newspaper is not a political action committee. The Mueller firing story does not fail because Trump remained president. A fact is worth publishing because citizens should know it. That principle protects journalism from becoming propaganda. It also gives reporters a comforting definition of responsibility: I publish, and what happens next belongs to somebody else. The access economy complicates that innocence. My story can affect the subject. The subject can affect my next story. Sources can use my publication to fight each other. Readers can reward the paper for more Trump coverage, editors can observe the demand, and the next allocation decision arrives. No single person controls the system. Everyone participates in it. Trump wanted attention. Readers wanted Trump information. The Times wanted reporting readers considered valuable. I possessed the source network capable of producing it. This was an efficient market. Efficiency does not answer whether the equilibrium was socially optimal. We covered what millions wanted to know. Their wanting to know it increased the amount we covered. The amount we covered increased the amount there was to know. The chain reacted.

This is why Confidence Man was a better form for some of my reporting. The book escaped the hourly chain. I could begin in New York decades earlier and show that behavior Washington regarded as unprecedented had precedents in Trump’s business career, Roy Cohn, the tabloids, his family. One outrageous episode explains little. A forty-year pattern explains more. The book let me stop chasing Trump long enough to see Trump. Immediacy produces facts. Distance produces structure. We need both. The problem occurs when the structural account contains facts that would have altered public understanding while action was still possible.

There is another piece of evidence my critics should receive: the Mueller story. I had sources inside a presidency, and I used them to report, during that presidency, that the president had attempted to remove the official investigating him. If my operating rule had been “protect access above damaging disclosure,” that story should not exist. Neither should dozens of others. So the indictment has to shrink. Access did not make me Trump’s stenographer.

The harder criticism survives. Access made Donald Trump legible to me, and legibility can become centrality. The better I became at explaining him, the more valuable another Trump story became relative to a story outside my comparative advantage. The more people relied on me to interpret him, the more reason I had to remain inside his informational world. The system compounded. By 2022 CBS could call me his chronicler-in-chief. That title sounds like journalistic triumph.

It also describes dependency.

A chronicler needs the subject to continue supplying history. The subject benefits from having a chronicler. Everybody got something. Then Trump left office, and I kept reporting on him because he remained politically active, dominated his party and sought the presidency again. Defensible. It also meant the asset never matured into history. The source relationship remained live. In his second presidency the economics became harsher. Sources are more fearful, the administration more tightly controlled, fewer people willing to talk. Scarcity raises the value of access, so the discipline counts for more. The reporter who can still get the call possesses a rarer asset. She also has more to lose.

I know what my answer would be.

Publish.

The next call is never worth suppressing the current fact. I believe I lived by that rule. The rule needs a second line: do not allow the expected value of the next call to influence the threshold of the current story in ways you cannot see. That is harder. It asks for introspection about an incentive operating below the level of choice. Trump could attack me without ending the relationship, flatter me without making me trust him, offer access without obtaining favorable coverage. The leverage worked around the edges. His moods determined which sources called. His calls interrupted dinner. His presidency reorganized the newspaper. I did not need to like him. He occupied enormous space anyway.

The final accounting leaves most of my defense standing. Access journalism discovered real information. Repeated relationships let me report things casual visitors could not. I published damaging information while preserving access, and a major book discovery went into the newspaper eight months before publication. The criticism that survives is structural. Access is an exchange relationship. The source receives prestige, attention, a channel, the opportunity to frame, the ability to place an idea inside an institution he wants to influence. Sometimes the story destroys him. Sometimes he calls again anyway. The deeper question is what repeated access does to the reporter’s map of reality. The people who answer become visible. The people who do not answer become background. The person you understand best becomes the person you explain most. Then explanation becomes expertise, expertise becomes career capital, and career capital makes continued access more valuable.

Nothing corrupt has happened. The incentive has arrived.

This is why I would stop defending access journalism with the sentence “It’s how reporting works.” Of course it is. That is why it deserves examination. Markets work too. Then economists study their failures. The source-reporter relationship is one of journalism’s oldest markets: information exchanged for attention under unequal power, incomplete information, repeated interaction and strategic behavior. The journalist’s professional ethic operates as the regulatory regime. Sometimes regulation works. Sometimes the market produces too much of what everybody in it wants.

I told myself that access was how I extracted truth from Donald Trump. That was true. Donald Trump extracted attention, legitimacy, information and sometimes leverage from his access to me. That was true too. The relationship worked because neither truth cancelled the other.

I would still answer the phone.

I would just put the call on both sides of the ledger.

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NYT: ‘Top A.I. Leaders Call for Slowing Down A.I. Development’

The New York Times reports:

Dario Amodei, the chief executive of Anthropic, called for a global slowdown of artificial intelligence development in a 3,800-word essay on Saturday, just days after one of the company’s employees quit over concerns about the safety of the technology.

Top executives of other major A.I. companies quickly signed on to the effort. Sam Altman, the chief executive of OpenAI; Elon Musk, whose SpaceX rocket company has been ramping up spending on A.I.; and Demis Hassabis, the chair of Google DeepMind, wrote in social media posts that they agreed on the need for a slower pace.

On the face of it, I find this inexplicable. I do not buy the anti-AI hype. If the US does not lead in AI, China will. This sounds like unilateral surrender. I think it is a terrible idea. At the same time, the leaders of American AI are smart people. What would be self-interested reasons for them to do this?

The strongest self-interested case is regulatory capture. A company that leads the field wants rules written around its own practices. If it calls for a licensing regime, compute thresholds, or mandatory safety evaluations, the rules that result will look like what it already does, and every smaller rival or open-source project will have to buy its way in. The cost of compliance falls hardest on those without a hundred lawyers and a government affairs office. Leaders who ask to be regulated ask to have the ladder pulled up behind them.

A second reason is time. If you have the best model and the most compute, a pause freezes the standings while you keep training in private, keep hiring, and keep raising money. The letter that asks everyone to stop for six months costs the leader nothing and costs the chaser six months.

A third is liability. Saying in public that the technology might be dangerous creates a record. When something goes wrong, the executive can point to the warnings and say he told everyone. This works as insurance against lawsuits, congressional hearings, and the retrospective judgment that he was reckless.

A fourth is valuation. Danger implies power. A product that might end the world is a product worth trillions. Warnings about superintelligence do the marketing that a press release could never do, and they do it in the voice of the sober scientist rather than the salesman. Investors, recruits, and reporters hear “this could be catastrophic” and understand “this is the most important thing on earth.”

A fifth is control of the story. The man who defines the risk defines the solution. If the danger is rogue superintelligence, the answer is a few careful labs with government backing. If the danger were concentration of power, surveillance, labor displacement, or copyright theft, the answer would be antitrust and litigation, which the labs do not want. Calling for a slowdown on existential grounds moves the conversation to the one frame where the incumbent is the hero.

A sixth is talent and morale. Many of the best researchers believe the risks are real. A leader who speaks their language keeps them from leaving for a rival or a nonprofit. A founder who says “we are the responsible ones” can pay in mission instead of cash.

A seventh is the government relationship. Nations now treat frontier AI as strategic. A company that presents itself as the safe steward gets defense contracts, export-control carve-outs, and a seat at the table when the state decides who may build what. The slowdown rhetoric and the national-security rhetoric come from the same mouths for the same reason.

None of this shows the warnings are insincere. A man can believe the risk and profit from saying so. The test is behavior. Watch whether a leader who calls for a pause pauses, whether he supports rules that would bind him at his own size, and whether he defines the danger in ways that would cost him if taken seriously. Most do none of the three.

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The Essay Jeffrey Goldberg Cannot Write

What follows is imagined. Every quotation, link, and number in it is real, drawn from his record and the public literature, but the essay is a counterfactual: the accounting he would publish if no masthead, owner, or source were reading, written in his voice as this series has mapped it. He has written none of these sentences. That is the point.

I was wrong about Iraq. That sentence costs nothing now, and I have paid it several times. The sentence that costs something is this one: I was wrong in a way my profession rewarded, and the reward is the thing I have never accounted for.

Start with what was true, because it is why anyone believed the rest. In March 2002 I published “The Great Terror” in The New Yorker. Halabja happened. Anfal happened. Saddam gassed Kurds by the thousands and I stood in the places where he did it and talked to the people who lived. Nothing found after the invasion made him less of a murderer. Then I went farther. Kurdish intelligence brought me prisoners. One said he had run weapons for al Qaeda from Iraq toward Afghanistan. Another described an Iraqi intelligence officer with a hand in Ansar al-Islam, the jihadist group in the northern hills. I wrote that the Kurds had every reason to want Washington to see Saddam and bin Laden in one frame. I said I was wary. Then I built the story anyway, because a caveat in paragraph forty does not undo a headline, and I knew that when I wrote the caveat. Six days later Dick Cheney called the piece devastating on Meet the Press. A magazine story had become an exhibit. In the Slate debate that fall I wrote that Saddam was the first ruler since Hitler to commit chemical genocide and that this was reason enough to remove him if never again was to mean never again. I was not dragged into the war by politicians. I supplied them a moral argument they could not have written.

Then the scoreboard came in. The Iraq Survey Group found no stockpiles. The 9/11 Commission found contacts between Iraq and al Qaeda and no collaborative operational relationship. The Senate Intelligence Committee’s postwar review found that Saddam distrusted al Qaeda, refused its requests for help, and regarded Ansar al-Islam as a threat to his regime. Read that last clause against my story. A substantial part of what I published rested on allegations that Saddam had a hand in Ansar. The captured documents showed he was trying to kill it. A British reporter later went back to the prison and found my weapons smuggler’s account coming apart under ordinary questions. The Kurds had handed me a man who told me what my sources wanted me to hear, and I had reported his answers as the interior of the regime.

I did publish an accounting. In 2008, for the fifth anniversary, Slate asked the liberal hawks how they got it wrong, and I wrote that I trusted the Germans, one German in particular, the chief of the BND, who had told me Saddam’s nuclear program was an immediate threat. I wrote that I did not realize how incompetent the Bush administration could be, and that the mess was almost entirely preventable. Every word of that is true, and read together it is an escape hatch. Blame a foreign intelligence chief, blame Rumsfeld, blame the occupation, and the idea underneath, that a frightening enough threat justifies preventive war, walks out intact for the next frightening threat. I did not write about the prisoner. I did not write about what it means to take a source from an interested intelligence service and print him. I wrote about execution because execution is a criticism that leaves the reporter’s method standing.

The method is access. The word is used as an accusation and it is also a technology. Access is how a reader learns what a president fears rather than what his press secretary says he fears. I built a career on becoming someone powerful people would talk to for a long time, and the trade was never crude. I take people seriously. I learn their vocabulary and their constraints. I give the argument room to make sense before I judge it. Powerful people like being understood, and being understood feels to them like fairness, and fairness produces the next interview. That is the machine. It produced the best work of my life and it produced Iraq, and I have never run the two through the same audit.

Run it on Iran. In 2010 I interviewed more than forty Israeli, American, and Arab officials for “The Point of No Return” and concluded there was a better than fifty percent chance Israel would strike Iran’s nuclear sites by the following July. It did not. Forty sources sounds like a sample. It was forty observations drawn from one strategic ecosystem in which every official talking to me was also an actor: warning Tehran, pressuring Washington, strengthening his faction at home, and believing every word while he did it. I thought I was measuring the probability of war. I was measuring the intensity with which Israeli officials wanted two governments to believe war was possible. Israel struck in June 2025 and the United States hit Fordow, Natanz, and Isfahan a week later, and a Washington habit says that vindicates the 2010 piece. It does not. “Israel may one day strike Iran” was prescient. “Better than even by next July” was wrong, and the calendar is the only thing that keeps a threat forecast falsifiable. Iraq should have taught me to publish the scoreboard beside the story: the prediction, the date, the outcome, and next to each quote the interest of the man who gave it.

The Obama piece was the one where I came closest. He talked to me for “The Obama Doctrine” because he knew I understood the foreign-policy establishment he was resisting, and I let him make the strongest case for restraint anyone had let him make: the Middle East consumed attention out of proportion to its value, American fixes made things worse, the Washington playbook equated force with seriousness. I understood him. Then listen to my questions. Weren’t you too cautious. What about credibility. What about the red line. What about the allies who think we withdrew. Action needed an argument; inaction needed a defense. I had revised my conclusions since 2002. I had not revised the prior.

Here is the prior, in the terms a social scientist would use. In 2002 there were two possible errors. Say Saddam probably has no usable stockpiles and probably will not hand them to terrorists, and be wrong, and people die. Say he may have terrible weapons and may give them away, and be wrong, and a threat was overstated. Inside the moral economy of national security those two errors are not weighed equally. The hawkish error presents as prudence. The dovish error presents as negligence. Serious people know there are monsters; serious people listen to generals; serious people understand that presidents know things citizens do not. None of those propositions is false. The trouble is that they form a status system, and in the status system some errors make you look naive and others make you look responsible, and I chose the responsible errors every time. My career is the evidence. Iraq did not disqualify me from interpreting the next threat. It qualified me. I became the man who had seen American power go wrong, which gave me more standing to judge when it should be used again. Failure became expertise, and I moved from The New Yorker to The Atlantic and then to its editor’s chair and then to the moderator’s chair on Washington Week, and no one in that sequence ever asked me to show my ledger.

Trump is the evidence for the defense, and it should be entered. In September 2020 I reported, on anonymous sources, that he had called dead Americans suckers and losers. He denied it and his people disputed it, and in October 2023 John Kelly went on the record with CNN and confirmed the substance. Access produced truth. Anonymous officials produced truth. The machine works. The mistake is inheriting that vindication across stories. Sources can be right about Trump’s contempt and wrong about Saddam’s reactor. Generals can have honorable motives and institutional interests in the same sentence. “Jeffrey Goldberg has four sources” carries two pieces of information, the number four and the name, and I spent thirty years building the second so readers would stop checking the first.

Then, in March 2025, the strangest story of my life removed me from the equation. Michael Waltz added me to a Signal group where the Vice President, the Secretary of Defense, and the Director of National Intelligence discussed imminent strikes on the Houthis. I thought it was a hoax until the strikes happened on schedule. No one had cultivated me. No one was selling me anything. No senior official familiar with the matter characterized a meeting; the meeting was on my phone. It was access purified of relationship, and it was the best-sourced story I have ever published, and it needed none of the qualities that made me Jeffrey Goldberg. Any competent reporter added to that chat could have established what I established. The authority came from the document. I should have wanted more of that all along: documents, recorded statements, named sources, predictions with dates, people who pay for policy instead of people who design it. Iraq had the opposite structure. The confident interpretation came from sources with stakes, the uncertainty came from me, and the headline made the uncertainty disappear.

Israel is the hardest case because I cannot stand outside it. I moved there as a young man, served in the army, guarded Palestinian prisoners at Ketziot during the first intifada, became friends with one of them, and wrote Prisoners about it. Israel entered my identity before it entered my journalism. That gave me something real: I understand Israeli fear from inside, I know why Iranian threats do not sound theoretical in Jerusalem, I knew what October 7 meant before the American press had the vocabulary. Biography also fixes the prior. My work asks how Israel can stay secure, Jewish, democratic, and defensible. A reporter starting elsewhere asks who holds coercive power over whom, and what permanent military rule does to the ruled, and which arrangements became unthinkable because the state named them existential. Starting points determine which facts look like emergencies. I became one of Netanyahu’s harshest critics in American print, and the journalist’s favorite proof of independence is the list of people on his own side he has criticized. The harder test is whether he can ask the question his side calls illegitimate. I have not. Someone who rejects my premise will read my fiercest Netanyahu piece as an argument conducted inside the walls, and he will have identified the walls.

What survives, because a correction that burns everything is just the 2002 reflex pointed the other way. Going to Kurdistan survives; the massacres were real and needed a witness. Access survives as a way to learn what power believes; it fails as a way to learn what is true. The Obama interviews survive. The Kelly confirmation survives. The Signal judgment survives; I left the chat when I understood what it was and published only what the administration’s denials made necessary, and most press critics thought that sound. What does not survive is the inference I kept making from 2002 to 2010: that forty frightened officials constitute evidence about the world rather than evidence about forty officials. And a later scoop does not pay off an earlier factual debt. That is another Washington habit. The debt stands on its own line.

I know what publishing this costs. I edit a magazine whose owner bought it on the strength of the reputation this essay audits, and I moderate a program whose premise is that the people who have been in the room can tell you what happened there. The friends I made in those rooms will read this as ingratitude. They learned over twenty years what kind of argument I find morally serious: genocide, terrorism, a nuclear program, an ally abandoned. They learned that I know the analogies, Munich and Rwanda and Bosnia and September 11. Every national-security reporter carries an archive of catastrophes caused by acting too late. We keep a thinner one of catastrophes caused by acting too early, and Iraq is in it now, and mine is still thinner than it should be.

I did not stop being the journalist who was wrong about Iraq. I stopped believing several things he believed. I did not stop believing that the most revealing place to stand is beside the people making the decision, and I did not build the ledger that would have told me how often standing there made me wrong. Get close enough to power to learn what it knows. Stay far enough away to remember it may be wrong. And when the man in the room tells you the world is about to end, write down the date.

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The Essay Robert Kagan Cannot Write

What follows is imagined. Robert Kagan has written none of these sentences. Every quotation, link, and number underneath them is real, drawn from his record and the public literature. This is the accounting he might publish if he subjected the American foreign-policy community to the same anthropology he has spent his career applying to nationalism, authoritarianism, and the enemies of liberal order.

I spent my career warning that tribal nationalism threatens universal liberal order. I never subjected my own foreign-policy community to the same anthropology. That sentence sounds like John Mearsheimer, so begin with him.

Mearsheimer’s argument against people like me is deeper than “Iraq was a mistake” or “NATO expansion provoked Russia.” In The Great Delusion, he argues that liberal hegemony contains a category error. Liberal states take principles developed inside their own societies, universal individual rights, democracy, open markets, international institutions, and conclude that other nations naturally want to organize themselves around the same principles. Then nationalism and balance-of-power politics return and remind the liberal hegemon that other societies possess histories, identities and security interests of their own. I have spent much of my career arguing that this realism is too cramped. Maybe the first question should have been whether it was also anthropology.

Mearsheimer writes that reason is the least important of the ways we form our preferences, weaker than socialization, because a man passes a long childhood under the value infusion of his family and society before his critical faculties mature, and by the time he can think for himself the work is done. I am good evidence for that claim. My father was Donald Kagan. He taught the Peloponnesian War at Yale for forty years, and he taught it at our table first. From him I absorbed the tragic view of politics before I could test it: power recurs, democracies tire, peace is an interval, the strong do what they can. I did not reason my way to those conclusions. I inherited them, and then I spent four decades supplying the reasons. By Mearsheimer’s account, that is the normal human sequence. The commitments arrive first, by blood and upbringing. The arguments come after, as defense rather than discovery.

I grew up inside an American national-security world. I entered government at twenty-five. I wrote about strategy, worked at think tanks, edited and wrote for magazines whose readers included the people making policy, and advised presidential candidates. My intellectual community moved among administrations, foundations, universities, journals and conferences. We argued ferociously with one another while sharing a remarkable number of premises about what America was, what history had taught and what responsible people were supposed to worry about. We did not experience those premises as tribal. We experienced them as reality.

That is how tribes work.

Start with the cases that went well, because otherwise this exercise is rigged. Bosnia belongs in my credit column. By the mid-1990s European diplomacy and United Nations peacekeeping had failed to end a war marked by ethnic cleansing and mass killing, and Srebrenica happened under the eyes of peacekeepers. NATO air operations against Bosnian Serb positions in 1995 helped alter the military balance and were an important factor leading to the Dayton settlement. NATO then enforced the agreement and maintained a secure environment for reconstruction. American power mattered, and there is no elegant realist sentence that makes that fact disappear. People were being killed. The balance of forces had produced slaughter. American and NATO coercion helped end the war.

Between Bosnia and the next war, Bill Kristol and I named the doctrine. In 1996 we published “Toward a Neo-Reaganite Foreign Policy” in Foreign Affairs and called for “benevolent global hegemony.” Read that phrase the way an anthropologist reads a tribe’s name for itself. We named our own dominance and chose the adjective. No hegemon in history has chosen a different one.

Kosovo gave me another reason to believe the lesson generalized. In 1999 Bill and I demanded that NATO defeat Slobodan Milosevic rather than accept ethnic cleansing in Kosovo. We wanted ground troops if necessary, and we wrote that ground forces would “eventually” be necessary because the air war could not accomplish NATO’s objectives. They were not. After seventy-eight days of bombing, Yugoslav forces withdrew from Kosovo and NATO suspended the campaign, and refugees returned under international protection. Score the principle separately from the operational forecast. Intervention helped achieve the political objective. My certainty about how it would have to be achieved was misplaced. That distinction will become familiar.

Bosnia and Kosovo taught my generation something real and something dangerous. The real lesson was that American power could sometimes stop horrors that diplomacy alone had failed to stop. The dangerous lesson was that people who warned against intervention had just been demonstrated to possess a general theory of cowardice. Once you have watched “restraint” coexist with Srebrenica, restraint becomes morally stained. Once American force helps produce Dayton, American force becomes associated with moral seriousness.

Then Iraq appears.

In January 2002 Bill and I wrote that for the war on terrorism to succeed Saddam Hussein had to be removed. Not contained. Removed. Our argument had several layers. Saddam had invaded his neighbors, used chemical weapons, pursued weapons of mass destruction, defied international obligations, and ruled through terror. September 11 had changed the tolerance Americans could rationally have for threats that might mature before we acted.

Honesty requires an earlier date. In January 1998 I signed a letter to President Clinton from the Project for the New American Century, alongside Rumsfeld, Wolfowitz, Bolton, Perle and a dozen others, urging a strategy that would “aim, above all, at the removal of Saddam Hussein’s regime from power.” Three years before the towers fell, my conclusion was complete. September 11 did not produce my argument. It produced my audience. That sequence deserves a name: when the recommendation stays fixed while the justifications rotate, the recommendation is coming from somewhere other than the justifications.

Then the central empirical premise failed. The stockpiles were not there. What did I do? I defended the model. In October 2003 Bill and I wrote that the case for war would have been “rock solid” even if there had never been a CIA, relying on Saddam’s history, the unresolved weapons questions and the larger strategic argument. In February 2004, after David Kay said the expected stockpiles had not been found, we again argued that the war remained right because the case had always been broader than WMD.

That sentence should bother me more than it has. “The case was always broader.” Every grand theory’s survival kit contains that phrase. One premise fails and the theory widens. Saddam’s tyranny remains. His past aggression remains. The possibility of future weapons remains. The democratic transformation of the Middle East becomes more important, and the failure of one rationale proves only that we should look at the others. This is how an argument becomes difficult to falsify.

We were not merely defending the original decision. We were still forecasting success. In September 2003 I wrote that success in Iraq remained within reach if the United States committed sufficient money, civilians, troops and political attention. In March 2004 Bill and I wrote that Iraqis had made “enormous strides” toward liberal democracy. In late 2005 we celebrated the high-turnout Iraqi election against critics we thought were determined to minimize good news.

Some of those observations were true. Iraq did hold competitive elections. Saddam was gone. Millions of Iraqis did risk their lives to vote, and the country did develop political institutions more pluralistic than Saddam’s dictatorship. We sold a different outcome. Hundreds of thousands of Iraqis died through war and subsequent violence. Sectarian conflict exploded. Millions were displaced. Iran gained enormous influence. Al Qaeda in Iraq emerged from the conflict and became an ancestor of ISIS, and the United States spent years and immense resources attempting to stabilize a country whose political order it had destroyed.

My theory had expected the removal of tyranny to create an opening for liberal politics. It underestimated what Mearsheimer would have told me to put nearer the center of the model: nationalism, sect, state collapse, foreign occupation, local legitimacy, and the inability of outsiders to manufacture political order merely by removing the regime obstructing it.

I did eventually become furious at the Bush administration’s execution of the war. Too few troops, too few civilians, too little planning, too little commitment. Those criticisms were justified, and in April 2004 I argued that the administration had failed to produce a military and political strategy adequate to the mission. But execution became my escape hatch. If only we had committed enough. If only the occupation had been competent. If only Washington had understood the size of the task. Those counterfactuals may be true. They also preserve the theory by locating the failure one level below it. Perhaps liberal democracy could have been implanted; we simply implanted it badly.

I should have entertained the harsher possibility. Maybe the difficulty was the information. Maybe Americans did not know enough to reorder Iraq. Maybe no plausible occupation could confidently predict the political consequences of smashing an existing state, and maybe a project requiring extraordinary foresight, competence, legitimacy, patience and domestic support should be judged partly by the probability that those conditions will exist. “It could have worked under better management” is not necessarily a defense of a policy. Sometimes it is evidence against choosing policies that require better management than governments usually possess.

Then came the Arab Spring, and again I saw universal aspirations. In 2011 Michele Dunne and I urged the United States to support a genuine democratic transition in Egypt rather than preserve the old regime under another name. We regarded the uprising as an opportunity for Egyptians to claim political rights Americans said they believed were universal. I said something more expansive that year. I believed the region’s old dictatorships were ultimately going to fall, that Islamists would win elections, and that Islam could make its peace with democracy.

There was something admirable in that argument. Washington had spent decades claiming to support democracy while cooperating with Arab autocrats, and we were finally being forced to decide whether universal rights meant anything when voters might elect people we disliked. I chose the universal principle. Then Egypt supplied the local history. Mohamed Morsi won the presidency. His government alienated large parts of Egyptian society. Mass protests returned, and in 2013 the military removed him. Abdel Fattah al-Sisi eventually consolidated a more authoritarian system than the transition had been intended to replace.

Again the aspiration was real, and again the institutional pathway was weaker than I assumed. My liberal universalism knew that Egyptians wanted dignity, participation and accountable government. It knew less about the Egyptian military, the Muslim Brotherhood, institutional distrust, constitutional bargaining, state capacity and the distribution of organized force. Those were not footnotes. They decided the outcome.

Libya belongs in the same ledger, and it is the entry that hurts, because by then the experiment had already run once. In March 2011 I signed a letter urging President Obama to impose a no-fly zone over Libya, recognize the rebel council, and explore targeted strikes against Qaddafi’s assets. Obama acted, NATO flew, and Qaddafi fell in October and died in a drainage pipe. Then the state dissolved. Militias partitioned the country. A second civil war followed, and by 2017 reporters were filming open-air slave auctions outside Tripoli. Iraq had taught the lesson eight years earlier: removing the regime removes the state, and what fills the space answers to local force. I signed anyway. Do it once and the failure can be execution. Do it twice and the failure is the model.

Now Russia. Here my record improves. Long before the 2014 seizure of Crimea and the 2022 full-scale invasion of Ukraine, I argued that the optimistic post-Cold War theory was failing. In 2007 I wrote about the return of authoritarian great powers. Russia and China showed that capitalism did not inevitably produce Western-style liberal democracy, and that powerful authoritarian states could remain integrated into the global economy while resisting the liberal political model and supporting alternatives to it.

That argument aged better than the end-of-history optimism I was attacking. Russia did become more authoritarian. It did use military force in Georgia, seize Crimea, intervene in Ukraine’s east, and launch a full-scale invasion in 2022. China did not democratize as it grew wealthier, and the geopolitical competition between major authoritarian powers and liberal democracies became harder to dismiss. When I titled a book The Return of History and the End of Dreams, I was identifying something real. Power politics had not disappeared. Ideology had not disappeared. National rivalry had not disappeared. The apparent universal convergence of the 1990s was an interval.

Give me that one. Then ask the Mearsheimer question. What caused what?

I supported NATO enlargement. In 1997 I argued that the United States should maintain enough military strength to honor the security guarantees it was about to extend to Poland, the Czech Republic and Hungary. Those states joined, and others followed. There is a powerful case that enlargement worked. Poland, Czechia and Hungary became members in 1999, and the Baltic states later joined. These countries were incorporated into an alliance whose central promise is collective defense. Russia invaded non-NATO Georgia in 2008 and non-NATO Ukraine in 2014 and 2022. It has not launched the same kind of conventional invasion against Poland, Estonia, Latvia or Lithuania, and NATO has since reinforced precisely those eastern members.

If you are Polish, that comparison is not theoretical. The people living between Germany and Russia possess their own historical memory. Realists sometimes discuss NATO enlargement as though Eastern Europeans were pieces moved by Washington across a chessboard. They wanted in. They had reasons. Poland’s leaders regarded membership as a way to escape centuries of strategic vulnerability, and universalism did not invent their fear of Russia.

Then comes the part my own framework handles badly. Russian leaders also had perceptions. They repeatedly described NATO’s eastward movement as threatening. The 2008 Bucharest declaration said Ukraine and Georgia “will become members” even though neither received a formal membership plan. Putin publicly treated possible membership for both as a red line, and months later Russia fought Georgia.

I usually processed that sequence in one direction. Russia opposed NATO enlargement because Russia wanted a sphere of influence over its neighbors, and the aggression therefore vindicated enlargement. That may be substantially right. It is incomplete causal reasoning. An alliance can be defensive in the intentions of its members and threatening in the perception of a state outside it. The outside state can be aggressive and still react to the alliance. Its reaction can then convince the alliance that expansion was necessary, the alliance expands again, the outside state sees confirmation of encirclement, and both sides obtain evidence for their prior. International relations scholars have a name for this problem. The security dilemma. I knew the term. I rarely let it do much work in my story.

Mearsheimer’s version can become monocausal too. Explaining Russian conduct through NATO expansion can underweight Putin’s authoritarian politics, Russian imperial history, Ukraine’s independent agency and Moscow’s resistance to neighboring democracies escaping its control. My version had the opposite bias. I treated Russian reaction as evidence about Russia. I was less willing to treat it as evidence about us.

That asymmetry becomes clearer in my description of the liberal order. For years critics accused people like me of disguising American empire in universal language. Eventually I stopped disguising much of it. In 2018 I defended the postwar liberal order by saying explicitly that it rested on American hegemony. I acknowledged that the United States sometimes violated the rules it claimed to uphold, intervened without United Nations authorization, and maintained a double standard. I even wrote that while the liberal order rejected spheres of influence, there was one exception: the United States, which effectively treated the world as its own sphere of interest.

Read anthropologically, that is an extraordinary paragraph. Russia thinks Ukraine belongs inside a privileged security sphere, and I call that imperialism. The United States treats Europe, East Asia, the Persian Gulf and the global trading system as matters of legitimate American strategic concern, and I call that world order.

There are powerful reasons to distinguish the two. American hegemony after 1945 helped produce stable alliances among countries that voluntarily remained inside them. Germany and Japan became prosperous democracies rather than revanchist military powers. Western Europe experienced an unprecedented period of peace among its great powers. NATO expanded partly because states asked to join it. The Soviet bloc had to use force to prevent defections; the American-led bloc generally did not. Those differences matter.

The anthropological correction is that every hegemon has a vocabulary in which its preferences become order. Russia has one. China has one. We have one. Ours includes rules, openness, democratic choice and universal rights. Those principles may be better. Their moral quality does not make them culturally unlocated. They came through a history. They have institutions, a capital city, a professional class, budgets, and aircraft carriers. I spent decades attacking nationalists for mistaking the preferences of their tribe for universal necessity. Washington was the tribe whose universal necessity I wrote.

In 2014 I made the whole case one more time, at length, in an essay called “Superpowers Don’t Get to Retire.” I argued that the breakdown of order was a failure of American will, a problem of identity and purpose rather than capability. President Obama, whose caution that essay criticized, invited me to the White House to “compare world views.” Sit with that fact. The administration I was attacking read my attack and set a place for me. That is what dissent looks like inside my community. It is a seating arrangement. The argument between engagement and more engagement runs across the president’s table, while the argument for less waits outside the building.

This brings me to Trump.

In May 2016 I wrote “This Is How Fascism Comes to America.” I argued that fascism would arrive “not with jackboots and salutes” but with a television huckster tapping popular resentments while an entire political party fell into line behind him. I warned that the Republican Party believed it could domesticate him and that the movement’s allegiance increasingly ran to the leader rather than the party.

Some of that diagnosis deserves to remain. Trump did become president. After losing the 2020 election, he attempted to overturn the result. Republican elites who had once opposed him largely accommodated themselves to his leadership, and he returned to office in 2025. The personalist element I identified was not invented.

Then I repeated my characteristic mistake. I moved from structural warning to maximal prediction. In November 2023 I wrote that a Trump dictatorship was becoming “increasingly inevitable.” I described federal bureaucracy, law enforcement, political retaliation, congressional weakness and personal loyalty as the machinery through which a second Trump administration could erode liberal constraints.

By September 2026 parts of that machinery have recognizable empirical counterparts. The Justice Department has pursued investigations and cases involving prominent Trump critics, some of which have been dismissed or have failed in court. Internal Justice Department watchdog capacity has diminished. The administration introduced a civil-service application question asking applicants how they would advance presidential policies, which a federal judge blocked in September 2026 as improperly politicizing merit hiring.

Other parts of my prediction require more humility. Federal courts are still blocking executive actions. Grand juries have declined indictments sought by prosecutors. Judges have dismissed cases, and the November 2026 congressional elections are proceeding. Those facts do not refute warnings about erosion of institutional restraints. They do refute any temptation to describe the institutional outcome as predetermined. I inserted that caveat into my 2023 essay. I said nothing in history is inevitable. Then I put “increasingly inevitable” in the headline. That is my recurring rhetorical pattern. The qualification is in the model. The certainty is in the prose.

In October 2024 the pattern acquired a coda. Within minutes of learning that the owner of The Washington Post had blocked the editorial board’s planned endorsement of Kamala Harris, I resigned as editor at large, calling the decision a premature capitulation to Trump. A week later I joined The Atlantic. I do not retract the word capitulation. I note the sociology. My protest and my landing happened inside the same small set of rooms, and the passage from resignation to new masthead took seven days. Exits from my world are lateral.

Trump raises another anthropological problem. My theory of American history increasingly treats liberal universalism as the authentic American tradition and anti-liberal movements as recurring rebellions against it. In Rebellion, I trace Trump’s movement through earlier challenges to the American liberal project: slavery, Jim Crow, the Klan, the John Birch Society, Pat Buchanan and other forms of hierarchy or reaction. There is real continuity there. American history contains a genuine struggle over universal rights.

Yet notice what I am doing as a historian. I decide which American inheritance is America. One strand becomes the constitutional order and the competing strand becomes rebellion. Every nation tells history that way. The French republican tells France through the Revolution and treats Vichy as betrayal. The Russian nationalist tells Russia through imperial continuity and treats liberal interludes as foreign contamination. The Chinese Communist Party tells China through national rejuvenation and treats dissent as disruption. My story is morally different. It is structurally familiar. I construct a national self whose preferred principles are universal, then describe opponents as deviations from the authentic tradition. That may be the right interpretation. It is still an interpretation produced inside a tribe.

Now democracy versus autocracy. Here again I saw something early. The 1990s produced a powerful belief that economic modernization, globalization and rising prosperity would gradually dissolve authoritarian government. China would liberalize, Russia would converge, and international institutions would socialize states into common rules. I said no. Authoritarian regimes could modernize, cooperate with each other, and acquire wealth without acquiring liberal politics, and their success could make authoritarian political forms more attractive. Russia and China gave that argument considerable support.

My error came when I converted regime type into too much explanatory work. Democracies have interests. Autocracies have interests. Democracies sometimes cooperate with autocracies, autocracies sometimes fight one another, and states can clash over territory, status, resources and security even when they share domestic political systems. “Democracy versus autocracy” describes one axis of contemporary conflict. It does not replace geopolitics. If I let it replace geopolitics, I make the same mistake Fukuyama made from the other direction. He thought ideology was ending. I make ideology explain too much of what returned.

The better synthesis is less satisfying. Mearsheimer is right that nationalism and power politics survive liberalism. I am right that domestic regime type and ideology can affect foreign policy. Eastern Europeans were right that Russia presented a danger. Russians could perceive NATO enlargement as threatening without obtaining a veto over their neighbors. NATO could be both a voluntary defensive alliance and a strategic expansion from Moscow’s perspective. American power could both sustain a relatively open order and violate the rules of that order. The Iraq War could be sincerely intended to improve security and human freedom and still be a catastrophic exercise in overconfidence. Bosnia could justify one intervention without justifying the next one. History refuses to become doctrine. That is the sentence I have resisted for thirty years.

I write grand strategy because grand strategy makes history legible. America created an order. Autocracy challenges it. The jungle grows back. History returns. Anti-liberal rebellion threatens the republic. These metaphors do valuable work. They place events inside patterns. They also create protagonists: the liberal order, American power, democratic nations, authoritarian challengers. Once the cast is assigned, causation begins to follow morality. The liberal order acts to preserve stability while the autocrat seeks a sphere. The United States expands institutions while Russia expands power. We reassure, they threaten. We defend principles, they defend interests. The verbs carry the theory.

Anthropology would make me change the verbs. Washington has a culture. It has initiation rituals: graduate schools, think tanks, security clearances, council memberships, conferences, editorial pages, administrations in which yesterday’s think-tank fellow becomes tomorrow’s official and next year’s analyst explaining the policy he helped design.

I can make this concrete without leaving my house. My wife, Victoria Nuland, served as ambassador to NATO, as deputy national security adviser to Vice President Cheney, as assistant secretary of state for Europe under Obama, and as under secretary of state for political affairs under Biden. I wrote the arguments. She carried out the policy. My brother Frederick and his wife Kimberly run the Institute for the Study of War, which supplies the daily battlefield assessments that newspapers cite each morning of the Ukraine war. When critics describe the foreign-policy community as an interlocking elite reproduced through schools, appointments and marriage, they are describing my dinner table. For years I heard that observation as an insult. It is a census.

The community has status hierarchies too. Some fears confer seriousness and some fears mark you as naive. Munich is serious. Iraq made intervention less serious for a while. Ukraine made deterrence serious again.

And the community keeps no scoreboard. I forecast for thirty years: ground troops in Kosovo, success within reach in Iraq, enormous strides toward liberal democracy, a democratic transition in Egypt, an increasingly inevitable dictatorship. No institution ever tallied the record, and no editor asked to see it before publishing my next certainty. In my profession, a man who is wrong in good company outranks a man who is right from outside it. I benefited from that accounting rule my entire career.

The community remembers failures selectively because professional identity requires a usable past. I spent my career explaining how Russian nationalism reconstructs history to justify its present. I should have spent more time watching Washington do the ordinary human version of the same thing. Bosnia becomes the memory proving intervention works. Munich proves appeasement fails. World War II proves American withdrawal is dangerous. The Cold War proves containment backed by military power works. Iraq becomes an execution error, Libya an aberration, Vietnam an analogy people misuse. Every historical episode arrives pre-indexed for policy. That is a culture. It does not make the lessons false. It makes them selected.

The American foreign-policy establishment’s deepest belief is that American withdrawal is an action while American presence is a condition. If the United States reduces troops, we have “done” something. If we maintain bases on another continent for seventy years, that is the baseline. If NATO expands, the international order expands. If Russia responds, Russia changes the status quo. Sometimes that description is correct. Sometimes the baseline contains decades of previous choices. The hegemon’s greatest conceptual privilege is control of the zero point. I defended that privilege because I thought the world it produced was better. I still do.

This confession would be cheap if I concluded that American leadership was merely imperialism with nicer stationery. It was more than that. Postwar American power created public goods. It deterred aggression against allies, helped keep Western Europe at peace, and allowed Germany and Japan to remain powerful without becoming military threats to their neighbors. It protected small states that could not have balanced the Soviet Union or later Russia alone. It maintained an economic system from which countries far beyond America benefited, and it gave liberal dissidents in authoritarian societies an external source of support. The Baltic states are freer and more secure inside NATO than they would likely be in a Russian sphere. Bosnians did not imagine the shelling. Kosovar Albanians did not imagine the ethnic cleansing. Ukrainians did not imagine the tanks crossing their border. Power matters. The realist told me that. So did my father. So did history.

The correction is not restraint as a universal doctrine. Universal doctrines caused the problem. The correction is to put my own community back inside history. American liberal internationalism is a tradition. It emerged from particular experiences: world wars, the Holocaust, Pearl Harbor, the Cold War, the Marshall Plan, Germany, Japan, Bosnia, September 11. Each event altered what a particular American elite feared and what it believed power could accomplish. That tradition contains moral insights. It also contains professional interests, institutional habits, status systems, trauma, analogy and myth. Like every other political tradition I have studied.

Once I admit that, Iraq looks different. We did not simply miscalculate. Our culture supplied the miscalculation. We had recently watched American power apparently succeed in the Gulf War, Bosnia and Kosovo. We had watched the Soviet Union collapse, democracies spread across Eastern Europe, and dictatorships disappear in Latin America and Asia. We had come to believe that history had demonstrated both the universality of liberal aspiration and the unusual competence of American power at creating the conditions in which it could flourish. I criticized Francis Fukuyama for thinking history had ended. I carried more of the 1990s into Iraq than I understood.

Russia revealed the opposite failure. Because Iraq made American power look dangerous, many people became slow to recognize another kind of danger. Putin was not an American invention. Russia was not merely reacting. Authoritarian nationalism had agency. Great powers really do exploit weakness, small nations really can need protection, and sometimes the jungle grows back.

That is why the final accounting refuses to vindicate either tribe. The restraint camp has Iraq; I have Bosnia. The restraint camp has Libya; I have Poland. The restraint camp has the security dilemma; I have Ukraine. The restraint camp has nationalism; I have authoritarian power. The argument becomes useful only after both sides lose the right to turn their best case into a general law.

So what survives my career? The postwar order was unusually valuable, and American power contributed substantially to it. Authoritarian great powers did return. Russia was more revisionist and more dangerous than many Western policymakers wanted to believe. Eastern European countries had legitimate reasons to seek NATO membership. Bosnia demonstrated that military intervention can sometimes end horrors. Kosovo demonstrated something similar while also demonstrating that I could be wrong about the military means required. Trump demonstrated that liberal democracy possesses domestic vulnerabilities that complacent elites underestimated.

What fails? Iraq as a model of democratic transformation by force, and Libya as its confirmation. The assumption that aspirations for liberty tell us enough about the institutions that will follow dictatorship. The tendency to classify American coercion as order-maintenance and rival coercion as power politics without first examining whether the distinction is earned in the particular case. The habit of treating another country’s security fears as evidence of its pathology while treating ours as the structure of the international system. The belief that American leadership occupies a position outside ordinary nationalism.

And above all, the exemption. I granted my own political community an exemption from anthropology. Russian elites had historical trauma. Arab societies had tribal and religious attachments. European nations had nationalism. Trump voters had resentment and identity. The American national-security establishment had principles. That was too flattering. We had principles. We also had identity. We had a table where the tragic view of history was served with dinner, schools that stamped the type, letters we signed together, a scoreboard no one kept, and a capital that mistook its own tradition for the human condition.

I spent thirty years saying that a world without American power would revert to history. The deeper truth is that America never left history. Neither did the Kagans. Neither did I.

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