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The future I am most interested in is technology that expands what artists can do, rather than substitutes for them. As the tools become more powerful and accessible, authorship, taste and point of view become even more important.”
by Hana Shimizu
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It’s Hard To Work In The Dark
Ernie Schenck argues that the lack of collaboration in today’s advertising world is letting some of the best ideas die in the dark.
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No Fixed Address
Leading with curiosity, this Toronto-based ad agency has earned a reputation for fearless creativity in its campaigns.
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Brand New World
ONE23WEST’s Tim Hoffpauir explains why conversations about decolonization and representation aren’t just overdue—they’re essential if we want creativity to move forward rather than in circles.
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Jocelyn Zhao
This New York–based designer extends physical tactility into the digital realm by translating complex algorithms into resonant design.
What We're Reading
Sue Walsh on
why design is the methodology of hope
. Hari Krishnan on
how a visual becomes an idea
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Five Designers Share Their Treasured Finds
Gail Anderson, Elaine Lopez, Gabriel Amijai Benderski Perez, Helen Rabbitte and Lashun TInes share what keeps them inspired.
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Some of the most sophisticated creative processes are basically structured forms of play: move this, duplicate it, distort that, change the camera, try something weird and see what happens. I want more software to encourage that state.”
by Lionel Taurus
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The Three Most Frightening Words In Advertising: I. Am. Invisible.
While being king of the creative hill may be a temporary reign, Ernie Schenck reassures us that there is still value in our passion.
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